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Colette can't find something to talk about with the new kids in the neighborhood...so she invents a pet! Her fib quickly escalates, and suddenly her parakeet is a larger-than-life world-traveler named Marie Antoinette. Have her new friends figured out her secret? What will they do? This charming story both clearly identifies the struggle of navigating a different experience, and demonstrates to kids a lovely and welcoming way to treat someone new in their community.
A charming and funny story about navigating new places and friendships. Perfect for fans of Uni the Unicorn and Sparky. Colette is exploring her new neighborhood and wants to make friends. But when she encounters someone her age she’s never met before, she doesn’t know what to say—so she hastily invents a lost pet! Things spiral a bit out of control as a neighborhood-wide search party is assembled and Colette makes her pet bird more amazing with each telling. Will the neighborhood kids catch on to her ever-growing fib? This charming story both clearly identifies the struggle of navigating a different experience and demonstrates to kids a lovely and welcoming way to treat someone new in their community.
When Swanda and her dog, Waldo, move to Brooklyn from the country, they miss the wildlife they left behind. Until they discover the pigeons. “Oh, look! What dear little birds! Come, Waldo, we’ll get them a bird feeder all their own.” But a bird feeder in the city attracts lots and lots and lots of birds — and the neighbors don’t like them, or their mess, one bit. So when Swanda is unable to fix things, her neighbors step in with their own Brooklynese solution: “SWANDA, YOU GOTTA STOP FEEDIN’ DA BOIDS!”
Maya's imagination sets the stage for her friends to act out her feminist play. Can she make room in her queendom for the will of the people? A funny picture book about leadership and fair play for fans of King Baby and Olivia. Maya is a bossy, burgeoning playwright and loves to have the kids in her Mile End neighborhood bring her scenes to life. Her latest work, about a feminist revolution, is almost ready for public performance. But as her actors begin to express their costume preferences, Maya quickly learns that their visions may not match hers . . . and as both Director and Queen, Maya demands obedience and loyalty in her queendom of equality! But she soon realizes -- with the help of her friends and subjects -- that absolute bossiness corrupts absolutely!
A reluctant camper discovers that the (not-so) great outdoors can be just as exciting as screens and skyscrapers in this playful picture book celebration of the pleasures of unplugging and embracing nature. What's so great about the "great outdoors"? A grumpy urban kid begrudgingly accompanies her family on a summer camping trip, missing all the sublime sights right under her nose as she longs for the lights and stimulation of the city. But as she explores forests, lakes and mountains, and encounters bears, beavers and caribou, she slowly comes to realize that the simpler things are just as sparkly, that the sky is its own majestic light show, and the symphony is all around. The Not-So Great Outdoors is a humorous and richly imagined reminder of the beauty and magic that can be found away from the city and our screens.
A New York Times Best Illustrated Book Hélène has been inexplicably ostracized by the girls who were once her friends. Her school life is full of whispers and lies - Hélène weighs 216; she smells like BO. Her loving mother is too tired to be any help. Fortunately, Hélène has one consolation, Charlotte Brontë's Jane Eyre. Hélène identifies strongly with Jane's tribulations, and when she is lost in the pages of this wonderful book, she is able to ignore her tormentors. But when Hélène is humiliated on a class trip in front of her entire grade, she needs more than a fictional character to see herself as a person deserving of laughter and friendship. Leaving the outcasts' tent one night, Hélène encounters a fox, a beautiful creature with whom she shares a moment of connection. But when Suzanne Lipsky frightens the fox away, insisting that it must be rabid, Hélène's despair becomes even more pronounced: now she believes that only a diseased and dangerous creature would ever voluntarily approach her. But then a new girl joins the outcasts' circle, Géraldine, who does not even appear to notice that she is in danger of becoming an outcast herself. And before long Hélène realizes that the less time she spends worrying about what the other girls say is wrong with her, the more able she is to believe that there is nothing wrong at all. This emotionally honest and visually stunning graphic novel reveals the casual brutality of which children are capable, but also assures readers that redemption can be found through connecting with another, whether the other is a friend, a fictional character or even, amazingly, a fox.
First published in 1799, George Walker's The Vagabond was an immediate popular success. Offering a vitriolic critique of post-Bastille Jacobinism and sansculotte-style mob rule, its true-to-life satirical portraits of many of the radical men and women who fought in the forefront of the "British Revolution" are nonetheless full of playful banter and farce. With swipes at Hume, Rousseau, Godwin, Wollstonecraft, and Paine; the French Revolution; and the ideas of the noble savage, natural virtue, liberty, equality, and romantic primitivism, The Vagabond offers a unique cross-section of 1790s radicalism. This Broadview edition contains a critical introduction and a wide selection of primary source materials that situate the novel in the context of the revolutionary debate of the 1790s. Appendices include contemporary reviews of the novel and excerpts from the writings of a variety of radicals and reactionaries engaged in the debate, such as Hume, Rousseau, Paine, Thelwall, Wollstonecraft, Godwin, Burke, Playfair, Malthus, and Cobbett, among many others.
Once Upon a Northern Night has received starred reviews from Kirkus, Publishers Weekly and School Library Journal. In this exquisite lullaby, the beauty and wonder of a northern winter night unfold, with images of a soft snowfall, the wild animals that appear in the garden, the twinkling stars, the gentle rhythm of the northern lights and the etchings of frost on the window pane. As the young child sleeps, wrapped in a downy blanket, a snowflake falls, and then another and another. The poem describes the forest of snow-covered pines, where a deer and fawn nibble a frozen apple, and a great gray owl swoops down with its feathers trailing through the snow. Two snowshoe hares scamper and play under the watchful eyes of a little fox, and a tiny mouse scurries in search of a midnight feast. When the snow clouds disappear, stars light up the sky, followed by the mystical shimmering of northern lights - all framed by the frost on the window. Jean E. Pendziwol's lyrical poem reflects a deep appreciation of the magic of a northern winter night where, even as a child slumbers, the world outside does not rest but continues its own natural rhythms. Isabelle Arsenault's spare, beautifully rendered illustrations, with their subtle but striking use of color, make us feel that we too are experiencing the enchantment of that northern night. They simultaneously evoke winter's nighttime life and the cozy warmth and security of a beloved child's sleep.
In the future there is no disease. There is no war. There is no discontent. All citizens are complacent members of the Global Governance. But one summer is about to change everything. Keeva Tee just turned fifteen. She’s about to make the trip to Monarch Camp to be imprinted with her intended life partner. But in her happy, carefree life in the Ocean Community, she hears whispers about “anomalies”—citizens who can’t be imprinted. When Keeva arrives at Monarch Camp, her worst nightmare becomes a reality—she is an anomaly. She beings to doubt everything she’s ever believed. What if freedom and individuality have been sacrificed for security? When Keeva finds a warning carved under a bunk bed she begins to understand: nonconformity will be punished, dissent is not an option, insurgents will be destroyed.
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