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Collecting China is a unique collection of essays that brings together theories of materiality and what collecting has meant to various peoples over time. Collecting China grew out of a simple question: how does a thing become Chinese? Fifteen essays explore this question from different angles, ranging from close examination of world-renowned private collections to critical reinterpretations of historical writings.
Renée is the spoiled daughter of a respectable, but untitled French family. She eschews convention until the deeds of her brother Henri make her realize the value of propriety.
Edmond de Goncourt’s four solo novels are not simply extensions of the Goncourt brothers’ joint project, but attempts to deviate from the Naturalism with which their name had come to be associated. By analysing paratexts, the relationship between documentation and fiction, as well as plot devices and themes, this study links the evolution of Goncourt’s fiction to wider literary debates surrounding Naturalism, Decadence and the renewal of the novel in fin de siècle France. In bringing Goncourt’s writings to an English-speaking public, it will be of interest to students and scholars of the literary history of late-nineteenth-century France.
Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris examines a history of contact between modern Europe and East Asia through three collectors: Henri Cernuschi, Emile Guimet, and Edmond de Goncourt. Drawing on a wealth of material including European travelogues of the East and Asian reports of the West, Ting Chang explores the politics of mobility and cross-cultural encounter in the nineteenth century. This book takes a new approach to museum studies and institutional critique by highlighting what is missing from the existing scholarship -- the foreign labors, social relations, and somatic experiences of travel that are constitutive of museums yet left out of their histories. The author explores how global trade and monetary theory shaped Cernuschi's collection of archaic Chinese bronze. Exchange systems, both material and immaterial, determined Guimet's museum of religious objects and Goncourt's private collection of Asian art. Bronze, porcelain, and prints articulated the shifting relations and frameworks of understanding between France, Japan, and China in a time of profound transformation. Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris thus looks at what Asian art was imagined to do for Europe. This book will be of interest to scholars and students interested in art history, travel imagery, museum studies, cross-cultural encounters, and modern transnational histories.
Manette Salomon is one of the masterpieces of European literature-a panorama of the world of the painters of France during the mid-nineteenth century-the schools, the studios, the salons-the successes and failures, the magnificent inspirations and the crushing disillusions of the artists.
Donated: Margaret A. Bailey Art Collection.
Without a doubt, Katsushika Hokusai is the most famous Japanese artist since the middle of the nineteenth century whose art is known to the Western world. Reflecting the artistic expression of an isolated civilisation, the works of Hokusai - one of the first Japanese artists to emerge in Europe - greatly influenced the Impressionist and Post-Impressionist painters, such as Vincent van Gogh. Considered during his life as a living Ukiyo-e master, Hokusai fascinates us with the variety and the significance of his work, which spanned almost ninety years and is presented here in all its breadth and diversity.