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Longlisted for the 2014 National Book Award Gathered here is a half century’s magnificent work by the former poet laureate of the United States and Pulitzer Prize winner whose haunting and exemplary style has influenced an entire generation of American poets. Beginning with the limited-edition volume Sleeping with One Eye Open, published in 1964, Mark Strand was hailed as a poet of piercing originality and elegance, and in the ensuing decades he has not swerved from his vision of how a poem should be shaped and what it should deliver. As he entered the middle period of his career, with volumes such as The Continuous Life (1990), Strand was already well-known for his ability to capture the subtle music of consciousness, and for creating painterly physical landscapes that could answer to the inner self: “And here the dark infinitive to feel, / Which would endure and have the earth be still / And the star-strewn night pour down the mountains / Into the hissing fields and silent towns.” In his later work, from Blizzard of One (1998) which won the Pulitzer Prize, through the sly, provocative riddles of his recent Almost Invisible (2012), Strand has delighted in reminding us that there is no poet quite like him for a dose of dark wit that turns out to be deep wisdom and self-deprecation. He has given voice to our collective imagination with a grandeur and comic honesty worthy of his great Knopf forebear Wallace Stevens. With this volume, we celebrate his canonical work.
In this compilation of older and newer poems, Strand demonstrates his mastery of cadence and narrative style.
From Pulitzer Prize–winner Mark Strand comes an exquisitely witty and poignant series of prose poems. Sometimes appearing as pure prose, sometimes as impure poetry, but always with Strand’s clarity and simplicity of style, they are like riddles, their answers vanishing just as they appear within reach. Fable, domestic satire, meditation, joke, and fantasy all come together in what is arguably the liveliest, most entertaining book that Strand has yet written.
Pulitzer Prize-winner Mark Strand gives us a poem in forty-five sections that—despite its wide range and shifting mood and tone—is all of a piece. Here Strand speaks candidly to the reader, conversing, offering urban wit and surrealist digressions that draw on our innermost sensations and the outermost reaches of our reality: Is what exists a souvenir of the time Of the great nought and deep night without stars The time before the universe began? When we look at each other and see nothing Is that not a confirmation that we are less Than meets the eye and embody some of The night of our origins? A timeless pursuit of timeless questions, Dark Harbor centers on uncertainty and the known, family and isolation, the possible and the real. The poems in this book are easily recognizable as the world of one of our most interesting and influential poets.
Collected Poems brings together nearly four decades of C. K.Williams's work: more than four hundred poems that, though remarkable in their variety, have in common Williams's distinctive outlook—restless, passionate, dogged, and uncompromising in the drive to find words for the truth about life as we know it today. Williams's rangy, elastic lines are measures of thought, and in these pages we watch them unfold from his confrontational early poems through the open, expansive Tar and With Ignorance. His voice is both cerebral and muscular, capable of both the eightline poems of Flesh and Blood and the inward soundings of A Dream of Mind—and of both together in the award-winning recent books Repair and The Singing. These poems feel spontaneous, individual, and directly representative of the experience of which they sing; open to life, they chafe against summary and conclusion. Few poets leave behind them a body of work that is global in its ambition and achievement. C. K. Williams is one of them.
By the author of Sleeping With One Eye Open. Mark Strand's poetry explores the realities of dreams and in this work, his surrealism has made way for more defined intentions. In 1990, Strand was nominated Poet Laureate of the United States.
From the Pulitzer Prize-winning poet, a brilliant and witty collection of writings on the art and nature of poetry -- a master class both entertaining and provocative. The pieces have a broad range and many levels. In one, we sit with the teenage Mark Strand while he reads for the first time a poem that truly amazes him: "You, Andrew Marvell" by Archibald MacLeish, in which night sweeps in an unstoppable but exhilarating circle around the earth toward the speaker standing at noon. The essay goes on to explicate the poem, but it also evokes, through its form and content, the poem's meaning -- time's circular passage -- with the young Strand first happening upon the poem, the older Strand seeing into it differently, but still amazed. Among the other subjects Strand explores: the relationship between photographs and poems, the eternal nature of the lyric, the contemporary use of old forms, four American views of Parnassus, and an alphabet of poetic influences. We visit as well Strandian parallel universes, whose absurdity illuminates the lack of a vital discussion of poetry in our culture at large: Borges drops in on a man taking a bath, perches on the edge of the tub, and discusses translation; a president explains in his farewell address why he reads Chekhov to his cabinet. Throughout The Weather of Words, Mark Strand explores the crucial job of poets and their readers, who together joyfully attempt the impossible -- to understand through language that which lies beyond words.
In this compilation of older and newer poems, Strand demonstrates his mastery of cadence and narrative style.