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The first-ever collection of essays from across Elizabeth Hardwick's illustrious writing career, including works not seen in print for decades. A New York Times Notable Book of 2017 Elizabeth Hardwick wrote during the golden age of the American literary essay. For Hardwick, the essay was an imaginative endeavor, a serious form, criticism worthy of the literature in question. In the essays collected here she covers civil rights demonstrations in the 1960s, describes places where she lived and locations she visited, and writes about the foundations of American literature—Melville, James, Wharton—and the changes in American fiction, though her reading is wide and international. She contemplates writers’ lives—women writers, rebels, Americans abroad—and the literary afterlife of biographies, letters, and diaries. Selected and with an introduction by Darryl Pinckney, the Collected Essays gathers more than fifty essays for a fifty-year retrospective of Hardwick’s work from 1953 to 2003. “For Hardwick,” writes Pinckney, “the poetry and novels of America hold the nation’s history.” Here is an exhilarating chronicle of that history.
The essayist, critic, novelist, short story writer, and biographer presents 203 essays on such writers as Gibbon, Cervantes, Balzac, Flaubert, Woolf, Shaw, Twain, Garci+a7a Lorca, Updike, Rushdie, and others. - Google Books.
Robin Wood’s writing on the horror film, published over five decades, collected in one volume. Robin Wood—one of the foremost critics of cinema—has laid the groundwork for anyone writing about the horror film in the last half-century. Wood's interest in horror spanned his entire career and was a form of popular cinema to which he devoted unwavering attention. Robin Wood on the Horror Film: Collected Essays and Reviews compiles over fifty years of his groundbreaking critiques. In September 1979, Wood and Richard Lippe programmed an extensive series of horror films for the Toronto International Film Festival and edited a companion piece: The American Nightmare: Essays on the Horror Film — the first serious collection of critical writing on the horror genre. Robin Wood on the Horror Film now contains all of Wood's writings from The American Nightmare and nearly everything else he wrote over the years on horror—published in a range of journals and magazines—gathered together for the first time. It begins with the first essay Wood ever published, "Psychoanalysis of Psycho," which appeared in 1960 and already anticipated many of the ideas explored later in his touchstone book, Hitchcock's Films. The volume ends, fittingly, with, "What Lies Beneath?," written almost five decades later, an essay in which Wood reflects on the state of the horror film and criticism since the genre's renaissance in the 1970s. Wood's prose is eloquent, lucid, and convincing as he brings together his parallel interests in genre, authorship, and ideology. Deftly combining Marxist, Freudian, and feminist theory, Wood's prolonged attention to classic and contemporary horror films explains much about the genre's meanings and cultural functions. Robin Wood on the Horror Film will be an essential addition to the library of anyone interested in horror, science fiction, and film genre.
An NYRB Classics Original Simon Leys is a Renaissance man for the era of globalization. A distinguished scholar of classical Chinese art and literature and one of the first Westerners to recognize the appalling toll of Mao’s Cultural Revolution, Leys also writes with unfailing intelligence, seriousness, and bite about European art, literature, history, and politics and is an unflinching observer of the way we live now. The Hall of Uselessness is the most extensive collection of Leys’s essays to be published to date. In it, he addresses subjects ranging from the Chinese attitude to the past to the mysteries of Belgium and Belgitude; offers portraits of André Gide and Zhou Enlai; takes on Roland Barthes and Christopher Hitchens; broods on the Cambodian genocide; reflects on the spell of the sea; and writes with keen appreciation about writers as different as Victor Hugo, Evelyn Waugh, and Georges Simenon. Throughout, The Hall of Uselessness is marked with the deep knowledge, skeptical intelligence, and passionate conviction that have made Simon Leys one of the most powerful essayists of our time.
Essays and Reviews is a collection of seven articles that appeared in 1860, sparking a Victorian culture war that lasted for at least a decade. With pieces written by such prominent Oxford and Cambridge intellectuals as Benjamin Jowett, Mark Pattison, Baden Powell, and Frederick Temple (later archbishop of Canterbury), the volume engaged the relations between religious faith and current topics of the day in education, the classics, theology, science, history, literature, biblical studies, hermeneutics, philology, politics, and philosophy. Upon publication, the church, the university, the press, the government, and the courts, both ecclesiastical and secular, joined in an intense dispute. The book signaled an intellectual and religious crisis, raised influential issues of free speech, and questioned the authority and control of the Anglican Church in Victorian society. The collection became a best-seller and led to three sensational heresy trials. Although many historians and literary critics have identified Essays and Reviews as a pivotal text of high Victorianism, until now it has been almost inaccessible to modern readers. This first critical edition, edited by Victor Shea and William Whitla, provides extensive annotation to map the various positions on the controversies that the book provoked. The editors place the volume in its complex social context and supply commentary, background materials, composition and publishing history, textual notes, and a broad range of new supporting documents, including material from the trials, manifestos, satires, and contemporary illustrations. Not only does such an annotated critical edition of Essays and Reviews indicate the impact that the volume had on Victorian society; it also sheds light on our own contemporary cultural institutions and controversies.
Fiction. The essays in WHAT CAME BEFORE say without saying. Combining and blurring the genres of myth, essay, and poetry, these small works explore subjects as diverse as the death of Moses, the special relationship between gay men and cats, the movie Titanic, rock collections, and the afterlife.
A career-spanning collection of essays by the Nobel laureate Peter Handke, featuring two new works never before published in English Quiet Places brings together Peter Handke’s forays into the border regions of life and story, upending the distinction between literature and the literary essay. Proceeding from the specificity of place (the mountains of Carinthia and Spain, the hinterlands of Paris) to specific objects (the jukebox, the boletus mushroom) to the irreducible particularity of our moods and mental impressions, these works—each a novella in its own right—offer rare insight into the affinities that can develop between a storyteller and the unlikeliest of subjects. Here, Handke posits a reevaluation of the possibilities and proper concerns of literature in a style unmistakably his own. This collection unites the three essays from The Jukebox with two new works: “Essay on a Mushroom Maniac,” the story of a friend’s descent into and ascent from the depths of obsession, and “Essay on Quiet Places,” a memoiristic tour d’horizon of bathrooms and their place in Handke’s life and work. Featuring masterful translations by Krishna Winston and Ralph Manheim, this collection encapsulates the oeuvre of one of our greatest living writers.
Winner of the 2021 PEN/Diamonstein-Spielvogel Award for the Art of the Essay, HAD I KNOWN contains the most provocative, incendiary, and career-making pieces by bestselling author, essayist, political activist, and "veteran muckraker" Barbara Ehrenreich (The New Yorker). A self-proclaimed "myth buster by trade," Barbara Ehrenreich has covered an extensive range of topics as a journalist and political activist, and is unafraid to dive into intellectual waters that others deem too murky. Now, Had I Known gathers the articles and excerpts from a long-ranging career that most highlight Ehrenreich's brilliance, social consciousness, and wry wit. From Ehrenreich's award-winning article "Welcome to Cancerland," published shortly after she was diagnosed with breast cancer, to her groundbreaking undercover investigative journalism in Nickel and Dimed, to her exploration of death and mortality in the New York Times bestseller, Natural Causes, Barbara Ehrenreich has been writing radical, thought-provoking, and worldview-altering pieces for over four decades. Her reviews have appeared in the New York Times Book Review, the Washington Post, the Atlantic Monthly, and the Los Angeles Times Book Review, among others, while her essays, op-eds and feature articles have appeared in the New York Times, Harper's Magazine, the New York Times Magazine, Time, the Wall Street Journal, and many more. Had I Known pulls from the vast and varied collection of one of our country's most incisive thinkers to create one must-have volume.
Collected Essays contains nearly eighty essays, reviews and occasional pieces composed between novels, plays and travel books over four prolific decades. From Henry James and Somerset Maugham to Ho Chi Minh and Kim Philby, the range of subjects is eclectic and stimulating; his subjects brought vividly to life. The resulting collection is as revealing as autobiography and characteristically rich in humour, insight and doubt.