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Gathered here for the first time is the verse of three decades of one of America's greatest poets. Collected Poems 1947-1980 includes all writings in the groundbreaking paperback volumes published by City Lights Books, the contents of many rare pamphlets issued by small presses, and, finally, some notable texts hitherto unpublished—one, "Many Loves," withheld "for reasons of prudence and modesty," is an erotic rhapsody dating from the historic "San Francisco Renaissance" era. Allen Ginsberg is, of course, a chief figure in the group of writers (among them Kerouac, Corso, Ferlinghetti, Creeley, Duncan, snyder, and O'Hara) who, in the Bay Area and in New York in the 1950s, began to change the course of American poetry, liberating it from closed academic forms by the creation of open, vocal, spontaneous, and energetic postmodern verse in the tradition of Whitman, Apollinaire, Hart, Crance, Pound, and William Carlos Williams. Within a decade, Ginsberg's classics "Howl," "Kaddish," and "The Change" would become central in leading American (and international) poetry toward uncensored vernacular, raw candor, the ecstatic, the rhapsodic, and the sincere—al leavened, in Ginsberg's work, by an attractive and pervasive streak of common sense. These raw tones and attitudes of spiritual liberation helped catalyze a psychological revolution that has become a permanent part of our cultural heritage, profoundly influencing not only poetry and popular song and speech but also a generation's view of the world. Even the literary establishment, hostile at first toward the revolutionary new spirit, has recognized Allen Ginsberg's achievement by honoring him with a National Book Award and membership in the American Academy and Institute of Arts and Letters. The uninterrupted energy of Ginsberg's remarkable career—embodying political activism as well as Buddhist spiritual practice—is clearly revealed in this volume. Seen in the order of composition, the poems reflect on one another; they are not only works but also a work. Here are the familiar anthology staples "Sunflower Sutra" and "To Aunt Rose"; the great antiwar poem "Wichita Vortex Sutra"; "Wales Visitation" (an extraordinary nature ode inspired by psychedelic experiments); the much-translated elegy "September on Jessore Road" and the meditative fantasy "Mind Breaths," followed by the haunting "Father Death Blues" and a later heroic, full-voiced "Plutonian Ode," addressed to "you, Congress and American people." Among the recent poems are the delicate familiar anecdotes in "Don't Grow Old"; "Birdbrain!," a savage political burlesque; and the new-wave lyric "Capitol Air." Adding to the splendid richness of this book are illustrations by Ginsberg's artist friends; unusual and illuminating notes to the poems, inimitably prepared by the author; extensive indexes; and prefaces and other materials that accompanied the original publications.
T. A. Gibson is an American Poet who writes free verse poetry with an emphasis on phonetic and metrical structure, content, and inspirational thought.
This is the only volume to bring together all of Allen Ginsberg's published verse in its entirety, celebrating half a century of brilliant work from one of America's greatest poets. Presented chronologically, it sets Ginsberg's verse against the story of his extraordinary life: from his most famous landmark works 'Howl' and 'Kaddish' to the poems of White Shroud and Cosmopolitan Greetings, and on to his later writings such as the caustically funny 'Death and Fame', the provocative 'New Democracy Wish List' and the elegiac 'Things I'll Not Do (Nostalgia)'. Ginsberg, as chief figure among the Beats, fomented a social and political revolution, yet his groundbreaking verse also changed the course of American poetry with its freewheeling spontaneity, rawness, honesty and energy. Also containing illustrations by Ginsberg's artist friends, illuminating notes to the poems, original prefaces and photographs, this is the essential record of one of the most influential voices in twentieth century poetry.
Leyland, Winston (ed) Love Poems and Selected Letters
"With the [publication of this book], an ever-wider audience may more fully appreciate the ... range of the poet's technique, the scope of his concerns, and the humaneness of his vision"--Back cover.
“Ai is a truthteller picking her way through the burning rocks of racial and sexual lies.”—Joy Harjo Before her untimely death in 2010, Ai, known for her searing dramatic monologues, was hailed as “one of the most singular voices of her generation” (New York Times Book Review). Now for the first time, all eight books by this essential and uniquely American poet have been gathered in one volume. from “The Cockfighter’s Daughter” I found my father, face down, in his homemade chili and had to hit the bowl with a hammer to get it off, then scrape the pinto beans and chunks of ground beef off his face with a knife.
Kingsley Amis’s poetry tackles all the grimly humorous subjects he tackled in his novels—lust, lost love, booze, money and the lack of it, old age, death—and does so with immense formal poise. A master of both traditional and unconventional meters with a perfect ear for parody, Amis wrote satires, epigrams, and rueful and scornful songs that are remarkable not only for their virtuosity and humor but for their scabrous realism. It all adds up to a small, entirely individual, and memorably bracing body of work. As Amis writes: “Beauty, they tell me, is a dangerous thing, / Whose touch will burn, but I’m asbestos, see?”
Poems by a modern master. "[Ginsberg's] powerful mixture of Blake, Whitman, Pound, and Williams, to which he added his own volatile, grotesque, and tender humor, has assured him a memorable place in modern poetry."-- Helen Vendler
A compilation of powerful and moving poems from early in the poet's career. Co-winner of the 1983 National Book Award for Poetry, Country Music is comprised of eighty-eight poems selected from Charles Wright's first four books published between 1970 and 1977. From his first book, The Grave of the Right Hand, to the extraordinary China Trace, this selection of early works represents "Charles Wright's grand passions: his desire to reclaim and redeem a personal past, to make a reckoning with his present, and to conjure the terms by which we might face the future," writes David St. John in the forward. These poems, powerful and moving in their own right, lend richness and insight to Wright's recently collected later works. "In Country Music we see the same explosive imagery, the same dismantled and concentric (or parallel) narratives, the same resolutely spiritual concerns that have become so familiar to us in Wright's more recent poetry," writes St. John.