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WITH AN INTRODUCTION BY A. N. WILSON Throughout these seventy-nine stories - love stories, ghost stories, stories of childhood, of English middle-class life in the twenties and thirties, of London during the Blitz - Elizabeth Bowen combines social comedy and reportage, perception and vision in an oeuvre which reveals, as Angus Wilson affirms in his introduction, that 'the instinctive artist is there at the very heart of her work'.
The Death of the Heart is perhaps Elizabeth Bowen's best-known book. As she deftly and delicately exposes the cruelty that lurks behind the polished surfaces of conventional society, Bowen reveals herself as a masterful novelist who combines a sense of humor with a devastating gift for divining human motivations. In this piercing story of innocence betrayed set in the thirties, the orphaned Portia is stranded in the sophisticated and politely treacherous world of her wealthy half-brother's home in London.There she encounters the attractive, carefree cad Eddie. To him, Portia is at once child and woman, and her fears her gushing love. To her, Eddie is the only reason to be alive. But when Eddie follows Portia to a sea-side resort, the flash of a cigarette lighter in a darkened cinema illuminates a stunning romantic betrayal--and sets in motion one of the most moving and desperate flights of the heart in modern literature.
Throughout these 79 stories - of love, childhood, of English middle-class life in the 1920s and 30s, of London during the Blitz - the author combines social comedy and reportage.
'Bowen's stories are novels that have been split open like rocks and reveal the glitter of the naked crystals which have formed them' Vogue SELECTED AND WITH A NEW INTRODUCTION BY TESSA HADLEY A girl shares her secret den. A couple stroll through a ruined city. A man walks into a ladies' hat shop. A teacher dreams of killing her pupil. Spanning the 1920s to the post-war years, this new selection brings Elizabeth Bowen's finest short stories together for the first time. Elegant and subtle, they showcase Bowen's ability to evoke ineffable emotions - grief, nostalgia, self-consciousness, dread - and combine remarkable psychological insight with vivid settings, from the countryside of Bowen's native Ireland to the streets of her London home after the Blitz. Encompassing characters from many walks of life and a vast array of moods, these are intricate journeys of domesticity and discovery, of the homely and uncanny, of the mind and body.
In his introduction to a collection of criticism on the Anglo-Irish author Elizabeth Bowen, Harold Bloom wrote, “What then has Bowen given us except nuance, bittersweet and intelligent? Much, much more.” Born in 1899, Bowen became part of the famous Bloomsbury scene, and her novels have a much-deserved place in the modernist canon. In recent years, however, her work has not been as widely read or written about, and as Bloom points out, her evocative and sometimes enigmatic prose requires careful parsing. Yet in addition to providing a fertile ground for criticism, Bowen’s novels are both wonderfully entertaining, with rich humor, deep insight, and a tragic sense of human relationships. Bowen’s first novel, The Hotel, is a wonderful introduction to her disarming, perceptive style. Following a group of British tourists vacationing on the Italian Riviera during the 1920s, The Hotel explores the social and emotional relationships that develop among the well-heeled residents of the eponymous establishment. When the young Miss Sydney falls under the sway of an older woman, Mrs. Kerr, a sapphic affair simmers right below the surface of Bowen’s writing, creating a rich story that often relies as much on what is left unsaid as what is written on the page. Bowen depicts an intense interpersonal drama with wit and suspense, while playing with and pushing the English language to its boundaries.
This study offers an authoritative introduction to Bowen's works, revealing both their pleasures for the fiction-addict and their fascinations for the literary critic, theorist, and historian.
This volume brings together the previously uncollected stories of this exceptional modernist writer, from fairy tale to fable and social drama.Covering a range of situations--broken engagements, encounters with ghosts, brushes with crime--these previously uncollected stories demonstrate the virtuosity that characterizes all of Elizabeth Bowen's writing."The Lost Hope" ranks with the best of her war stories. Shattering the lives of soldiers and civilians alike, the war cancels the promise shown by the generation that came of age in the 1940s. Yet the war also clears a path to the future, as happens in "Comfort and Joy" and "The Last Bus." Humour in these tales ranges from the sardonic to the light-hearted. In the title story, "The Bazaar," Captain Winch begs everyone for pins and ends up stealing some. With this collection, Bowen, gifted with keen social observation, justifies her place in the company of D. H. Lawrence, Katherine Mansfield, Virginia Woolf, and James Joyce.
Eva Trout has a capacity for making trouble, attracting trouble and for spreading trouble around her. This book was the author's last completed novel, first published in 1968.
"The career of Elizabeth Bowen (1899-1973) has been hard to categorize. As an Anglo-Irish writer, a follower of the modernists but not technically one herself; as an independent woman writer but not, by her admission, a feminist; and as a creative writer in time of war, she has eluded compartmentalization. In How Will the Heart Endure, Heather Bryant Jordan provides a new assessment of Bowen's achievement, arguing that Bowen's response to war is the best lens for elucidating the relation between art and life expressed in Bowen's work." "Bowen created novels, short stories, essays, and autobiographical works in a war-torn world that saw successively the Troubles in Ireland, the Irish Civil War, World War I, and World War II. The strains she felt as a result of these experiences were expressed in the intensely personal vision of loss and betrayal that her fiction conveys." "Jordan's study combines historical and literary analysis and incorporates new archival research on Bowen's correspondence and on her war reports to the Ministry of Information. How Will the Heart Endure offers not only a new reading of Bowen's work, but an insightful look into the wartime publishing climate in which Bowen and her circle--which included Virginia Woolf, T. S. Eliot, John and Rosalind Lehmann, Cyril Connolly, Evelyn Waugh, Graham Greene, and Stephen Spender--operated. It will be of interest to specialists in modern British fiction, women's studies, Irish studies, and Anglo-Irish literature."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved