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Samuel Taylor Coleridge is best known as a great poet and literary theorist, but for one, quite short, period of his life he held real political power - acting as Public Secretary to the British Civil Commissioner in Malta in 1805. This was a formative experience for Coleridge which he later identified as being one of the most instructive in his entire life. In this volume Barry Hough and Howard Davis show how Coleridge's actions whilst in a position of power differ markedly from the idealism he had advocated before taking office - shedding new light on Coleridge's sense of political and legal morality.
The appearance of hitherto unpublished material during the last hundred years has brought out more fully the range and complexity of Coleridge's intelligence and knowledge. Complete publication of the Notebooks and Collected Works, together with that of the previously assembled Collected Letters, have made it increasingly evident that this was the most extraordinary English mind of the time. The specialist or more general student who wishes to know what Coleridge had to say on a particular subject may, however, find the sheer mass of materials bewildering, since in his less formal writings he passed quickly from one subject to another. Coleridge's Responses, like its predecessor, Coleridge's Writings published by Palgrave, is a series addressed to such readers. In each volume a particular area of Coleridge's interest is explored, with an attempt to present his most significant statements and to show the development of his thought on the subject in question. This major compilation not only arranges selections from Coleridge by themes but also, through notes and introductory material, elucidates and interprets the material. Covering Coleridge's wide-ranging criticism of other writers and statements on writing itself, his analysis and observation of nature and its powers and his enlightened view of the Bible achieved through constant study and annotation, this collection provides a comprehensive overview of his writings on these major areas of interest and knowledge.
The very word "culture" has traditionally evoked the land. But when such writers as William Wordsworth, Samuel Taylor Coleridge, Lord Byron, and, later, Matthew Arnold developed what would become the idea of modern culture, they modeled that idea on Britain's imperial command of the sea. Instead of locating the culture idea’s beginnings in the dynamic between the country and the city, Samuel Baker insists on taking into account the significance of water for that idea’s development. For the Romantics, figures of the island, the deluge, and the sundering tide often convey the insularity of cultures understood to stand apart from the whole; yet, Baker writes, the sea also stands in their poetry of culture as a reminder of the broader sphere of circulation in which the poet's work, if not the poet's subject, inheres. Although other books treat the history of the idea of culture, none synthesizes that history with the literary history of maritime empire. Written on the Water tracks an uncanny interrelationship between ocean imagery and culturalist rhetoric of culture forward from the late Augustans to the mid-Victorians. In so doing, it analyzes Wordsworth's pronounced ambivalence toward the sea, Coleridge's sojourn as an imperial functionary in Malta, Byron's cosmopolitan seafaring tales, and Arnold's dual identity as "poet of water" and prose arbiter of "culture." It also considers Romanticism's classical inheritance, arguing that the Lake Poets dissolved into the idea of culture the Virgilian system of pastoral, georgic, and epic modes of literature and life. This compelling new study will engage any reader interested in the intellectual and literary history of Britain and the lived experience of British Romanticism.
The most sustained criticism and ambitious theory that had ever been attempted in English, the Biographia was Coleridge's major statement to a literary culture in which he sought to define and defend all imaginative life. This book offers a reading of Coleridge in the context of that culture and the institutions that comprised it.
A concise, accessible and innovative account of a major poet and thinker.
Brimming with poetry, art, and nature writing—Wordsworth and Coleridge as you've never seen them before June 1797 to September 1798 is the most famous year in English poetry. Out of it came Samuel Taylor Coleridge's The Rime of the Ancient Mariner and “Kubla Khan,” as well as his unmatched hymns to friendship and fatherhood, and William Wordsworth’s revolutionary songs in Lyrical Ballads along with “Tintern Abbey,” Wordsworth's paean to the unity of soul and cosmos, love and understanding. In The Making of Poetry, Adam Nicolson embeds himself in the reality of this unique moment, exploring the idea that these poems came from this particular place and time, and that only by experiencing the physical circumstances of the year, in all weathers and all seasons, at night and at dawn, in sunlit reverie and moonlit walks, can the genesis of the poetry start to be understood. The poetry Wordsworth and Coleridge made was not from settled conclusions but from the adventure on which they embarked, thinking of poetry as a challenge to all received ideas, stripping away the dead matter, looking to shed consciousness and so change the world. What emerges is a portrait of these great figures seen not as literary monuments but as young men, troubled, ambitious, dreaming of a vision of wholeness, knowing they had greatness in them but still in urgent search of the paths toward it. The artist Tom Hammick accompanied Nicolson for much of the year, making woodcuts from the fallen timber in the park at Alfoxden where the Wordsworths lived. Interspersed throughout the book, his images bridge the centuries, depicting lives at the source of our modern sensibility: a psychic landscape of doubt and possibility, full of beauty and thick with desire for a kind of connectedness that seems permanently at hand and yet always out of reach.
This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Samuel Taylor Coleridge (1772–1834) was an English poet, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He wrote the poems The Rime of the Ancient Mariner and Kubla Khan, as well as the major prose work Biographia Literaria. His critical work, especially on Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking culture. He coined many familiar words and phrases, including suspension of disbelief. He was a major influence on Emerson, and American transcendentalism. Coleridge is one of the most important figures in English poetry. His poems directly and deeply influenced all the major poets of the age. He was known by his contemporaries as a meticulous craftsman who was more rigorous in his careful reworking of his poems than any other poet, and Southey and Wordsworth were dependent on his professional advice. Table of Contents: Introduction: The Spirit of the Age: Mr. Coleridge by William Hazlitt A Day With Samuel Taylor Coleridge by May Byron The Life of Samuel Taylor Coleridge by James Gillman Literary Essays, Lectures and Memoirs: BIOGRAPHIA LITERARIA ANIMA POETAE SHAKSPEARE, WITH INTRODUCTORY MATTER ON POETRY, THE DRAMA AND THE STAGE AIDS TO REFLECTION CONFESSIONS OF AN INQUIRING SPIRIT AND MISCELLANEOUS ESSAYS FROM "THE FRIEND" HINTS TOWARDS THE FORMATION OF A MORE COMPREHENSIVE THEORY OF LIFE OMNIANA. 1812 A COURSE OF LECTURES LITERARY NOTES SPECIMENS OF THE TABLE TALK OF SAMUEL TAYLOR COLERIDGE LITERARY REMAINS OF S.T. COLERIDGE Complete Letters LETTERS OF SAMUEL TAYLOR COLERIDGE BIBLIOGRAPHIA EPISTOLARIS
In 'COLERIDGE: Essays & Lectures on Shakespeare, Old Poets & Dramatists', Samuel Taylor Coleridge delves into the works of literary giants such as Shakespeare, exploring their timeless themes and innovative techniques. Known for his romantic poetry, Coleridge's prose in this collection is both insightful and eloquent, offering a unique perspective on the classical writers of his time. The essays and lectures provide a deep analysis of the evolution of literature, highlighting the influence of these old poets and dramatists on contemporary works. Coleridge's literary style is rich with poetic language and philosophical musings, making this collection a valuable source for scholars and literature enthusiasts alike. Samuel Taylor Coleridge, a prominent figure in the Romantic movement, was deeply inspired by the works of Shakespeare and other classic poets. His keen understanding of literary theory and his passion for the written word shine through in this collection, showcasing his reverence for the great writers of the past. Coleridge's background as a poet and critic lends credibility to his interpretations, making his essays and lectures a significant contribution to literary criticism. I highly recommend 'COLERIDGE: Essays & Lectures on Shakespeare, Old Poets & Dramatists' to readers who are interested in exploring the depths of classical literature and gaining valuable insights from one of the Romantic era's most influential thinkers. Coleridge's nuanced analysis and profound reflections make this collection a must-read for anyone seeking a deeper understanding of the literary world.
Samuel Taylor Coleridge (1772–1834) was an English poet, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He wrote the poems The Rime of the Ancient Mariner and Kubla Khan, as well as the major prose work Biographia Literaria. His critical work, especially on Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking culture. He coined many familiar words and phrases, including suspension of disbelief. He was a major influence on Emerson, and American transcendentalism. Coleridge is one of the most important figures in English poetry. His poems directly and deeply influenced all the major poets of the age. He was known by his contemporaries as a meticulous craftsman who was more rigorous in his careful reworking of his poems than any other poet, and Southey and Wordsworth were dependent on his professional advice. Table of Contents: Biographia Literaria (By Samuel Taylor Coleridge) Anima Poetae (By Samuel Taylor Coleridge) Bibliographia Epistolaris (Samuel Taylor Coleridge) Complete Letters of S. T. Coleridge The Spirit of the Age: Mr. Coleridge by William Hazlitt A Day With Samuel Taylor Coleridge by May Byron The Life of Samuel Taylor Coleridge by James Gillman