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Web Text This is the first time the writings of Flora Belle Jan, the Chinese American flapper and writer, are assembled into a single volume. The book consists of some one hundred pieces of prose and poetry, available from microfilm of newspapers and magazines that ceased publication prior to 1950. A native of Fresno, California, Flora Belle Jan was born in 1906. She lived above Yet Far Low, a restaurant owned by her parents, at 1007 China Alley. Her world at home was Chinese. Her world at school, with teachers and classmates, was American. Many of her classmates were also children of immigrant parents. Her own parents, Jan Chong and Jan Yom, had separately emigrated from Southern China in the late 1800s. Her classmates parents included immigrants from Ireland, Italy, Russia, England, Mexico, and Armenia. In her early years, the country of origin of the parents did not hinder the formation of close friendships among girls with shared interests and activities. Flora Jan and her friends enjoyed writing poems and stories, and aspired to careers in literature and journalism. She received encouragement from Grace May North, editor of the Sunnyside Club column in The Fresno Herald. Jans earliest works appeared in this column. Her topics were typically American, involving for example, a selfish prince, a faithful dog, a poor newsgirl, and poems about patriotism. In only two stories, The Chinese Girls Valentine, and The Contest, did she introduce a Chinese connection. Another important person in Flora Jans life was Amy Purcell, Superintendent of the Baptist Chinese Mission in Fresno. She recognized Floras talents. With Miss Purcells help, the Chinese Students Club of Fresno published The Trailmaker. Flora Jan, the only female member of the Club, played a major role in the publication. Flora Jans parents did not support her desire to further her education. She worked at various jobs and at age 18, earned money for college by writing feature stories for The San Francisco Examiner. For several of these stories, Jan invented the female character Ming Toy. Among eight children in her family, Flora Jan was the only one to earn a college degree and to pursue a career in journalism. Although Flora Jan attended the University of California, Berkeley for only one semester in the autumn of 1925, she left a strong impression on those who knew her. Her reputation as a prolific young writer, as well as her beauty and flamboyant flapper life style was remembered forty years later. Your mother was the Belle of Berkeley, was the remark said to my sister, Fiore Wang, who attended the University of California, Berkeley and there from graduated. Flora Jan transferred to the University of Chicago, where she studied English literature and graduated with honors in 1927. The impetus for her transfer to Chicago was due to Professor Robert E. Park. He directed the Survey of Race Relations project, and believed that Jan would succeed in assimilation into main stream white society. An analysis of Parks project and Jans participation may be found in the treatise, Thinking Orientals, by Henry Yu Most of Jans writings during her years in Chicago appeared in The Chinese Students Monthly, a magazine founded in 1904 and published by the Chinese Students Alliance in the United States of America. In her fictional works, Romance on the Roof and Transplanted Flower Blossoms, Flora Jan created humorous and delicate inter-racial romances. She served in the capacity of a Contributing Editor at first, and later became an Associate Editor of the Monthly. She also sold stories to the Chicago Daily News and to the magazine Real Detective Tales. In 1932, Flora Jan and her husband, Charles Wang, left Chicago to go to China. Probably the most compelling reason for their move was financial. Although Charles had earned a Ph.D. degree in psychology at the University of Chicago, he could not obtain
The authors of this slender volume of poetry are Flora Belle Jan and Ludmelia Holstein, brought together by historical circumstances and by their passion for poetry. Jan, a Chinese American flapper and journalist, was born in Fresno, California. Holstein, born in Russia of German speaking parents, grew up in Fresno from the age of eight. These collected poems express the exuberance and intensity of their youth. Jans life was short. Their friendship lived on in their poetry.
Histories of civil rights movements in America generally place little or no emphasis on the activism of Asian Americans. Yet, as this fascinating new study reveals, there is a long and distinctive legacy of civil rights activism among foreign and American-born Chinese, Japanese, and Filipino students, who formed crucial alliances based on their shared religious affiliations and experiences of discrimination. Stephanie Hinnershitz tells the story of the Asian American campus organizations that flourished on the West Coast from the 1900s through the 1960s. Using their faith to point out the hypocrisy of fellow American Protestants who supported segregation and discriminatory practices, the student activists in these groups also performed vital outreach to communities outside the university, from Californian farms to Alaskan canneries. Highlighting the unique multiethnic composition of these groups, Race, Religion, and Civil Rights explores how the students' interethnic activism weathered a variety of challenges, from the outbreak of war between Japan and China to the internment of Japanese Americans during World War II. Drawing from a variety of archival sources to bring forth the authentic, passionate voices of the students, Race, Religion, and Civil Rights is a testament to the powerful ways they served to shape the social, political, and cultural direction of civil rights movements throughout the West Coast.
This volume collects the letters written over a thirty-year period by a second generation Chinese American woman, Flora Belle Jan (1906–50). Born in California to immigrant parents and educated at Berkeley and the University of Chicago, Jan raised three children with her husband Charles Wang and worked as a journalist in both the United States and China. Written during the years 1918–48, these letters offer unique insight into the social and political situation of educated, middle-class, professional Chinese American women in the early twentieth century. Literate, candid, and charming, they convey the intellectual curiosity and perspicacity of a vivacious and ambitious woman while tracing her engagement with two different worlds.
Rescuing a squirrel after an accident involving a vacuum cleaner, comic-reading cynic Flora Belle Buckman is astonished when the squirrel, Ulysses, demonstrates astonishing powers of strength and flight after being revived. By the Newbery Medal-winning author of The Tale of Despereaux.
This volume collects the letters written over a thirty-year period by a second generation Chinese American woman, Flora Belle Jan (1906–50). Born in California to immigrant parents and educated at Berkeley and the University of Chicago, Jan raised three children with her husband Charles Wang and worked as a journalist in both the United States and China. Written during the years 1918–48, these letters offer unique insight into the social and political situation of educated, middle-class, professional Chinese American women in the early twentieth century. Literate, candid, and charming, they convey the intellectual curiosity and perspicacity of a vivacious and ambitious woman while tracing her engagement with two different worlds.
Unbound Voices brings together the voices of Chinese American women in a fascinating, intimate collection of documents—letters, essays, poems, autobiographies, speeches, testimonials, and oral histories—detailing half a century of their lives in America. Together, these sources provide a captivating mosaic of Chinese women's experiences in their own words, as they tell of making a home for themselves and their families in San Francisco from the Gold Rush years through World War II. The personal nature of these documents makes for compelling reading. We hear the voices of prostitutes and domestic slavegirls, immigrant wives of merchants, Christians and pagans, homemakers, and social activists alike. We read the stories of daughters who confronted cultural conflicts and racial discrimination; the myriad ways women coped with the Great Depression; and personal contributions to the causes of women's emancipation, Chinese nationalism, workers' rights, and World War II. The symphony of voices presented here lends immediacy and authenticity to our understanding of the Chinese American women's lives. This rich collection of women's stories also serves to demonstrate collective change over time as well as to highlight individual struggles for survival and advancement in both private and public spheres. An educational tool on researching and reclaiming women's history, Unbound Voices offers us a valuable lesson on how one group of women overcame the legacy of bound feet and bound lives in America. The selections are accompanied by photographs, with extensive introductions and annotation by Judy Yung, a noted authority on primary resources relating to the history of Chinese American women.
A fascinating collection of essays that recovers the lives and experiences of individuals who staked their claim to Chinese American identity. The first section of the book focuses on the in-coming immigrants. The second section looks at their children, who deeply felt the contradictions between Chinese and American culture, but attempted to find a balance between the two.
Meet Florabelle—a little girl with a BIG imagination! Florabelle just can't seem to pay attention. And although her family can be a bit serious at times, she knows that life is always more fun when you use your imagination. Sasha Quinton's fantastical story about a little girl who dreams big enough to face her fears is brought to life with Brigette Barrager's beautiful illustrations accompanied by Michel Tcherevkoff's magnificent flower photography. Florabelle will spark the creativity in every little girl's imagination and will delight fans of Fancy Nancy and Pinkalicious.
The crippling custom of footbinding is the thematic touchstone for this engrossing study of Chinese women in San Francisco. Judy Yung, a second-generation Chinese American born and raised in San Francisco, shows the stages of "unbinding" that occurred in the decades between the turn of the century and the end of the World War II, revealing that these women - rather than being passive victims of oppression - were active agents in the making of their own history.