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The seven stories in this volume were written during the ascending and perhaps most triumphant years of Willa Cather's career, the period during which she published nine books, including My Ántonia, A Lost Lady, and Death Comes for the Archbishop. For the most part ironic in tone, these stories are, as Bernice Slote observes, bound by the geometrics of urban life—streets and offices, workers and firms, the business world of New York and Pittsburgh, the cities which by 1929 Willa Cather had known well for over thirty years." In her introduction, Slote discusses their biographical elements, connections with earlier and later work, and the intricate patterns that lie below the lucid, shimmering surface of Willa Cather's prose.
After her father dies, Alexandra courageously maintains the family farm and raises her young brother, who is eventually killed by a jealous husband, throwing Alexandra into despair until she meets the strapping Carl Linstrum
"Cather Studies, Volume 13 explores the myriad ways that Willa Cather's writing career was shaped during the crucial years in Pittsburgh and the artistic, professional, and personal connections she made there"--
Before she wrote her prose masterpieces, Willa Cather produced striking poems, which were collected in 1903 in April Twilights. It was her literary debut, preceding the publication of O Pioneers! by nine years. In her introduction, distinguished Cather scholar Bernice Slote notes that this early edition of April Twilights restores what had been "an almost lost, certainly blurred, portion of the creative life of a great novelist." Among the thirty-seven selections are the much-anthologized "Grandmither, Think Not I Forget" and the highly evocative "Prairie Dawn." This new edition includes a new introduction by Robert Thacker, which provides new insights into Cather and her poetry.
The story of a Bohemian girl in a Nebraska town depicts life in a desolate area and the adaptation of immigrants to American life
"Whatever is felt upon the page without being specifically named there—that, one might say, is created." This famous observation appears in Willa Cather on Writing, a collection of essays and letters first published in 1949. In the course of it Cather writes, with grace and piercing clarity, about her own fiction and that of Sarah Orne Jewett, Stephen Crane, and Katherine Mansfield, among others. She concludes, "Art is a concrete and personal and rather childish thing after all—no matter what people do to graft it into science and make it sociological and psychological; it is no good at all unless it is let alone to be itself—a game of make-believe, of re-production, very exciting and delightful to people who have an ear for it or an eye for it."