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Fifty-six items, plus documentary 'supplements', can be considered a biographical as well as theoretical working edition of the origins and development of Korzybski's revolutionary system called "general semantics".
ALFRED KORZYBSKI (1879-1950), a pioneering giant in the intellectual world over three decades, was a forerunner in emphasizing many of the issues only now receiving wide recognition (for example, psychological consequences of the "new" physics, impact of neuro-linguistic & neuro-semantic terminology & awareness, psychosomatic non-separation, the importance of the structure of language in skewing our perceptions & communications, the powerful life implications of paradigm shifts, etc.). These COLLECTED WRITINGS, brought together for the first time, photographed from the originals where feasible, reveal the evolution of his work since its beginnings in 1920. They show the process that led from his "Manhood of Humanity" (1921) to "Science & Sanity; An Introduction to Non-Aristotelian Systems & General Semantics" (1933), for which he is most widely known. The "Supplementaries" included in the collection pointedly show that after the climactic publication of "Science & Sanity," in another sense his work was just beginning. Korzybski synthesized the new trends into a system with methods through which the emerging outlooks could be learned & taught, calling his methodology "General Semantics." An indispensable "working edition" & reference guide for all those who wish to study the development not only of Korzybski's work, but also the impact of major intellectual changes in our culture during the first half of this century. Experiencing them through these pages will shed new light on present concerns. No one--scholar, student, or layman-- who is interested in how humans size up & organize their worlds, will want to be without this unfolding vision of the process of system-building.
This is a critical analysis of contemporary politically engaged art.
Never shy of voicing an opinion, artist Margaret Preston launched into print on a variety of subjects, from flower arranging and furnishing a bedroom, to Aboriginal art and design, Pokerwork and Wood-blocking. Selected from the pages of Australia's journals by Elizabeth Butel, this collection addresses Preston's recurring preoccupations - "modern" art, an Australian national art and the craft of art-making. "The natural enemy of the dull" - Preston's style is infused with paradox, retaining its freshness through her very direct, uncompromising attack and illustrated with examples of her woodcuts.
In this lively and engaging textbook, Rob Penhallurick introduces readers to the diversity and history of the English language, and to relevant contemporary and classic work in linguistics. Organised into eighteen thematic chapters, each of which can be read in one sitting, it covers topics such as the effects of dialect and accent on identity, swearing and offensive names in English, language and gender, language planning and theories about the origin of language. Chapters are full of entertaining examples, illustrations and suggestions for further reading. This is an ideal companion for all those new to the study of the English language, and essential reading for anyone with a general interest in the subject. New to this Edition: - Three new chapters on the story of American English, the spread of English across the world and the work of Noam Chomsky
In this pioneering study, Dr. Fernandez explores how the rise of institutional geography in Victorian England impacted imperial fiction’s emergence as a genre characterized by a preoccupation with space and place. This volume argues that the alliance between institutional geography and the British empire which commenced with the founding of the Royal Geographical Society in 1830, shaped the spatial imagination of Victorians, with profound consequences for the novel of empire. Geography and the Literary Imagination in Victorian Fictions of Empire examines Presidential Addresses and reports of the Royal Geographical Society, and demonstrates how geographical studies by explorers, cartographers, ethnologists, medical topographers, administrators, and missionaries published by the RGS, local geographical societies, or the colonial state, acquired relevance for Victorian fiction’s response to the British Empire. Through a series of illuminating readings of literary works by R.L. Stevenson, Olive Schreiner, Flora Annie Steel, Winwood Reade, Joseph Conrad, and Rudyard Kipling, the study demonstrates how nineteenth-century fiction, published between 1870 and 1901, reflected and interrogated geographical discourses of the time. The study makes the case for the significance of physical and human geography for literary studies, and the unique historical and aesthetic insights gained through this approach.
A Guide to Leadership and Management in Higher Education shares an innovative approach to supervision, leadership, and management in the higher education workplace. Drawing from humanism and positive psychology, Fitch and Van Brunt weave together a compelling narrative for managing employees across generational differences. This book shares key leadership lessons and advice on how to inspire creativity, increase efficiency, and tap into the talents of your diverse, multi-generational staff. This guide offers practical and detailed advice on establishing new relationships, setting expectations, encouraging accountability, addressing conflict, and supervising difficult staff. Focusing on how to build and strengthen connections through genuineness and empathic caring, this book provides important guidance for today’s college and university leaders.
What is computational creativity? Can AI learn to be creative? One of the human mind’s most valuable features is the capacity to formulate creative thoughts, an ability that through quantum leap innovations has propelled us to the current digital age. However, creative breakthroughs are easier said than done. Appearing less frequently and more sporadically than desired, it seems that we have not yet fully cracked the creative code. But with the rapid advances in artificial intelligence which have come to provide an ever-closer proximity with the cognitive faculties of mankind, can this emerging technology improve our creative capabilities? What will that look like and will it be the missing link in the man–machine enigma? AI for Creativity provides a fascinating look at what is currently emerging in the very cutting-edge area of artificial intelligence and the tools being developed to enable computational creativity that holds the propensity to dramatically change our lives.
This book proposes a fundamental relationship between exile and mapping. It seeks to understand the cartographic imperative inherent in the exilic condition, the exilic impulses fundamental to mapping, and the varied forms of description proper to both. The vital intimacy of the relationship between exile and mapping compels a new spatial literacy that requires the cultivation of localized, dynamic reading practices attuned to the complexities of understanding space as text and texts as spatial artifacts. The collection asks: what kinds of maps do exiles make? How are they conceived, drawn, read? Are they private maps or can they be shaped collectively? What is their relationship to memory and history? How do maps provide for new ways of imagining the fractured experience of exile and offer up both new strategies for reading displacement and new displaced reading strategies? Where does exilic mapping fit into a history of cartography, particularly within the twentieth-century spatial turn? The original work that makes up this interdisciplinary collection presents a varied look at cartographic strategies employed in writing, art, and film from the pre-Contact Americas to the Renaissance to late postmodernism; the effects of exile, in its many manifestations, on cartographic textual systems, ways of seeing, and forms of reading; the challenges of traversing and mapping unstable landscapes and restrictive social and political networks; and the felicities and difficulties of both giving into the map and attempting to escape the map that provides for exile in the first place. Cartographies of Exile will be of interest to students and scholars working in literary and cultural studies; gender, sexuality, and race studies; anthropology; art history and architecture; film, performance, visual studies; and the fine arts.