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This volume presents a wide range of pieces from a world-class Latinist which displays both his diverse interests as a scholar and his consistent concern with Augustan texts, their language and literary texture. The range of articles, written over more than three decades and including one previously unpublished piece, covers the same connected territory - largely Virgil, Horace, and elegy. R. O. A. M. Lyne's consistent approach of close reading means that the articles form a coherent whole, while his compelling style as an engaged literary analyst ensures that these are not dry or forbidding pieces.
"This volume comprises most of the articles on Latin poetry by the late R.O.A.M. Lyne. Written over more than three decades, they cover the same connected territory - largely Vergil, Horace, and elegy - and together constitute a significant and coherent body of work. Lyne's consistent approach of close reading (one of the traits which made him such an outstanding tutor) means that the articles form a unified whole, while his compelling style as an engaged literary analyst ensures that these are by no means dry or forbidding pieces. This is writing from a world-class Latinist which displays both his diverse interests as a scholar and his consistent concern with Augustan texts, their language and literary texture. It includes some famous and well-known articles and one previously unpublished piece."--Résumé de l'éditeur
A generous selection from more than three decades of scholarly articles by a world-class scholar and interpreter of Latin poetry which displays both his diverse interests and his concern with the texts of first-century BC Augustan poets, their language and literary texture.
Other papers discuss Virgil's bucolic style; symbolism in Seneca's tragedies; how poems by Horace and Statius are coloured by the characteristics of their addresses. Articles on prose consider the reader's contribution to the understanding of Cicero's speeches and the use of rhythm to determine the punctuation of Latin sentences. Many textual conjectures are proposed on familiar Latin authors, notably Catullus, Horace, and Juvenal; other papers discuss Housman's Juvenal and 'how textual conjectures are made'.
Francis Cairns has made well-known contributions to the study of Roman Epic and Elegy. Papers on Catullus and Horace assembles his substantial body of work on Roman Lyric - about 30 papers published between 1969 and 2010 in many European and American periodicals, themed volumes and Festschriften, along with some new papers. Many aspects of the lyric poetry of Catullus and Horace are treated in this collection. Particular emphasis is given to the political and religious interests of both poets, to their interactions with their contemporaries, to the ‛learning’ which informs their poetry, and to their generic practices. Philological problems of text and interpretation are treated pari passu, as are relevant aesthetic questions. The volume is fully indexed and contains a composite bibliography and addenda and corrigenda. Papers on Catullus and Horace will make access to this body of important scholarly material easier and more convenient for scholars and students of Latin poetry.
Before the invention of printing, all forms of writing were done by hand. For a literary text to circulate among readers, and to be transmitted from one period in time to another, it had to be copied by scribes. As a result, two copies of an ancient book were different from one another, and each individual book or manuscript has its own history. The oldest of these books, those that are the closest to the time in which the texts were composed, are few, usually damaged, and have been often neglected in the scholarship. Ancient Latin Poetry Books presents a detailed study of the oldest manuscripts still extant that contain texts by Latin poets, such as Virgil, Terence, and Ovid. Analyzing their physical characteristics, their script, and the historical contexts in which they were produced and used, this volume shows how manuscripts can help us gain a better understanding of the history of texts, as well as of reading habits over the centuries. Since the manuscripts originated in various places of the Latin-speaking world, Ancient Latin Poetry Books investigates the readership and reception of Latin poetry in many different contexts, such schools in the Egyptian desert, aristocratic circles in southern Italy, and the Christian élite in late antique Rome. The research also contributes to our knowledge about the use of writing and the importance of the written text in antiquity. This is an innovative approach to the study of ancient literature, one that takes the materiality of texts into consideration.
This volume offers 18 new studies reflecting the latest scholarship on Latin verse, explored both in its original context and in subsequent contexts as it has been translated and re-imagined. All chapters reflect the wide research interests of Professor Susanna Braund, to whom the volume is dedicated. Latin Poetry and Its Reception assembles a blend of senior scholars and new voices in Latin literary studies. It makes important contributions to the understanding of kingship in Hellenistic and Roman thought, with the first four chapters dedicated to exploring this theme in Republican poetry, Virgil, Seneca, and Statius. Chapters focusing on the modern reception include case studies from the 16th to the 21st century, with discussions on Gavin Douglas, Edward Gibbon, Herman Melville, Igor Stravinsky, and Elena Ferrante, among others. No comparable volume provides a similar range. Latin Poetry and Its Reception will appeal to all scholars of Latin poetry and classical reception, from senior undergraduates to scholars in classics and other disciplines.
The most inclusive single-volume anthology of Latin American poetry intranslation ever produced.
Presents a diverse sample of twentieth century Latin American poems from eighty-four authors in Spanish, Portuguese, Ladino, Spanglish, and several indigenous languages with English translations on facing pages.