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This book contributes to better recognition and comprehension of the interconnection between archaeology and political pressure, especially imposed by the totalitarian communist regimes. It explains why, under such political conditions, some archaeological reasoning and practices were resilient, while new ideas leisurely penetrated the local scenes. It attempts to critically evaluate the political context and its impact on archaeology during the communist era world wide and contributes to better perception of the relationship between science and politics in general. This book analyzes the pressures inflicted on archaeologists by the overwhelmingly potent political environment, which stimulates archaeological thought and controls the conditions for professional engagement. Included are discussions about the perception of archaeology and its findings by the public. ​
The present catalogue is the fourth and final volume in a series that covers the Turkish manuscripts preserved in public libraries and museums in the Netherlands. This volume gives detailed descriptions of Turkish manuscripts in minor Dutch collections, found in libraries and museums in Leiden, Utrecht, Groningen and other towns.
In Soviet Archaeology: Trends, Schools, and History, Russian archaeologist Leo S. Klejn looks at the peculiar phenomenon that is Soviet archaeology and how it differs to Western archaeology and the archaeology of pre-revolutionary Russia. Klejn shows that Soviet archaeology was not a monolithic block as Soviet ideologists attempted to represent it, but rather it was divided into competing schools and trends and, even under the veil of Marxist ideology,was often closely related to the movements occurring in western archaeology. As an archaeologist working during the turmoil of the Soviet government's rule over Russia, Klejn's scholarly account is laid out in ajournalistic manner, tracing the history of archaeology in Russian from 1917 to beyond 1991, as well as recounting the lives and fates of leading Soviet archaeologists in vivid descriptions with accompanying photographs.
Based on research in the Dutch State and Foreign Office archives, these essays examine the impact of banditry in western Anatolia on local Dutch communities, Dutch relations with Armenia (1913-1923), 'pan-Islamism' and Dutch colonialism, and Dutch visits to Ottoman ports.
Elias John Wilkinson Gibb (1857-1901) was a Scottish Orientalist who was born and educated in Glasgow. After studying Arabic and Persian, he developed an interest in Turkish language and literature, especially poetry, and in 1882 he published Ottoman Poems Translated into English Verse in the Original Forms. This was a forerunner to the six-volume classic presented here, A History of Ottoman Poetry, published in London between 1900 and 1909. Gibb died in London of scarlet fever at the age of 44, and only the first volume of his masterpiece appeared before his death. His family entrusted to his friend Edward Granville Browne (1862-1926), a distinguished Orientalist in his own right who had made a special study of Babism, the task of posthumously publishing the five remaining volumes. Browne characterized the work as "one of the most important, if not the most important, critical studies of any Muhammadan literature produced in Europe during the last half-century." The first volume contains a long and compelling introduction by Gibb on the entire subject, in which he argues that Ottoman poetry often rose and fell in tandem with Ottoman power. Gibb divides Ottoman poetry into two great schools, the Old or Asiatic (circa 1300-1859), which generally was characterized by its deference to Persian influences; and the New or European (from 1859 onward), which was influenced by French and other Western poetry. According to Gibb, the Old or Asiatic School went through a four periods: a formative period (1300-1450); a period (1450-1600) in which works were modeled after the Persian poet Jami; a period (1600-1700) dominated by the influences of Persian poets Urfi Shirazi and Saʼib Tabrizi; and a period of uncertainty that lasted until 1859. The European school that followed was inaugurated by Ibrahim Sinasi (1826-71), who in 1859 produced a small but momentous collection of French poetry translated into Turkish verse. The influence of the collection was far-reaching and eventually changed the course of Ottoman poetry. Gibb is known for his masterful translations that brilliantly render into English both the meaning and the form of Ottoman, Persian, and Arabic poetry. For almost a century after his death, a family trust financed the Gibb Memorial Series of editions and translations into English of Arabic, Persian, and Turkish texts.
Some justification seems to be necessary for the addition of yet another History of Iranian Literature to the number of those already in existence. Such a work must obviously contain as many novel features as possible, so that a short explanation of what my collaborators and I had in mind when planning the book is perhaps not superfluous. In the first place our object was to present a short summary of the material in all its aspects, and secondly to review the subject from the chronological, geo graphical and substantial standpoints - all within the compass of a single volume. Such a scheme precludes a formal and complete enumeration of names and phenom ena, and renders all the greater the obligation to accord most prominence to matters deemed to be of greatest importance, supplementing these with such figures and forms as will enable an impression to be gained of the period in question - all this is far as possible in the light of the most recent discoveries. A glance at the table of contents will suffice to give an idea of the multifarious approach that has been our aim. We begin at the very first traces of evidence bearing on our subject and continue the narrative up to the present day. Geographically the book embraces Iran and its neighbouring countries, while it should be remarked that Iranian literature in its fullest sense also includes Indo-Persian and Judeo-Persian works.
Inventaris van de archieven en verzamelingen van het Internationaal Instituut voor Sociale Geschiedenis te Amsterdam.
Includes foundational ideas/papers about the science of rarity conservation. -- taken from review on vendor's site