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Special areas: Japanese language, festivals, Noh theatre.
The Japanese dramatic art of Noh has a rich six-hundred-year history and has had a huge influence on Japanese culture and such Western artists as Ezra Pound and William Butler Yeats. The actor and playwright Zeami (1363–1443) is the most celebrated figure in the history of Noh, with his numerous outstanding plays and his treatises outlining his theories on the art. These treatises were originally secret teachings that were later coveted by the highest ranks of the samurai class and first became available to the general public only in the twentieth century. William Scott Wilson, acclaimed translator of samurai and Asian classics, has translated the Fushikaden, the best known of these treatises, which provides practical instruction for actors, gives valuable teachings on the aesthetics and spiritual culture of Japan, and offers a philosophical outlook on life. Along with the Fushikaden, Wilson includes a comprehensive introduction describing the historical background and philosophy of Noh, as well as a new translation of one of Zeami's most moving plays, Atsumori.
Presents a translation of Fushikaden', the fifteenth-century classic text by Zeami, founder of the No theatre. After describing the art of the theatre, this book provides teachings on the aesthetics and spiritual culture of Japan. It is accompanied by an introduction and a translation of one of Zeami's most celebrated No plays, 'Atsumori'. This is a new translation of 'Fushikaden', the fifteenth-century classic text by Zeami, founder of the No theatre. In addition to describing the art of the theatre, it provides valuable teachings on the aesthetics and spiritual'
When Japanese signals were decoded at Bletchley Park, who translated them into English? When Japanese soldiers were taken as prisoners of war, who interrogated them? When Japanese maps and plans were captured on the battlefield, who deciphered them for Britain? When Great Britain found itself at war with Japan in December 1941, there was a linguistic battle to be fought--but Britain was hopelessly unprepared. Eavesdropping on the Emperor traces the men and women with a talent for languages who were put on crash courses in Japanese, and unfolds the history of their war. Some were sent with their new skills to India; others to Mauritius, where there was a secret radio intercept station; or to Australia, where they worked with Australian and American codebreakers. Translating the despatches of the Japanese ambassador in Berlin after his conversations with Hitler; retrieving filthy but valuable documents from the battlefield in Burma; monitoring Japanese airwaves to warn of air-raids--Britain depended on these forgotten 'war heroes'. The accuracy of their translations was a matter of life or death, and they rose to the challenge. Based on declassified archives and interviews with the few survivors, this fascinating, globe-trotting book tells their stories.
Developed in close collaboration with Ian Nish, this book contains a wide and substantial cross-section of writings, thematically structured around essays in the special areas of Anglo-Japanese Alliance.
Developed in close collaboration with W. G. Beasley, this book contains a wide and substantial cross-section of writings, thematically structured around essays in the special areas of Bakufu and Meji Studies.
Developed in close collaboration with W. G. Beasley, this book contains a wide and substantial cross-section of writings, thematically structured around essays in the special areas of Bakufu and Meji Studies.
Digging the Vein's unnamed narrator has a problem: He has a burgeoning drug habit and a wife he's only known for two days, but no job, no money, and no way out. As the narrator's life crumbles, the pills, booze, and problems multiply until he hits on a brilliant solution: heroin. Soon the narrator is associating with a cabal of street freaks. Just as the comedy is piling up, things go sour, making Digging the Vein a brutal look at a self-destructed, marginal life.