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Published for the first time in English, a final collection of essays by the renowned fabulist writer tours the visual world through explorations of subjects ranging from cuneiform and antique maps to Mexican temples and Japanese gardens.
This “brilliant collection of essays” and travelogues by the celebrated author of Invisible Cities “may change the way you see the world around you” (The Guardian, UK). Italo Calvino’s boundless curiosity and ingenious imagination are displayed in peak form in Collection of Sand, his last collection of new works published during his lifetime. Delving into the delights of the visual world—both in art and travel—the subjects of these 38 essays range from cuneiform and antique maps to Mexican temples and Japanese gardens. In Calvino’s words, this collection is “a diary of travels, of course, but also of feelings, states of mind, moods…The fascination of a collection lies just as much in what it reveals as in what it conceals of the secret urge that led to its creation” (from Collection of Sand). Never before translated into English, Collection of Sand is an incisive and often surprising meditation on observation and knowledge, “beautifully translated by Martin McLaughlin” (The Guardian, UK).
Longlisted for the National Book Award "Mind-blowing." —Kim Gordon DEADPAN, EPIC, AND SEARINGLY CHARISMATIC, A Sand Book chronicles climate change and climate grief, gun violence and bystanderism, state violence and complicity, mourning and ecstasy, sex and love, and the transcendent shock of prophecy, tracking new dimensions of consciousness for our strange and desperate times.
Sand and Pebbles presents the first complete English rendering of Shasekishū--the classic, popular Buddhist "Tale Literature" (setsuwa). This collection of instructive, yet often humorous, anecdotes appeared in the late thirteenth century, within decades of the first stirrings of the revolutionary movements of Kamakura Buddhism. Shasekishū's author, Mujū Ichien (1226-1312), lived in a rural temple apart from the centers of political and literary activity, and his stories reflect the customs, attitudes and lifestyles of the commoners. In Sand and Pebbles, complete translations of Book One and other significant narrative parts are supplemented by summaries of the remaining (especially didactic) material and by excerpts from Mujū's later work. Introduced by a historical sketch of the period, this work also contains a biography of Mujū. Illustrations, charts, a chronology, glossary of terms, notes, an extensive bibliography and an index guide the reader into a seldom seen corner of old Japan. Mujū and his writings will interest students of literature as well as scholars of Japanese religion, especially Buddhism. Anthropologists and sociologists will discover details of Kamakura life and thought unrecorded in the official chronicles of the age.
Sand Nigga is a fictional collection of short stories, poems, unsent letters, and confessions written by a man and a woman over the course of 1 year. The source of the book’s title, Sand Nigga is revealed in Story 6. Bula’s heartfelt writing is captivating, humorous, frank, subtle, and courageous. The book’s title story is a sharply poignant tale, which addresses imposed racism by older generations upon their unwilling and younger counterparts. In the story God Within, Bula’s finely tuned ear for combining irony and humor with compassion is very telling, as story’s protagonist asks the reader a series of questions and poses a seemingly radical scenario to allow for an imaginative adventure through America. Unsent Letters and Confessions take the reader on a journey through the comedic adventures of life, loves, losses, and triumphs. With each story, Bula creates believable and honest experiences in ordinary situations, which become extraordinary. The range of her talent and imagination is broad and yet focused. She has the unique ability to artistically create the worlds of the immigrant and the native, the man and the woman, the priest and the sermon, and the trillion-dollar corporations who seemingly rule the world.
Thirteen new stories by the celebrated writer, including two which he considers his greatest achievements to date, artfully blend elements from many literary geares.
Includes the stories The Congress, Undr, The Mirror and the Mask, August 25, 1983, Blue Tigers, The Rose of Paracelsus and Shakespeare's Memory.
Explaining the science contained in a simple assembly of grains—the most abundant form of matter present on Earth. Granular media—composed of vast amounts of grains, consolidated or not—constitute the most abundant form of solid matter on Earth. Granular materials assemble in disordered configurations scientists often liken to a bag of marbles. Made of macroscopic particles rather than molecules, they defy the standard scheme of classification in terms of solid, liquid, and gas. Granular materials provide a model relevant to various domains of research, including engineering, physics, and biology. William Blake famously wished “To See a World in a Grain of Sand”; in this book, pioneering researchers in granular matter explain the science hidden behind simple grains, shedding light on collective behavior in disordered settings in general. The authors begin by describing the single grain with its different origins, shapes, and sizes, then examine grains in piled or stacked form. They explain the packing fraction of granular media, a crucial issue that bears on the properties displayed in practical applications; explore small-scale deformations in piles of disordered grains, with particular attention to friction; and present theories of various modes of disorder. Along the way, they discuss such concepts as force chains, arching effects, wet grains, sticky contacts, and inertial effects. Drawing on recent numerical simulations as well as classical concepts developed in physics and mechanics, the book offers an accessible introduction to a rapidly developing field.
"An astounding epic novel of J.R.R. Tolkien proportions!" — Steven Pressfield, Bestselling author of Gates of Fire and The War of Art Raiders of the Lost Ark playing A Game of Thrones The Sand Sea takes place on an alternative Earth roiled by war and conquest that mirrors our own Gilded Age. The treasure that ignites greed and folly in this parallel world is not petroleum, but beserite—a mineral of immeasurable value. Captivated by an ancient prophecy and the call of adventure, inexperienced nobleman and scholar Peter Harmon (think of a young Winston Churchill-like naif) joins an expedition to stake his nation’s claim to a global empire. Harmon’s destination is a vast and inhospitable desert halfway around the world, dominated by the iron-fisted Grand Vizer Jemojeen Jongdar. A tyrant on a mission to secure the ancient and supernatural Staff of the Ram, the Lion, and the Serpent, Jongdar knows the truth that others can only imagine: The one who controls the staff will possess the power to rule the world. Before he can seize his destiny, Jongdar must find and destroy the one person capable of thwarting his ambition, the rightful heir to the Sand Sea realm, an innocent woman named Selena Savanar. Can the brave and indomitable Selena accept her true destiny and rally her people in the eye of a gathering storm? To do so will require her to outwit the man who burned her father alive and left her an orphan and beggar a lifetime ago. Or will Peter Harmon and the cadre of opportunists he rides with conquer the divided empire? With the mythic structure of J.R.R. Tolkien’s The Lord of the Rings trilogy in a world as rich and real as George R.R. Martin’s Westeros, The Sand Sea is an immersive experience made to order for epic fantasy fans and anyone who enjoys grand-scale historical fiction.
Between 1967 and 1974, Jim Henson and his longtime writing partner Jerry Juhl developed three drafts of a screenplay for a feature-length film entitled TALE OF SAND. It was durning the development of the later drafts of the screenplay that Jim Henson became involved in the production of SESAME STREET and THE MUPPET SHOW, and left behind the experimental filmmaking of his youth to concentrate on the creations that would in time make him a household name. TALE OF SAND remained in the vaults of The Jim Henson Company as the only feature-length screenplay written by Henson that he was never able to produce during his lifetime. Stunningly illustrated and adapted by acclaimed artist Ramon K. Perez (WOLVERINE AND THE X-MEN), the most critically acclaimed graphic novel of 2012-- winner of 3 Eisner Awards and 2 Harvey Awards including Best Graphic Album-- finally makes its digital debut on comiXology.