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This first complete edition of Patrick Pearse's extant plays (in English and Irish) also includes his most significant writings about the nature of the theatre in early 20th-century Ireland. His plays were highlights of the Cultural Revival and drew a who's who of literary and political figures to productions in St. Enda's, the Abbey Theatre, and Jones Road (Croke Park) in the years preceding the 1916 Easter Rising. Each work is annotated and illustrated with contemporary photographs, and each is placed in its historical, social, and political contexts. The book makes Pearse's plays readily available to those wishing to stage productions, and it also provides a complete reference source for those who seek a better understanding one of the iconic figures of the Easter Rising. The annotated plays and commentary provide fascinating insights into the cultural, imaginative, and intellectual life and times of a man who helped shape one of the defining moments in Irish history. Pearse's essays on the subject of the theatre and its role in the cultural work of Irish nationalism are also included. *** "[the book] draws attention to an often neglected aspect of the career of a man whose contemporary significance and subsequent legacy remains disputed almost one hundred years after his death....the editors are to be particularly commended for their bilingual, multidisciplinary approach to Pearse's work as a dramatist....the collection is consequently a major contribution to 'the momentum building towards the centenary year of 2016.' - Irish Literary Supplement, Vol.34, No.1, Fall 2014Ã?Â?Ã?Â?
(Applause Books). Here, gathered for the first time, is the highly lauded work of one of America's most beloved playwrights. Introductory essays to each work by some of theatre's most distinguished artists give historical and critical perspective to Gardner's achievement. Includes: A THOUSAND CLOWNS * THE GOODBYE PEOPLE * THIEVES * I'M NOT RAPPAPORT * CONVERSATIONS WITH MY FATHER * WHO IS HARRY KELLERMAN AND WHY IS HE SAYING THOSE TERRIBLE THINGS ABOUT ME?.
“ I mean to live and die by my own mind,” Zora Neale Hurston told the writer Countee Cullen. Arriving in Harlem in 1925 with little more than a dollar to her name, Hurston rose to become one of the central figures of the Harlem Renaissance, only to die in obscurity. Not until the 1970s was she rediscovered by Alice Walker and other admirers. Although Hurston has entered the pantheon as one of the most influential American writers of the 20th century, the true nature of her personality has proven elusive. Now, a brilliant, complicated and utterly arresting woman emerges from this landmark book. Carla Kaplan, a noted Hurston scholar, has found hundreds of revealing, previously unpublished letters for this definitive collection; she also provides extensive and illuminating commentary on Hurston’s life and work, as well as an annotated glossary of the organizations and personalities that were important to it. From her enrollment at Baltimore’s Morgan Academy in 1917, to correspondence with Marjorie Kinnan Rawlings, Langston Hughes, Dorothy West and Alain Locke, to a final query letter to her publishers in 1959, Hurston’s spirited correspondence offers an invaluable portrait of a remarkable, irrepressible talent.
Since 1960, a Broadway season without a Neil Simon play has been a rare one. For more than thirty years, Simon's wry and astute observations on life, love, and the human condition have been making audiences laugh uproariously even as his beautifully realized characters touch their hearts. These five plays, including the Pulitzer- and Tony-award-winning Lost in Yonkers, show Simon at the pinnacle of his extraordinary career. Rumors Lost in Yonkers Jake's Women Laughter on the 23rd Floor London Suite Including the author's introduction: "How to Stop Writing and Other Impossibilities"
`The Lion and the Jewel alone is enough to establish Nigeria as the most fertile new source of English-speaking drama since Synge's discovery of the Western Isles.' The Times The ironic development and consequences of `progress' may be traced through both the themes and the tone of the works included in this second volume of Wole Soyinka's plays. The Lion and the Jewel shows an ineffectual assault on past tradition soundly defeated. In Kongi's Harvest, however, the pretensions of Kongi's regime are also fatal. The denouement points the way forward. The two Brother Jero plays pursue that way, the comic `propheteering' of the earlier play giving way to the sardonic reality of Jero's Metamorphosis. Madmen and Specialists, Soyinka's most pessimistic play, concerns the physical, mental, and moral destruction of modern civil war.
This volume contains the eight plays written by Albee during his first decade as a playwright, from 1958 to 1965. These range from the four one-act plays with which he exploded on the New York theatre scene in 1958-59 to his early masterpiece 'Who's Afraid of Virginia Woolf' in 1961-62.
To celebrate the centennial of his birth, the collected plays of America’s greatest twentieth-century dramatist in a beautiful bespoke hardcover edition In the history of postwar American art and politics, Arthur Miller casts a long shadow as a playwright of stunning range and power whose works held up a mirror to America and its shifting values. The Penguin Arthur Miller celebrates Miller’s creative and intellectual legacy by bringing together the breadth of his plays, which span the decades from the 1930s to the new millennium. From his quiet debut, The Man Who Had All the Luck, and All My Sons, the follow-up that established him as a major talent, to career hallmarks like The Crucible and Death of a Salesman, and later works like Mr. Peters’ Connections and Resurrection Blues, the range and courage of Miller’s moral and artistic vision are here on full display. This lavish bespoke edition, specially produced to commemorate the Miller centennial, is a must-have for devotees of Miller’s work. The Penguin Arthur Miller will ensure a permanent place on any bookshelf for the full span of Miller’s extraordinary dramatic career. The Penguin Arthur Miller includes: The Man Who Had All the Luck, All My Sons, Death of a Salesman, An Enemy of the People, The Crucible, A View from the Bridge, After the Fall, Incident at Vichy, The Price, The Creation of the World and Other Business, The Archbishop’s Ceiling, The American Clock, Playing for Time, The Ride Down Mt. Morgan, The Last Yankee, Broken Glass, Mr. Peters’ Connections, and Resurrection Blues.
Our town -- The skin of our teeth -- The matchmaker -- The Alcestiad -- The drunken sisters -- The marriage we deplore -- The unerring instinct -- Scenes from The emporium -- Plays for Bleecker Street -- The seven ages of man -- Writings on theater.