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Excerpt from Collections and Proceedings of the Maine Historical Society, Vol. 2 of 4 Section of Martin Behaim's Globe, Map of Antonio and Niobolo Zeon, Part of Mercator's Globe of 1541, The Florentine Columbus. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Reprint of the original, first published in 1865.
Add to this the thousands of farms that have grown back to woods since the Civil War, and you have the most forested state, by percentage, in the United States. But the “uninterrupted forest” that Henry David Thoreau first saw in the 1840s was never exactly that. Loggers had cut it severely, European settlers had gnawed into it, and, much earlier, native people had left their mark. This book takes you deep into the past to understand the present, allowing you to hear the stories of the people and events that have shaped the woods and made them what they are today.
Bringing together 12 original essays, Shaping the American Interior maps out, for the first time, the development and definition of the field of interiors in the United States in the period from 1870 until 1960. Its interdisciplinary approach encompasses a broad range of people, contexts, and practices, revealing the design of the interior as a collaborative modern enterprise comprising art, design, manufacture, commerce, and identity construction. Rooted in the expansion of mass production and consumption in the last years of the nineteenth century, new and diverse structures came to define the field and provide formal and informal contexts for design work. Intertwined with, but distinct from, architecture and merchandising, interiors encompassed a diffuse range of individuals, institutions, and organizations engaged in the definition of identity, the development of expertise, and the promotion of consumption. This volume investigates the fluid pre-history of the American profession of interior design, charting attempts to commoditize taste, shape modern conceptions of gender and professionalism, define expertise and authority through principles and standards, marry art with industry and commerce, and shape mass culture in the United States.