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Excerpt from Collections of Objects of Religious Ceremonial in the United States National Museum The Board Of Regents Of the Smithsonian Institution in 1847 laid out a comprehensive program in all the departments Of human knowl edge and endeavor capable Of representation by collections. They included in the ethnological section religions as one of the subjects suitable for museum collections. During the course Of years Objects pertaining to religious cults formed a considerable part Of the series. In exhibiting its material the Museum adopted the plan Of treating special subjects independently Of areas or national limitations in order to show the history Of given ideas. In 1890 the question was taken up Of the possibility Of applying such treatment to religion, a subject important in the history Of humanity. There was doubt, however, in the minds Of many as to whether the abstract ideas which group themselves about the word religion could be adequately or even fairly portrayed through ceremonial Objects, numerous as they might be. Two members Of the staff were instructed, while abroad, to examine into this subject, with the result that, in 1891, it was decided to secure Objects Of religious ceremony with the view primarily to exhibit them at the World's Columbian Exposition in Chicago, and ultimately with the intention Of bringing them together for installation in the United States National Museum. At that time the tendency Of museums abroad, and somewhat among the students of the history Of religions generally, was to deal only with the religious practices and ideas Of the barbarous nations, and to treat but sparingly those of the more civilized and cultivated nations Of the earth. It was determined, in taking up the subject here, to adopt a course contrary to that hitherto followed, and to endeavor, from the educational point Of view, to interest the people in the history Of religion by leading them to the unknown. As it were. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Descriptive Catalogue of a Collection of Objects, of Jewish Ceremonial Deposited in the U. S. National Museum by Hadji Ephraim Benguiat Had]l Ephraim Benguiat, the owner of the collection here described, is the descendant of an illustrious Spanish Jewish family which traces its origin as far back as the beginning of the eleventh century. Many members of the family have distinguished themselves in Biblical and rabbinical learning, in philosophy and letters. The love for religious art has been a tradition in the family, and many of the objects of the collection are family heirlooms. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Loan Exhibition: Objects Used in Religious Ceremonies and Charms and Implements for Divination HE basis of this exhibition is a collection of idols and other objects lent to the Museum by the Board of Foreign Missions of the Presbyterian Church in the United States. These are indicated in the catalogue by the initials, B. F. M. P. C. The other specimens are the property of the Museum, or are lent by individuals whose names are given. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Based on two international conferences held at Cornell University and the Freie Universität of Berlin in 2010 and 2015, this volume is the first ever to explicitly address the destruction of plaster cast collections of ancient Mediterranean and Western sculpture. Focusing on Europe, the Americas, and Japan, art historians, archaeologists and a literary scholar discuss how different museum and academic traditions – national as well as disciplinary –, notions of value and authenticity, or colonialism impacted the fate of collections. The texts offer detailed documentation of degrees of destruction by spectacular acts of defacement, demolition, discarding, or neglect. They also shed light on the accompanying discourses regarding aesthetic ideals, political ideologies, educational and scholarly practices, or race. With destruction being understood as a critical part of reception, the histories of cast collections defy the traditional, homogenous narrative of rise and decline. Their diverse histories provide critical evidence for rethinking the use and display of plaster cast collections in the contemporary moment.