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This 2-volume set represents the fourth in a comprehensive six-part series that catalogues the world-class collection of paintings at the Cleveland Museum of Art. 234 colour & 150 b/w illustrations
Aerial photography has revealed the striking, widespread phenomenon of repeating patterns of vegetation in more arid areas of the world. Two interdependent phases, bands of dense and sparse vegetation, alternate in the landscape. This volume synthesizes half a century's accumulated knowledge of both theoretical and applied landscape function from a variety of these regions. It covers structure, dynamics, and methods of study, as well as disturbances to these landscapes and relevant management issues. Various chapters discuss the role of modeling in answering questions about the origins and complex processes of banded landscapes.
This publication offers an account of the unfolding of political and civilian conflict in Mali and the efforts to contain it, and an analysis of which efforts to restore peace were effective and why. It also examines the role of the international community, especially the United Nations, in helping the Malian Government to restore peace and to re-integrate its disaffected populations and refugees back into civilian life.--Publisher's description.
The Congo Basin comprises Cameroon, Central African Republic, the Democratic Republic of Congo, the Republic of Congo, Equatorial Guinea and Gabon. It covers close to 70% of the forestlands of Africa. Of the 530 million hectares in the Congo Basin, 300 million are composed of forests: 99% of these are primary or naturally regenerated forests, as opposed to plantations.
The 2010 State of the Forest report (SOF) benefited from financial support from the European Union, the United States, Germany, France and UNESCO. It represents the collaborative effort of over 100 individuals from a diversity of institutions and the forestry administrations of the Central African countries. The SOF process began with the selection and definition of indicators relevant to monitoring the state of forests in Central Africa. The indicators are structured around three thematic areas: (i) forest cover; (ii) management of production forests; and (iii) conservation and biodiversity. They are presented in a hierarchical structure at the regional, national and management unit (i.e. logging concessions and protected areas) levels. The indicators were vetted by a representative panel of stakeholders of forest management in Central Africa. The indicators are used to guide an annual data collection process carried out between April and August by national groups of four to ten individuals working within the forestry administrations. The data reported on in the 2010 SOF were primarily collected in 2009 and 2010. Results were validated in national workshops attended by government officials as well as representatives of environmental NGOs, the private sector and development projects. The data provided an important basis for the authors of the 11 chapters of the 2010 SOF, which were under the coordination of a scientific committee of international renown. A final workshop was held 29-30 March, 2011 in Douala to review a draft report. Following amendments based on comments from a wide audience of experts the final layout was completed.
Forest Echoes is a literary quilt revealing a mature poet bestriding generations as he patches together a people's culture, their philosophy, history, along with their attendant woes into a subtle, sometimes disillusioning even, yet purposeful and poignant whole. Nol Alembong is not afraid to be himself in this work: a scholar, teacher, parent, traditionalist and, above all, an Anglophone-Cameroonian. Whatever the case, these are magisterial and equally influential individual traits that have merged into a united whole in forging this poet's identity and concerns as evident from the thematic panorama of the poems. In "Forest Echoes", the title poem, for example, one encounters a poet who, though steeped in his people's struggles, has been able to stand back, watch and evaluate the effects of the interactions of time, events, and society. It is this ability of his, as an involved yet detached observer, along with the trend of events that have scarred his people's lives, which have yielded the powerful emotions that he has assembled in this thematically lush, historically nostalgic, and overwhelmingly evocative collection." - Dr. Emmanuel Fru Doh
A beautifully produced catalog of one of the great art collections of the modern age. Paul Cézanne, Pierre-Auguste Renoir, Claude Monet, and many others--between 1936 and 1956 the Swiss industrialist Emil Bührle (1890-1956) amassed an impressive collection of French Impressionism and more. As the owner of the largest weapons factory in his country he had close links to the world-changing events of World War II and the early Cold War. Initially Bührle acquired works almost exclusively in Switzerland; then, from 1951 onward, he rapidly expanded his collection, thanks in part to his business contacts in the United States. This book illustrates the colorful history of the Bührle collection, which includes a total of 633 works, and examines its importance to modern art collections in Germany, Switzerland, and the United States. The survey is complemented by contributions from a number of authors who reflect on seventy masterpieces in the collection, from the old masters to Picasso.
Negritude has been defined by Léopold Sédar Senghor as "the sum of the cultural values of the black world as they are expressed in the life, the institutions, and the works of black men." Sylvia Washington Bâ analyzes Senghor's poetry to show how the concept of negritude infuses it at every level. A biographical sketch describes his childhood in Senegal, his distinguished academic career in France, and his election as President of Senegal. Themes of alienation and exile pervade Senghor's poetry, but it was by the opposition of his sensitivity and values to those of Europe that he was able to formulate his credo. Its key theme, and the supreme value of black African civilization, is the concept of life forces, which are not attributes or accidents of being, but the very essence of being. Life is an essentially dynamic mode of being for the black African, and it has been Senghor's achievement to communicate African intensity and vitality through his use of the nuances, subtleties, and sonorities of the French language. In the final chapter Sylvia Washington Bâ discusses the future of Senghor's belief that the black man's culture should be recognized as valid not simply as a matter of human justice, but because the values of negritude could be instrumental in the reintegration of positive values into western civilization and the reorientation of contemporary man toward life and love. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.