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Using, or rather mimicking, traditional forms of storytelling Gogol created stories that are complete within themselves and only tangentially connected to a meaning or moral. His work belongs to the school of invention, where each twist and turn of the narrative is a surprise unfettered by obligation to an overarching theme. Selected from Evenings on a Farm near Dikanka, Mirgorod, and the Petersburg tales and arranged in order of composition, the thirteen stories in The Collected Tales of Nikolai Gogolencompass the breadth of Gogol's literary achievement. From the demon-haunted “St. John's Eve ” to the heartrending humiliations and trials of a titular councilor in “The Overcoat,” Gogol's knack for turning literary conventions on their heads combined with his overt joy in the art of story telling shine through in each of the tales. This translation, by Richard Pevear and Larissa Volokhonsky, is as vigorous and darkly funny as the original Russian. It allows readers to experience anew the unmistakable genius of a writer who paved the way for Dostevsky and Kafka.
DigiCat Publishing presents to you this special edition of "The Collected Tales of A. E. Coppard" by A. E. Coppard. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Collected Stories includes both volumes of the National Book Award–winning author Shirley Hazzard’s short-story collections—Cliffs of Fall and People in Glass Houses—alongside uncollected works and two previously unpublished stories Shirley Hazzard's Collected Stories is a work of staggering breadth and accomplishment. Taken together, these twenty-eight short stories are masterworks in telescoping focus, ranging from quotidian struggles between beauty and pragmatism to satirical send-ups of international bureaucracy, from the Italian countryside to suburban Connecticut. Hazzard's heroes are high-minded romantics who attempt to fit their feelings into the twentieth-century world of office jobs and dreary marriages. After all, as she writes in "The Picnic," "It was tempting to confine oneself to what one could cope with. And one couldn't cope with love." And yet it is the comedy, the tragedy, and the splendor of love, the pursuit and the absence of it, that animates Hazzard's stories and provides the truth and beauty that her protagonists seek. Hazzard once said, "The idea that somebody has expressed something, in a supreme way, that it can be expressed; this is, I think, an enormous feature of literature." Her stories themselves are a supreme evocation of writing at its very best: probing, uncompromising, and deeply felt.
Arthur Conan Doyle was a British writer best known for his detective fiction featuring the character Sherlock Holmes. His works also include fantasy and science fiction, as well as plays, romances, non-fiction and historical novels. “Collected Tales” is a collection of early Doyle’s short stories. It includes stories of mystery, comedy, shipwrecks and fantasy.
In Collected Stories, playwright Donald Margulies explores the vexed emotional and legal question of a writer's right to create art from the biographical material of another person's life--particularly when that other person is also a writer. Meditating upon the recent, real-life conflict between poet Stephen Spender and novelist David Leavitt, Margulies has created two of the most vivid and moving fictional characters of his career: Ruth Steiner, an aging, highly regarded author who never wrote about her youthful affair with real-life poet Delmore Schwartz, and Debra Messing, a student of Steiner's who, after publishing a much-praised first short-story collection under Steiner's direction, follows up with a novel that draws upon the Schwartz affair.
Leonard Michaels was a master of the short story. His collections are among the most admired, influential, and exciting of the last half century. The Collected Stories brings them back into print, from the astonishing debut Going Places (1969) to the uncollected last stories, unavailable since they appeared in The New Yorker, Threepenny Review, and Partisan Review. At every stage in his career, Michaels produced taut, spare tales of sex, love, and other adult intimacies: gossip, argument, friendship, guilt, rage. A fearless writer—"destructive, joyful, brilliant, purely creative," in the words of John Hawkes—Michaels probed his characters' motivations with brutal humor and startling frankness; his ear for the vernacular puts him in the company of Philip Roth, Grace Paley, and Bernard Malamud. Remarkable for its compression and cadences, his prose is nothing short of addictive. The Collected Stories is a landmark. "Leonard Michaels's stories stand alongside those of his best Jewish contemporaries -- Grace Paley and Philip Roth." -- Mona Simpson, The New York Times Book Review
'Shirley Hazzard is, purely and simply, one of the greatest writers working in the English today' Michael Cunningham. Now at last comes the first complete book of her short stories, including those previously uncollected. Collected Stories includes both volumes of National Book Award-winning author Shirley Hazzard's short story collections - Cliffs of Fall and People in Glass Houses - alongside uncollected works and two previously unpublished stories. Twenty-eight works of short fiction in all, Shirley Hazzard's Collected Stories is a work of staggering breadth and talent. Taken together, Hazzard's short stories are masterworks in telescoping focus, 'at once surgical and symphonic' (New Yorker), ranging from quotidian struggles between beauty and pragmatism to satirical sendups of international bureaucracy, from the Italian countryside to suburban Connecticut. In an interview, Hazzard once said, 'The idea that somebody has expressed something, in a supreme way, that it can be expressed; this is, I think, an enormous feature of literature'. Her stories themselves are a supreme evocation of writing at its very best: probing, uncompromising and deeply felt.
The appearance of these stories in one volume is an event in our literature. To have built up so distinguished a collection, each story excellent in its own way and each an original departure in relation to the others, is a triumph. --Guy Davenport, New York Times Book Review Miss Stafford's craftsmanship and her mastery of the short story form are by now so well known that it seems superfluous to praise these stories. That they are impeccably done is obvious. --Joyce Carol Oates, Book World She writes about people whom loneliness has driven slightly mad, but also about people who are secure and comforted; she explores childhood and old age, poverty and wealth, tragedy and comedy. The comedy is usually wry... but often moves one to laughter. Above all, Miss Stafford will not be hurried... To me, this book is most solidly achieved. --John Wain, New York Review Of Books Winner of the 1970 Pulitzer Prize for fiction, this collection of thirty stories includes some of Jean Stafford's best short fiction from the period 1944-1968. Including such favorites as In the Zoo, Children Are Bored on Sunday, and Beatrice Trueblood's Story, the collection offers the work of this popular writer of the 1940s and 1950s to a new generation of readers and critics.