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A Letter from the Editor Juilee Decker Articles Collections Online: An Archival Approach to Digitization and Web Accessibility at the Archives of American Art Karen B. Weiss Imagining an Indigital Interface: Ara Irititja Indigenizes the Technologies of Knowledge Management Sabra Thorner Museums, Do You Copy? Standards on the Care and Handling of Facsimiles Exhibited in Museums Jocelyn Park Managing the Commonwealth Block Archaeological Assemblage: an Australian Case Study Charlotte H.F. Smith and Sarah Hayes Notes from the Archive: Epistolary Collecting in the University of Cambridge Museum of Archaeology and Anthropology Haidy Geismar Collecting Experiences: The Very Idea Miguel Tamen Book Reviews The Office Copying Revolution: History, Identification and Preservation by Ian Batterham Reviewed by Paul Kahan Museums in a Digital Age Edited by Ross Parry Reviewed by Susan Fishman-Armstrong Places of Pain and Shame: Dealing with ‘Difficult Heritage’ Edited by William Logan and Keir Reeves Reviewed by Laurel Racine
"Collections: A Journal for Museum and Archives Professionals" is a multi-disciplinary peer-reviewed journal dedicated to the discussion of all aspects of handling, preserving, researching, and organizing collections. Curators, archivists, collections managers, preparators, registrars, educators, students, and others contribute.
"Collections: A Journal for Museum and Archives Professionals" is a multi-disciplinary peer-reviewed journal dedicated to the discussion of all aspects of handling, preserving, researching, and organizing collections. Curators, archivists, collections managers, preparators, registrars, educators, students, and others contribute.
"Collections: A Journal for Museum and Archives Professionals" is a multi-disciplinary peer-reviewed journal dedicated to the discussion of all aspects of handling, preserving, researching, and organizing collections. Curators, archivists, collections managers, preparators, registrars, educators, students, and others contribute.
"Collections: A Journal for Museum and Archives Professionals" is a multi-disciplinary peer-reviewed journal dedicated to the discussion of all aspects of handling, preserving, researching, and organizing collections. Curators, archivists, collections managers, preparators, registrars, educators, students, and others contribute.
"Collections: A Journal for Museum and Archives Professionals" is a multi-disciplinary peer-reviewed journal dedicated to the discussion of all aspects of handling, preserving, researching, and organizing collections. Curators, archivists, collections managers, preparators, registrars, educators, students, and others contribute.
This first volume of the collection contains books 1 and 2 of the series: The City of Shifting Waters – in its original two-part, 9 pages longer format – and The Empire of a Thousand Planets. It also includes book 0, Bad Dreams, translated into English for the first time: the very first adventures of our two heroes, published after City and retroactively numbered. Finally, linking the volumes of this collection together, a long, exclusive interview with the authors and director Luc Besson is illustrated with new art as well as numerous sketches, studies and photographs from the latter’s upcoming big-screen adaptation.
This volume is part of the definitive edition of letters written by and to Charles Darwin, the most celebrated naturalist of the nineteenth century. Notes and appendixes put these fascinating and wide-ranging letters in context, making the letters accessible to both scholars and general readers. Darwin depended on correspondence to collect data from all over the world, and to discuss his emerging ideas with scientific colleagues, many of whom he never met in person. The letters are published chronologically: volume 25 includes letters from 1877, the year in which Darwin published Forms of Flowers and with his son Francis carried out experiments on plant movement and bloom on plants. Darwin was awarded an honorary LL.D. by Cambridge University, and appeared in person to receive it. The volume contains a number of appendixes, including two on the albums of photograph sent to Darwin by his Dutch, German, and Austrian admirers.
Lists and describes both published and unpublished choral works by some 100 Afro-American composers and arrangers, encompassing works representing all styles from four-part settings to avant-garde pieces. The bulk of the book is an annotated list of compositions in tabular form, organized alphabetically by composer's name, listing publication dates and number of pages, vocal ranges, type of accompaniment, publishers, and catalog number. Includes a listing of collections, biographical sketches, a discography, and addresses of publishers and composers. Useful for conductors and researchers. Annotation copyright by Book News, Inc., Portland, OR