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Images and descriptions of art objects that represent the scope of the museum's collecting.
Collecting Paradise features Buddhist objects, including manuscripts, paintings and sculptures in ivory, metal and wood, dating from the 7th to 17th centuries. With 44 objects, the exhibition presents an original and innovative look at art from the region of Kashmir and the Western Himalayas, as well as how it has been collected over time. The catalogue features essays by a leading scholar in the field, Robert Linrothe of Northwestern's Weinberg College of Arts and Sciences, with the support of Christian Luczanits of SOAS, University of London.
An intimate look into the private collection of the legendary MoMA curator This volume documents the art collection of MoMA curator William Rubin (1927-2006) and his impact on modern art in the US. Renowned as Director of Painting and Sculpture at the Museum of Modern Art from 1967 to 1988, Rubin was recognized for his unprecedented acquisitions for MoMA's collection and the groundbreaking exhibitions that showcased them, which were accompanied by monographs that have become essential art historical reading. This publication focuses on Rubin's private collection, providing rare insights into how he lived, what he wrote and the objects with which he surrounded himself. This 400-page book accompanies a traveling international exhibition of the collection and is sumptuously illustrated with full-page plates and details.
Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.
Offbeat Museums contains profiles of the curators and collections of America's most unusual museums. From the Banana Museum in California to the Tragedy in U.S. History Museum in Florida, Saul Rubin takes you on a guided tour of the United States' strangest institutions, and introduces you to the offbeat people who run them. Included among the places you will visit are: Cockroach Hall of Fame The Museum of Questionable Medical Devices Mister Ed's Elephant Museum The Museum of Jurassic Technology The Mütter Museum Houdini Historical Center UFO Enigma Museum The Museum of Menstruation Nut Museum 50 museums in all! In the age of cable television and the World Wide Web it's easy to smugly believe that we've seen it all. Such institutions as the Museum of Death, the Museum of Bathroom Tissue, and the Glore Psychiatric Museum suggest otherwise. By stepping outside the mainstream, these offbeat museums meet and even surpass the promise of more traditional museums: To amaze, inspire and enlighten the public. So turn off the TV, log off the Net, and letOffbeat Museums take you on a journey of unexpected wonder and discovery!
Peek into some of New York City's other museums. Travel to museums and experience exhibits through the authors' eyes with this informative vignettes. Readers will enjoy having a profile of the city's art community in the palms of their hands. Eighty-one museums are featured along with photographs, directions, helpful tips, and the authors' impressions. From the Museum of American Illustration to the Rubin Museum of Art, visitors and natives alike will delight in these unique gems.
A rich compendium of Estes' virtuosic photorealist paintings, which capture light and reflections in brilliant detail Richard Estes (b. 1932) is one of the most celebrated adopters of Photorealism; his paintings are characterized by painstaking detail that mimics the clarity and accuracy of photographs. Estes' most famous canvases from the 1970s depict New York's urban landscape, and his manner of painting reflections in a multitude of metal and glass surfaces displays astounding technical skill. In his subsequent career, Estes has continued to demonstrate his superlative ability to show complex plays of light and shadow in Maine seascapes, views of Venetian lagoons, and nighttime street scenes. Accompanying Estes' first solo exhibition of paintings in the United States in over two decades, Richard Estes' Realism surveys fifty years of his work and places him within the historical narrative of realist painting. The authors explore the ongoing modernist dialogue between camera and canvas, and discuss the situation of Estes' work at the crossroads of painting and photography. Fifty full-page plates showcase the amazing precision of Estes' paintings, and a thorough chronology and bibliography provide an enlightening account of his life. This handsome book offers a lavish presentation of Estes' spellbinding body of work that attests to his enduring artistic impact. Distributed for the Portland Museum of Art and the Smithsonian American Art Museum Exhibition Schedule: Portland Museum of Art (05/22/14-09/07/14) Smithsonian American Art Museum (10/10/14-02/08/15)
This magnificent volume explores the epochal transformations and unexpected continuities in the Byzantine Empire from the 7th to the 9th century. At the beginning of the 7th century, the Empire's southern provinces, the vibrant, diverse areas of North Africa and the eastern Mediterranean, were at the crossroads of exchanges reaching from Spain to China. These regions experienced historic upheavals when their Christian and Jewish communities encountered the emerging Islamic world, and by the 9th century, an unprecedented cross- fertilization of cultures had taken place. This extraordinary age is brought vividly to life in insightful contributions by leading international scholars, accompanied by sumptuous illustrations of the period's most notable arts and artifacts. Resplendent images of authority, religion, and trade—embodied in precious metals, brilliant textiles, fine ivories, elaborate mosaics, manuscripts, and icons, many of them never before published— highlight the dynamic dialogue between the rich array of Byzantine styles and the newly forming Islamic aesthetic. With its masterful exploration of two centuries that would shape the emerging medieval world, this illuminating publication provides a unique interpretation of a period that still resonates today.
Highlights from the Peabody Essex Museum’s Herwitz Collection of Indian art, the preeminent public collection outside of India A revolutionary art movement asserted itself in India between the declaration of independence at midnight on August 15, 1947, and the economic boom of the 1990s. This is the first in-depth study of the three generations of artists responsible for critical shifts in the development of India’s modernist art. Their achievements and the country’s unprecedented boom ushered India’s modern and contemporary art into a new era of globalism, a soaring international market, and an explosion in the media and technologies of art. After independence, India’s artists faced a particular artistic challenge: how to express the new nation’s distinctive character while entering a global discourse focused on modernism’s universal premises of experimentation and shared human values. In the absence of a dominant aesthetic, painters could turn where they wished and blend as they liked—from Abstract Expressionism to Tantric spiritualism; from Rajasthani painting to changes in India’s complex politics, religions, classes, and vernacular life. The contributors to this beautifully illustrated publication bring a deep knowledge of both India and modern and contemporary art: Susan S. Bean, Curator of South Asian and Korean Art at the Peabody Essex Museum; Homi K. Bhabha, Harvard University; Rebecca M. Brown, Johns Hopkins University; Beth Citron, Rubin Museum of Art; Ajay Sinha, Mount Holyoke College; and Karin Zitzewitz, Michigan State University.