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Marbles evoke memories of childhood and simpler times; perhaps this is why they are collected with such enthusiasm! Marble fans won't want to go without this fantastic reference, which has been the standard collecting guide since its first publication nearly 35 years ago. Collecting Antique Marbles not only provides up-to-date pricing information, it provides collecting tips and advice on the hobby every collector should know. This long-awaited 4th edition provides a full-color look at the rarest and most collectible marbles in the world, aiding in identification and giving marble enthusiasts an eyeful of what's out there. A history of marble types and manufacturers is included in the book, as well as important information on spotting fakes and reproductions. A new chapter on Carpet Bowls joins updated chapters on German Swirls, Onionskins, Clambroths and Indians; Lutz; Sulphides and End-of-Day; Transition and Machine-Made, and many more.
Marbles evoke memories of childhood and simpler times; perhaps this is why they are collected with such enthusiasm! Marble fans won't want to go without this fantastic reference, which has been the standard collecting guide since its first publication nearly 35 years ago. Collecting Antique Marbles not only provides up-to-date pricing information, it provides collecting tips and advice on the hobby every collector should know. This long-awaited 4th edition provides a full-color look at the rarest and most collectible marbles in the world, aiding in identification and giving marble enthusiasts an eyeful of what's out there. A history of marble types and manufacturers is included in the book, as well as important information on spotting fakes and reproductions. A new chapter on Carpet Bowls joins updated chapters on German Swirls, Onionskins, Clambroths and Indians; Lutz; Sulphides and End-of-Day; Transition and Machine-Made, and many more.
More than 500 color photos display marbles of all types, including Indians, Aggies, Steelies, transitionals, M.F. Christensen & Son, Akro Agate and more.
A first-of-kind book on marble collecting for beginners interested in learning about how to identify and value old marbles.
Swirl marbles comprise one of the largest categories of antique marbles. With 851 color photograph, this book displays swirl marbles from banded and clambroth swirls to latticinio core and ribbon core swirls. The text explains each swirl marble type and provides tables of prices.
This book provides a comprehensive guide to the actual selling prices of marbles during the past year. Utilizing a database of prices realized from over 6,000 marbles at auction during the past year, the author provides catalogue descriptions, pictures and values. Listings are categorized by marble type, allowing for easy reference for the collector.
Over 590 color photos display machine-made marbles from the twentieth century, including the most extensive collection of marble packaging ever assembled. Marble factories whose products and packaging are displayed include Akro Agate, Christiansen Agate, Davis Marble, Heaton Agate, Kokomo Opalescent, Libbey-Owens-Ford, Marble King, Peltier, Ravenswood, and Vitro. Values are included in the captions.
Over 520 color photographs display the top-selling marbles from a wide range of categories, including banded, lutz, onionskin, paperweight, and slag, from many major manufacturers. Auction values are provided with each marble illustrated as well as 8,000 additional marbles, making this the most thorough guide available.
In Ancient Marbles in Naples in the Eighteenth Century Eloisa Dodero aims at documenting the history of numerous private collections formed in Naples during the 18th century, with particular concern for the “Neapolitan marbles” and the circumstances of their dispersal. Research has thus made it possible to formulate a synthesis of the collecting dynamics of Naples in the 18th century, to define the interest of the great European collectors, especially British, in the antiquities of the city and its territory and to draw up a catalogue which for the first time brings together the nucleus of sculptures reported in the Neapolitan collections or coming from irregular excavations, most of which shared the destiny of dispersal, in some cases here traced in definitive fashion.