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Vedanta is often equated exclusively to Advaita Vedanta of Sri Sankaracharya, but there are several other acharyas who have expounded the Vedanta in quite a different way and whose status as teachers of Vedanta requires recognition. This book by Swami Tapasyananda, a scholar-monk and former vice-president of the Ramakrishna Order, expounds the life and philosophy of Sri Vallabhacharya, whose philosophy is known as Suddhadvaita. This book will help readers acquaint themselves with his great life and understand the fundamental concepts of Vedanta as elucidated by him.
Discourses by a Hindu spiritual leader from India.
Ambedkar was a prolific student, earning doctorates in economics from both Columbia University and the London School of Economics, and gained a reputation as a scholar for his research in law, economics and political science.[11] In his early career he was an economist, professor, and lawyer. His later life was marked by his political activities; he became involved in campaigning and negotiations for India's independence, publishing journals, advocating political rights and social freedom for Dalits, and contributing significantly to the establishment of the state of India. In 1956 he converted to Buddhism, initiating mass conversions of Dalits.
This volume provides a revisionary critique of the art of Abanindranath Tagore, the founder of the national school of Indian painting, popularly known as the Bengal School of Art. The book categorically argues that the art of Abanindranath, which developed during the Bengal Renaissance in the 19th–20th centuries, was not merely a normalization of national or oriental principle, but was a hermeneutic negotiation between modernity and community. It establishes that his form of art—embedded in communitarian practices like kirtan, alpona, pet-naming, syncretism, and storytelling through oral allegories—sought a social identity within the inter-subjective context of locality, regionality, nationality, and trans-nationality. The author presents Abanindranath as a creative agent who, through his art, conducted a critical engagement with post-Enlightenment modernity and regional subalternity.