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Published in conjunction with an exhibition organized by the Baltimore Museum of Art, the Jewish Museum, New York, and the Vancouver Art Gallery and held at the Jewish Museum, New York, May 6-Sept. 25, 2011 and at the Vancouver Art Gallery.
"Matisse in The Cone Collection: The Poetics of Vision is an exploration of the artist's work through the rich holdings of The Baltimore Museum of Art - one of the most comprehensive collections of Matisse's art in the world. The Cone sisters, Claribel and Etta, acquired their first works by Henri Matisse in 1906 and, over the next four decades, went on to collect major examples from almost every phase of his long career. Although best known for his vibrant paintings of exotically dressed young models and lush interiors, Matisse also worked in sculpture and drawing, often using these mediums to explore a single artistic idea in various ways. As revealed in The Cone Collection, Matisse expressed his love of color, texture, and pattern throughout a career that spanned many styles, from Impressionism to near abstraction."--Jacket.
Published to accompany an exhibition held at the San Francisco Museum of Modern Art, May 21-Sept. 6, 2011, the Reunion des Musees Nationaux-Grand Palais, Paris, Oct. 3, 2011-Jan. 16, 2012, and the Metropolitan Museum of Art, New York, Feb. 21-June 3, 2012.
"This exhibition explores the 43-year friendship between artist Henri Matisse (1869-1954) and Baltimore collector Etta Cone (1870-1949). More than 160 paintings, sculptures, prints, drawings, and illustrated books provide new insights into the formation of the renowned Cone Collection, one of the greatest collections of modern art in the United States. Etta, with her older sister Claribel (1864-1929), acquired more than 700 works by Matisse between 1906 and 1949 and bequeathed the majority of them to the BMA as part of a gift of 3,000 objects. Etta's dedication and curiosity ultimately lent the Cone collection its characteristic depth and breadth. After accepting Etta's invitation to visit her in Baltimore in 1930, Matisse realized he could have a major U.S. presence, and began creating and offering Etta specific works of art with the Cone collection in mind." Among these works are masterpieces such as The Yellow Dress (1929-31) and Large Reclining Nude (1935), rarely shown drawings, and the preliminary studies for his first illustrated book, Poems by Stéphane Mallarmé (1932). The works in the exhibition are generally arranged by acquisition date, demonstrating Cone's increasingly discerning eye for Matisse's work throughout their long partnership. A fully illustrated catalog accompanying the exhibition contains new scholarship on the formal, technical, and social aspects of the decades-long working partnership between artist and patron.
The wealthy Moscow merchants Sergei Shchukin and Ivan Morozov were responsible for bringing a remarkable group of impressionist and postimpressionist French paintings to Russia, among them an exemplary collection of the works of Henri Matisse. Relying on his sensibility and self-confidence, Shchukin confronted a Russian society that ridiculed his eccentricities, and from 1908 to 1914 he assembled an exceptional collection of Matisse's works - thirty-seven paintings - with which he decorated his house in Moscow. Morozov was equally appreciative of the painter and, although a more modest collector, acquired eleven canvases. Between them, these two men made Russia the first foreign country to import Matisse's works. Collecting Matisse provides a fresh interpretation of a crucial period in the artist's career - the early years of Fauvism, when he decisively turned toward color as the essential element of painting - and one that radically marked the development of modern art as a whole. Matisse's work was known in Russia as early as 1904, and Shchukin's commission for the great decorative panels La Danse and La Musique revolutionized the Moscow art world. A penetrating text and previously unpublished archival material make this book an essential study on Matisse and his 1911 visit to Russia, where he discovered with fascination Russian icons, tasted the delights of the salons, and unleashed the commentaries of a hostile press, which are included here in large extracts. The following year, Matisse left for Tangier and there produced a stunning series of canvases, which the two Russian collectors acquired with enthusiasm. The correspondence published here for the first time, bears eloquenttestimony to the ties of friendship and admiration that united painter and collectors. The beautiful illustrations and rare period photographs of the Shchukin and Morozov mansions and collections complement the impressions Matisse gathered in the Russian capital and demonstrate their importance for the evolution of his art.
They were friends with Picasso and Matisse. They ran in the same circles as Gertrude and Leo Stein. They avidly purchased works by Manet, Gauguin, Cezanne, Seurat, and Degas at a time when other Americans didn't. They were two Victorian women from Baltimore buying avant-garde art in Paris, attending salons with friends, and building a collection that would initially puzzle and eventually awe the art world. Over a period of fifty years, sisters Caribel and Etta Cone amassed one of the most acclaimed collections of late-nineteenth and twentieth-century art in America. Dr. Claribel and Miss Etta were two halves of an idiosyncratic team who used the fortures of their German Jewish immigrant family to seek out works that imspired and pleased them, regardless of public opinion. This richly illustrated biography documents their lives from a unique perspective: that of their great-niece and their great-great-niece. Ellen B. Hirschland and her daughter Nancy Hirschland Ramage delve into Claribel's and Etta's world, following the sisters through letters and personal stories as they travel to meet the artists whose work would turn their adjoining apartments into a virtual museum. The sisters' experiences in Paris in the 1910s and 1920s provide an exceptional view of the bright artistic ferment in the city at that time. Only time would vindicate their keen vision and unwavering taste.
Includes list of Matisse exhibitions at MoMA, publications on Matisse issued by MoMA, donors of works by Matisse in the MoMA collection; and detailed catalog notes.
"Recounts the publication history of nearly fifty books illustrated by Henri Matisse, including Lettres portugaises, Mallarmae's Poaesies, and Matisse's own Jazz. Explores his illustration methods, typographic precepts, literary sensibilities, and opinions about the role of the artist in the publication process"--Provided by publisher.
The Hahnloser Collection was created in the early twentieth century in close friendly exchange between the collectors Arthur and Hedy Hahnloser-Bühler and their famous artist friends. The publication presents some 120 works providing an overview of this unique international collection of Swiss and French modernism as well as illustrating its exemplary cultural-political character.00The catalogue sheds light on the collectors? close contact with their artist friends including Pierre Bonnard, Ferdinand Hodler, Henri Matisse and Félix Vallotton. It provides an insight into unknown aspects of the artists? lives, their creative work and the motivation and passions of the collectors themselves. Today the collection is largely in the possession of the collectors? heirs or has been donated to the art museums of Bern and Winterthur.00Exhibition: Albertina Museum, Wien, Austria (22.02. - 23.05.2020).