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An NYRB Classics Original Simon Leys is a Renaissance man for the era of globalization. A distinguished scholar of classical Chinese art and literature and one of the first Westerners to recognize the appalling toll of Mao’s Cultural Revolution, Leys also writes with unfailing intelligence, seriousness, and bite about European art, literature, history, and politics and is an unflinching observer of the way we live now. The Hall of Uselessness is the most extensive collection of Leys’s essays to be published to date. In it, he addresses subjects ranging from the Chinese attitude to the past to the mysteries of Belgium and Belgitude; offers portraits of André Gide and Zhou Enlai; takes on Roland Barthes and Christopher Hitchens; broods on the Cambodian genocide; reflects on the spell of the sea; and writes with keen appreciation about writers as different as Victor Hugo, Evelyn Waugh, and Georges Simenon. Throughout, The Hall of Uselessness is marked with the deep knowledge, skeptical intelligence, and passionate conviction that have made Simon Leys one of the most powerful essayists of our time.
Excerpt from Collected Papers on Acoustics This volume aims to contain all the important contributions to the subject of acoustics from the pen of the last Professor W. C. Sabine. The greater part of these papers appeared in a number of different architectural journals and were therefore addressed to a changing audience, little acquainted with physical science, and to whose members the subject was altogether novel. Under these circumstances a certain amount of repetition was not only unavoidable, but desirable. Little attempt has been made to reduce this repetition but in one case an omission seemed wise. The material contained in the author's earliest papers on acoustics, which appeared in the Proceedings of the American Institute of Architects in 1898, is repeated almost completely in the paper which forms the first chapter of this volume; it has, therefore, been omitted from this collection with the exception of a few extracts which have been inserted as footnotes in the first chapter. No apology is made for the preservation of the paper from the Proceedings of the Franklin Institute, for, though much of the material therein is to be found in the earlier chapters of this volume, the article is valuable as a summary, and as such it is recommended to the reader who desires to obtain a general view of the subject. In addition to the papers already in print at the time of the author's death the only available material consisted of the manuscripts of two articles, one on Echoes, the other on Whispering Galleries, and the full notes on four of the lectures on acoustics delivered at the Sorbonne in the spring of 1917. Of this material, the first paper was discarded as being too fragmentary; the second, after some slight omissions and corrections in the text made necessary by the loss of a few of the illustrations, forms Chapter 11 of this volume; an abstract of so much of the substance of the lecture notes as had not already appeared in print has been made, of which part is to be found in the form of an Appendix and part is contained in some of the following paragraphs. The reader may often be puzzled by reference to works about to be published but of which no trace is to be found in this volume. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.