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The catalogue is a detailed study of Oxford manuscripts of the Wycliffite Bible, the first complete translation of the Bible in English.
This interdisciplinary handbook provides extensive information about research in medieval studies and its most important results over the last decades. The handbook is a reference work which enables the readers to quickly and purposely gain insight into the important research discussions and to inform themselves about the current status of research in the field. The handbook consists of four parts. The first, large section offers articles on all of the main disciplines and discussions of the field. The second section presents articles on the key concepts of modern medieval studies and the debates therein. The third section is a lexicon of the most important text genres of the Middle Ages. The fourth section provides an international bio-bibliographical lexicon of the most prominent medievalists in all disciplines. A comprehensive bibliography rounds off the compendium. The result is a reference work which exhaustively documents the current status of research in medieval studies and brings the disciplines and experts of the field together.
In City Views in the Habsburg and Medici Courts, Ryan E. Gregg relates how Charles V, Holy Roman Emperor, and Duke Cosimo I of Tuscany employed city view artists such as Anton van den Wyngaerde and Giovanni Stradano to aid in constructing authority. These artists produced a specific style of city view that shared affinity with Renaissance historiographic practice in its use of optical evidence and rhetorical techniques. History has tended to see city views as accurate recordings of built environments. Bringing together ancient and Renaissance texts, archival material, and fieldwork in the depicted locations, Gregg demonstrates that a close-knit school of city view artists instead manipulated settings to help persuade audiences of the truthfulness of their patrons’ official narratives.
This book sheds light on the career of Samuel Prideaux Tregelles, and in doing so touches on numerous aspects of nineteenth-century British and European religious history. Several recent scholars have celebrated the 200th anniversary of the German textual critic Tischendorf but Tregelles, his contemporary English rival, has been neglected, despite his achievements being comparable. In addition to his decisive contribution to Biblical textual scholarship, this study of Tregelles’ career sheds light on developments among Quakers in the period, and Tregelles’s enthusiastic involvement with the early nineteenth-century Welsh literary renaissance usefully supplements recent studies on Iolo Morganwg. The early career of Tregelles also gives valuable fresh detail to the origins of the Plymouth Brethren, (in both England and Italy) the study of whose early history has become more extensive over the last twenty years. The whole of Tregelles’s career therefore illuminates neglected aspects of Victorian religious life.