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'A Flower Wedding: Described by Two Wallflowers' by Walter Crane is an exquisitely illustrated poem that transports readers to a joyous wedding celebration in 1905. Immerse yourself in the charming tale of Lad's Love and Miss Meadow Sweet as their love blossoms amidst a garden filled with a kaleidoscope of flowers. Crane's masterful artistry brings each page to life, with intricate illustrations capturing the essence of every bloom.
The adventures of the three Darling children in Never-Never Land with Peter Pan, the boy who would not grow up.
Agnes and Egerton Castle's 1914 work describes the garden and gardening of "Villi no Loki" in the southern moorlands of Surrey, with background information on the people and events of the area.
One evening, Hare rushes home with news of a party he's seen -- little Grey Rabbit and Squirrel hurry out to take a look at the wonderful sight, and return home determined to have their own party... But how do you throw a party? Armed with Wise Owl's 'how to give a party' book, the preparations begin. There are Forfeits, and Invitations, and Thimbles, and RSVP and Iced Cake to remember. Hare takes charge of Turn the Trencher, and little Grey Rabbit busies herself writing invitations. Then there is food to prepare -- what a mixing, stirring and tasting! Finally the guests arrive in their best clothes, and the fun begins. Even Wise Owl enjoys himself...though he doesn't quite play by the rules of Hunt the Thimble! AGE 4-8 as well as adults who will remember Little Grey Rabbit from their own childhoods.
This book presents highlights from the collection of Maida and George Abrams, arguably the finest private collection of Dutch seventeenth-century drawings in the world. The works range from studies by renowned masters - including Pieter Bruegel the Elder, Rembrandt van Rijn, Jacob van Ruisdael, Jacques de Gheyn II, Hendrick Goltzius, Hendrick Avercamp, among others - to drawings by lesser-known draftsmen whose contributions are essential to understanding the art of the period.
In the seventeenth and eighteenth centuries, Haarlem's thriving art community made the city an important center of artistic activity, second only to Amsterdam in influence. Inventories from this period serve as key implements in describing collectors' tastes, and they also provide information about the social habits of living among and displaying luxury goods. This book transcribes for the first time a selection of one hundred twelve important documents discovered by author Pieter Biesboer in the notarial archives of Haarlem. It also contains indexes by artist and subject, as well as a list of more than thirty-five hundred documents in which art objects are listed, found in the Archiefdienst voor Kennemerland in Haarlem. Biesboer's introductory essay provides an in-depth survey of the history of collecting in Haarlem during the seventeenth and early-eighteenth centuries. The inventories of citizens, patricians, merchants, artists, and silversmiths are included, along with the inventories of the Convent of Saint Jan, the Prinsenhof, Saint Elisabeth's Hospital, the Old Men's Almshouse, the Orphanage, and other almshouses. Together they present a comprehensive look at commissioned paintings for public buildings and institutions by artists such as Cornelis Cornelisz van Haarlem, Frans Hals, Johannes Verspronck, and Cornelis Holsteijn. In addition to paintings, Biesboer catalogues a small number of drawings, porcelain, lace, sculpture, and jewelry.
Through history artists have often worked on both sides of a piece of paper. But they rarely had the option to decide which side to display. With the 20th century, however, this changed. An interesti ng Fogg Art Museum show from which this catalogue is derived was the first to display the front and back of great works. Described are paper