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Book 1: Step into the dark and mysterious world of “The House of the Seven Gables by Nathaniel Hawthorne.” Hawthorne's novel unfolds a haunting tale of a cursed family, secrets, and the enduring power of the past. This Gothic masterpiece explores themes of guilt, redemption, and the impact of ancestral sins on future generations. Book 2: Delve into the rich tapestry of short stories with “Mosses from an Old Manse by Nathaniel Hawthorne.” Hawthorne's collection showcases his mastery of the short story format, exploring themes of morality, sin, and the supernatural. Each tale offers a glimpse into Hawthorne's nuanced understanding of the human condition. Book 3: Experience the timeless exploration of sin and redemption in “The Scarlet Letter by Nathaniel Hawthorne.” Hawthorne's classic novel follows the life of Hester Prynne, a woman marked by the scarlet letter 'A' as a symbol of her adultery. This tale of passion, guilt, and societal judgment remains a compelling study of the human psyche and the consequences of moral transgressions.
Nathaniel Hawthorne was born at Salem, Mass., on July 4th, 1804. He led a shy and rather somber life with little encouragement to write, yet not wholly uncongenial in view of his temperament. His life is reflected in his "Twice-Told Tales" and other short stories, the product of his first literary period. In these stories, his understanding of men and women was displayed with great subtlety. He was forty-six years old when "The Scarlet Letter" appeared. It is considered his best work, and is a good demonstration of his unique and imaginative mind. In 1850, the year "The Scarlet Letter" appeared, he began "The House of the Seven Gables," a later romance or prose-tragedy of the Puritan-America as he knew it - missing art and the joy of life.
Reading the Roots is an unprecedented anthology of outstanding early writings about American nature--a rich, influential, yet critically underappreciated body of work. Rather than begin with Henry David Thoreau, who is often identified as the progenitor of American nature writing, editor Michael P. Branch instead surveys the long tradition that prefigures and anticipates Thoreau and his literary descendants. The selections in Reading the Roots describe a diversity of landscapes, wildlife, and natural phenomena, and their authors represent many different nationalities, cultural affiliations, religious views, and ideological perspectives. The writings gathered here also range widely in terms of subject, rhetorical form, and disciplinary approach--from promotional tracts and European narratives of contact with Native Americans to examples of scientific theology and romantic nature writing. The volume also includes a critical introduction discussing the cultural, scientific, and literary value of early American nature writing; headnotes that contextualize all authors and selections; and a substantial bibliography of primary and secondary sources in the field. Reading the Roots at last makes early American landscapes--and a range of literary responses to them--accessible to scholars, students, and general readers.