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Joseph de Maistre had no doubt that the root causes of the French Revolution were intellectual and ideological. The degeneration of its first immense hopes into the Reign of Terror was not the result of a ruthless competition for power or of prospects of war. He echoed Voltaire's boast that "books did it all." The philosophers of the Enlightenment were the architects of the new regimes; and the shadow between revolutionary idea and social reality could be traced directly to a fatal flaw in their thought.De Maistre asserts that society is the product, not of men's conscious decision, but of their instinctive makeup. Both history and primitive societies illustrate men's gravitation toward some form of communal life. Since government is in this sense natural, it can not legitimately be denied, revoked, or even disobeyed by the people. Sovereignty is not the product of the deliberation or the will of the people; it is a divinely bestowed authority fitted not to man's wishes but to his needs.The French Revolution to de Maistre's mind was little more than the expansion, conversion, pride, and consequent moral corruption of the philosophers. It differs in essence from all previous political revolutions, finding a parallel only in the biblical revolt against heaven. These sentiments are the passionate and awe-inspired language of one who sees the political struggles of his time on a huge and cosmic scale, judges events sub specie aeternitatis (under the aspect of eternity), and looks on revolution and counter-revolution as a battle for the soul of humanity. The force of this classic volume still resonates in present-day ideological struggles.
Joseph de Maistre had no doubt that the root causes of the French Revolution were intellectual and ideological. The degeneration of its first immense hopes into the Reign of Terror was not the result of a ruthless competition for power or of prospects of war. He echoed Voltaire's boast that "books did it all." The philosophers of the Enlightenment were the architects of the new regimes; and the shadow between revolutionary idea and social reality could be traced directly to a fatal flaw in their thought.De Maistre asserts that society is the product, not of men's conscious decision, but of their instinctive makeup. Both history and primitive societies illustrate men's gravitation toward some form of communal life. Since government is in this sense natural, it can not legitimately be denied, revoked, or even disobeyed by the people. Sovereignty is not the product of the deliberation or the will of the people; it is a divinely bestowed authority fitted not to man's wishes but to his needs.The French Revolution to de Maistre's mind was little more than the expansion, conversion, pride, and consequent moral corruption of the philosophers. It differs in essence from all previous political revolutions, finding a parallel only in the biblical revolt against heaven. These sentiments are the passionate and awe-inspired language of one who sees the political struggles of his time on a huge and cosmic scale, judges events sub specie aeternitatis (under the aspect of eternity), and looks on revolution and counter-revolution as a battle for the soul of humanity. The force of this classic volume still resonates in present-day ideological struggles.
Introduces students, scholars, and practitioners to the theory and history of the rule of law.
In Joseph de Maistre's Life, Thought, and Influence leading Maistre scholars offer interpretations of his thought and make available in English recent French scholarship on his life and work. They provide a portrait of Maistre as a significant thinker in numerous fields, upsetting the image of him as a backward-looking "reactionary," a reinterpretation furthered by contemporary interest in Counter-Enlightenment thought in general.
A synthesis of eighteenth-century intellectual and cultural developments that offers an original explanation of how Enlightenment thought grappled with the problem of divine agency. Why is the world orderly, and how does this order come to be? Human beings inhabit a multitude of apparently ordered systems—natural, social, political, economic, cognitive, and others—whose origins and purposes are often obscure. In the eighteenth century, older certainties about such orders, rooted in either divine providence or the mechanical operations of nature, began to fall away. In their place arose a new appreciation for the complexity of things, a new recognition of the world’s disorder and randomness, new doubts about simple relations of cause and effect—but with them also a new ability to imagine the world’s orders, whether natural or manmade, as self-organizing. If large systems are left to their own devices, eighteenth-century Europeans increasingly came to believe, order will emerge on its own without any need for external design or direction. In Invisible Hands, Jonathan Sheehan and Dror Wahrman trace the many appearances of the language of self-organization in the eighteenth-century West. Across an array of domains, including religion, society, philosophy, science, politics, economy, and law, they show how and why this way of thinking came into the public view, then grew in prominence and arrived at the threshold of the nineteenth century in versatile, multifarious, and often surprising forms. Offering a new synthesis of intellectual and cultural developments, Invisible Hands is a landmark contribution to the history of the Enlightenment and eighteenth-century culture.
Written and set on the banks of the Neva, St Petersburg Dialogues is a startlingly relevant analysis of the human prospect at the end of the twentieth century. As the literary critic George Steiner has remarked, "the age of the Gulag and of Auschwitz, of famine and ubiquitous torture, ... nuclear threat, the ecological laying waste of our planet, the leap of endemic, possibly pandemic, illness out of the very matrix of libertarian progress" is exactly what Maistre foretold. In the Dialogues Maistre addressed a number of topics which are discussed briefly or not at all in his other works already available in English. These include an apologetic for traditional Christian beliefs about providence, reflections on the social role of the public executioner and the "divinity" of war, a critique of John Locke's sensationalist psychology, meditations on prayer and sacrifice, and a mini-course on "illuminism." The literary form is that of the "philosophical conversation" -- one that allowed Maistre to be deliberately provocative and to indulge his taste for paradox, a "methodical extravagance" that he judged particularly appropriate for the eighteenth-century salon. Translator and editor Richard Lebrun provides a full scholarly edition of this classic work, complete with an introduction, chronology, critical bibliography, and generous explanatory notes. The Dialogues will be of interest to scholars of literary history as well as the history of ideas.
Joseph de Maistre's Considerations on France is the best known French equivalent of Edmund Burke's Reflections on the Revolution in France. This new edition of Richard Lebrun's 1974 translation is introduced by Isaiah Berlin, with a bibliography and chronology by the translator. Published in 1797, the work of the self-exiled Maistre presents a providential interpretation of the French Revolution and argues for a new alliance of throne and altar under a restored Bourbon monarchy. Although the Directory and then Napoleon delayed Maistre's influence within France until the Restoration, he is now acknowledged as the most eloquent spokesperson for continental conservatism. Considerations on France was a shrewd piece of propaganda, but, as Isaiah Berlin contends, by arguing his case in broad historical, philosophical and religious terms, Maistre raises issues of enduring importance.
In 850 analytical articles, this two-volume set explores the developments that influenced the profound changes in thought and sensibility during the second half of the eighteenth century and the first half of the nineteenth century. The Encyclopedia provides readers with a clear, detailed, and accurate reference source on the literature, thought, music, and art of the period, demonstrating the rich interplay of international influences and cross-currents at work; and to explore the many issues raised by the very concepts of Romantic and Romanticism.