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Among the most influential political and social forces of the twentieth century, modern communism rests firmly on philosophical, political, and economic underpinnings developed by Vladimir Ilyich Ulyanov, later known as Lenin. For anyone who seeks to understand the twentieth century, capitalism, the Russian Revolution, and the role of Communism in the tumultuous political and social movements that have shaped the modern world, the works of Lenin offer unparalleled insight and understanding. Taken together, they represent a balanced cross-section of his revolutionary theories of history, politics, and economics; his tactics for securing and retaining power; and his vision of a new social and economic order. This first volume contains four works ("New Economic Developments in Peasant Life," "On the So-Called Market Question," "What the 'Friends of the People' Are and How They Fight the Social- Democrats," "The Economic Content of Narodism and the Criticism of It in Mr. Struve's Book") written by Lenin in 1893-1894, at the outset of his revolutionary activity, during the first years of the struggle to establish a workers' revolutionary party in Russia.
At the turn of the last century C.G. Jung began his career as a psychiatrist. During the next decade, three men whose names are famous in the annals of medical psychology influenced his professional development: Pierre Janet, under whom he studied at the Sappetriere Hospital in Paris; Eugen Bleuler, his chief at the Burgholzli Mental Hospital in Zurick; and Sigmund Frued, whom Jung met in 1907. It is Bleuler, and to a lesser extent Janet, whose influence is to be found in the descriptive experimental psychiatry composing Volume I of the Collected Works. These papers appeared between 1902 and 1905l most of them are now being published in English for the first time. The volume opens with Jung's dissertation for the medical degree: 'On the Psychology and Pathology of So-Called Occult Phenomena', a study that foreshadows much of his later work, and as such is indispensable to all serious students of his work. It is the detailed analysis of the case of an hysterical adolescent girl who professed to be a medium. The volume also includes papers on cryptomnesia, hysterical parapraxes in reading, manic mood disorder, simulated insanity, and other subjects.
The authoritative edition of early psychiatric studies by Jung, which foreshadow much of his later work Psychiatric Studies gathers writings on descriptive and experimental psychiatry that Jung published between 1902 and 1905, early in his career as a psychiatrist. The book opens with a study that foreshadows much of his later work and is indispensable to all serious students of his psychiatric career. This is his medical-degree dissertation, “On the Psychology and Pathology of So-called Occult Phenomena,” a detailed analysis of the case of an adolescent girl who professed to be a medium. This volume also includes papers on cryptomnesia, hysterical parapraxes in reading, manic mood disorder, simulated insanity, and other subjects.
This book contains Book of Her Foundations and Minor Works. Includes general and biblical index. In 1573, while staying in Salamanca to assist her nuns in the task of establishing one of her seventeen monasteries, Teresa began composing the story of their foundation. The Book of Her Foundations comprises the major portion of Volume Three. This book not only tells the story of the establishment of her monasteries but, characteristic of Teresa, digresses into counsels on prayer, love, melancholy, virtuous living and dying, plus other teachings of the Mother Foundress. This book also has an excellent introduction, chronology, and map of Teresa's foundations and journeys. Five of her brief works, including her poetry, complete ICS Publications' third volume of her Collected Works. Includes general and biblical index.
"The Book of Her Life" is the spiritual autobiography of a Counter Reformation mystic and monastic reformer of sixteenth century Spain. Introduction by Jodi Bilinkoff.
As a current record of all of C. G. Jung's publications in German and in English, this volume will replace the general bibliography published in 1979 as Volume 19 of the Collected Works of C. G. Jung. In the form of a checklist, this new volume records through 1990 the initial publication of each original work by Jung, each translation into English, and all significant new editions, including paperbacks and publications in periodicals. The contents of the respective volumes of the Collected Works of C. G. Jung and the Gesammelte Werke (published in Switzerland) are listed in parallel to show the interrelation of the two editions. Jung's seminars are dealt with in detail. Where possible, information is provided about the origin of works that were first conceived as lectures. There are indexes of all publications, personal names, organizations and societies, and periodicals.
Poems ranging from "La Jeune Parque" and "Le Cimetière marin" to occasional and light verse written as letters to friends, dedications in books, and inscriptions on ladies' fans demonstrate the wide scope of Valéry's lyric preoccupation. The bilingual edition, with David Paul's English translations facing the French texts, includes the autobiographical "Recollection," quoted below, and excerpts on poetry, selected and translated from Valéry's notebooks by James Lawler. Paul Valéry turned to the discipline of poetry during the First World War, to escape from the "commotion of a world gone mad." "I fashioned myself a poetry," he wrote, "that had no other law than to establish for me a way of living with myself, for a part of my days." Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
"Scott McClanahan is a powerful, exceptional writer, and the overall effect of reading his deceptively simple stories is like getting hit in the head by a champion cage fighter cranked up on meth that was cooked in a trailer without running water in some Kentucky backwoods where people sing murder ballads to their children to put them to sleep." -DONALD RAY POLLOCK, author of The Devil All the Time "He might be one of the great southern storytellers of our time." -VOL. 1 BROOKLYN "When I discovered the stories of Scott McClanahan last year, I was instantly enthralled with his natural storytelling voice and freaky funny tales. There's no pretense to Scott's work. It's like you're just dropped right into the middle of these fantastic and true stories. It's like a sweet blend of my favorite southern writers, Larry Brown and Harry Crews. Reading McClanahan is like listening to a good friend telling you his best real-life stories on your back porch on a humid night. And you both got a nice whiskey buzz going." -KEVIN SAMPSELL, author of A Common Pornography "McClanahan's prose is unfettered and kinetic and his stories seem like a hyper-modern iteration of local color fiction. His delivery is guileless and his morality ambivalent and you get the sense, while reading him, that he is sitting next to you on a barstool, eating peanuts and drinking a beer, and intermittently getting up to pick a song on the jukebox." -THE RUMPUS "Reads like Bukowski with more surprises." -IMPOSE MAGAZINE
Drama. Antonin Artaud is one of the two or three most influential innovators of the twentieth centruy, whose theoried, production ideas along with his writings and plays have broght a new poetic impulse and dynamic intensity to the stage, replacing the naturalistic theatre that preceded his own. In this volume of COLLECTED WORK, we see Artaud's early formulations of his theories on theatre in general, and the genesis of the theatre of cruelty. In particular, the volume contains the famous manifestos of the revolutionary Alfred Jarry Theatre, productions plans, notes and critical articles. Also included is a series of articles on literature and the plastic arts, written during the same period. The variety and humour of such a wide range of work certainly constitutes a fertile source for those seeking a new approach to theatre and its allied arts. Translated and with an introduction by Victor Corti.