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What was the role played by local police volunteers in the Holocaust? Using powerful eye-witness descriptions from the towns and villages of Belorussia and Ukraine, Martin Dean's new book reveals local policemen as hands-on collaborators of the Nazis. They brutally drove Jewish neighbors from their homes and guarded them closely on the way to their deaths. Some distinguished themselves as ruthless murders. Outnumbering German police manpower in these areas, the local police were the foot-soldiers of the Holocaust in the east.
This book examines the changes in representing collaboration, during the Holocaust, especially in the destruction of European Jewry, in the public discourse and the historiography of various countries in Europe that were occupied by the Germans, or were considered, at least during part of the war, as Germany's allies or satellites. In particular, it shows how representations and responses have been conditioned by national and political trends and constraints. As historical background to the issues of postwar collective memory and public discourse, it includes references to and short descriptions of major manifestations of collaboration, chiefly in regards to the Jews, in each of these countries during the war. Whether they were Communist or democratic regimes, the book shows how the sudden burden of the past was suppressed, denied or distorted in various periods. Covering a wide area of both Eastern and Western Europe from different specialist perspectives, this comprehensive study of collaboration in the Holocaust and its aftermath will be a valuable tool for teachers and students in the field of modern European history and Holocaust studies.
This book brings together leading experts to assess how and whether the Nazis were successful in fostering collaboration to secure the resources they required during World War II. These studies of the occupation regimes in Norway and Western Europe reveal that the Nazis developed highly sophisticated instruments of exploitation beyond oppression and looting. The authors highlight that in comparison to the heavy manufacturing industries of Western Europe, Norway could provide many raw materials that the German war machine desperately needed, such as aluminium, nickel, molybdenum and fish. These chapters demonstrate that the Nazis provided incentives to foster economic collaboration, hoping that these would make every mine, factory and smelter produce at its highest level of capacity. All readers will learn about the unique part of Norwegian economic collaboration during this period and discover the rich context of economic collaboration across Europe during World War II.
Europe on Trial explores the history of collaboration, retribution, and resistance during World War II. These three themes are examined through the experiences of people and countries under German occupation, as well as Soviet, Italian, and other military rule. Those under foreign rule faced innumerable moral and ethical dilemmas, including the question of whether to cooperate with their occupiers, try to survive the war without any political involvement, or risk their lives by becoming resisters. Many chose all three, depending on wartime conditions. Following the brutal war, the author discusses the purges of real or alleged war criminals and collaborators, through various acts of violence, deportations, and judicial proceedings at the Nuremberg International Military Tribunal as well as in thousands of local courts. Europe on Trial helps us to understand the many moral consequences both during and immediately following World War II.
Complicated Complicity is about the forms taken, motives and spectrum of actions of European collaboration with the Nazis. State authorities, local military organizations and individual players in different countries and areas including France, Scandinavia, Lithuania, Poland, Ukraine, Romania, Hungary, Slovakia, Greece, Italy, Portugal and the countries of the former Yugoslavia are discussed in the context of the history of World War II, the history of occupation and everyday life and as an essential influencing factor in the Holocaust. New forms of right-wing populism, nationalism and growing intolerance of Jewish fellow citizens and minorities have made such historically sensitive studies considerably more difficult in many countries today. In this time of increasing historical revisionism in Europe, such elucidating discourse is particularly relevant.
The book investigates the rather neglected "intellectual" collaboration between National Socialist Germany and other countries, including views on knowledge and politics among "pro-German" intellectuals, using a comparative approach. These moves were shaped by the Nazi system, which viewed scientific and cultural exchange as part and parcel of their cultural propaganda and policy. Positive views of the Hitler regime among intellectuals of all sorts were indicative of a broader discontent with democracy that, among other things, represented an alternative approach to modernization which was not limited to the German heartlands. This book draws together international experts in an analysis of right-wing Europe under Hitler; a study which has gained new resonance amidst the wave of European nationalism in the twenty-first century.
To continue doing business in Germany after Hitler's ascent to power, Hollywood studios agreed not to make films that attacked the Nazis or condemned Germany's persecution of Jews. Ben Urwand reveals this bargain for the first time—a "collaboration" (Zusammenarbeit) that drew in a cast of characters ranging from notorious German political leaders such as Goebbels to Hollywood icons such as Louis B. Mayer. At the center of Urwand's story is Hitler himself, who was obsessed with movies and recognized their power to shape public opinion. In December 1930, his Party rioted against the Berlin screening of All Quiet on the Western Front, which led to a chain of unfortunate events and decisions. Fearful of losing access to the German market, all of the Hollywood studios started making concessions to the German government, and when Hitler came to power in January 1933, the studios—many of which were headed by Jews—began dealing with his representatives directly. Urwand shows that the arrangement remained in place through the 1930s, as Hollywood studios met regularly with the German consul in Los Angeles and changed or canceled movies according to his wishes. Paramount and Fox invested profits made from the German market in German newsreels, while MGM financed the production of German armaments. Painstakingly marshaling previously unexamined archival evidence, The Collaboration raises the curtain on a hidden episode in Hollywood—and American—history.
'Artists Under Hitler' closely examines cases of artists who failed in their attempts to find accommodation in the Nazi regime as well as others whose desire for official acceptance was realised. They illuminate the complex cultural history of this period and provide haunting portraits of people facing excruciating choices and grave moral questions.
This book explores regional variations in civilians' attitudes toward the Jewish population in Romania and the occupied Soviet Union.
With the Nazi era being one of the most discussed periods in history, there are still many people who are unaware of collaboration between Zionism and the fascist regimes of Hitler and Mussolini. Now in paperback and featuring an updated article on the Iron Wall' by Vladimir Jabotinsky, 51 Documents brings to light the immense disservice the Zionists did to many other Jews during this period.'