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Volume 2 of the Text on the Notebooks of Samuel Taylor Coleridge, spanning from 1804 to 1808. The volume is in two parts, text and notes. During his adult life until his death in 1834, Coleridge made entries in more than sixty notebooks. Neither commonplace books nor diaries, but something of both, they contain notes on literary, theological, philosophical, scientific, social and psychological matters, plans for and fragments of works and many other items of great interest. Shortly after World War II, Kathleen Coburn, formerly of Victoria College in Toronto, rediscovered this great collection of unpublished manuscripts. With the support of the Coleridge estate, she embarked on a career of editing and publishing these volumes and was awarded with many honours for her work, including: a Leverhulme Award (1948), a Guggenheim Fellowship (1953), a Fellowship in the Royal Society of Canada (1958), the Order of Canada (1974) and an honorary doctorate from her own university. Originally projected as a five volume set (each volume consisting of a book of text and a book of notes).
First published in 2002. Volume 2 of the notes on the Notebooks of Samuel Taylor Coleridge, spanning from 1804 to 1808. The volume is in two parts, text and notes.
Volume 2 of the Text on the Notebooks of Samuel Taylor Coleridge, spanning from 1804 to 1808. The volume is in two parts, text and notes. During his adult life until his death in 1834, Coleridge made entries in more than sixty notebooks. Neither commonplace books nor diaries, but something of both, they contain notes on literary, theological, philosophical, scientific, social and psychological matters, plans for and fragments of works and many other items of great interest. Shortly after World War II, Kathleen Coburn, formerly of Victoria College in Toronto, rediscovered this great collection of unpublished manuscripts. With the support of the Coleridge estate, she embarked on a career of editing and publishing these volumes and was awarded with many honours for her work, including: a Leverhulme Award (1948), a Guggenheim Fellowship (1953), a Fellowship in the Royal Society of Canada (1958), the Order of Canada (1974) and an honorary doctorate from her own university. Originally projected as a five volume set (each volume consisting of a book of text and a book of notes).
The good, the true and the beautiful-it is for these that our souls long. Though they reside in unity and perfection in God alone, the written word is one place we can discover glimmers of divine light. The writings of great souls can turn our gaze toward God as he is revealed in Jesus Christ. Even authors who do not know Christ or who reject Christ can still point to him, for anyone who seeks the truth finds it; and any one who turns his back on the truth turns away from a someone whose presence can often be more keenly felt in his absence. In this volume, Lucy Beckett illuminates some of the finest writings in the Western tradition and trains our eye to discover in them the Christian vision of God. She masterfully guides us through Sophocles, Plato, Augustine, Dante, Shakespeare, Dostoyevsky and many others, deftly demonstrating each author's worth as a bearer of truth.
Such multiplicity of versions raises interesting theoretical and practical questions about the make-up of the Coleridge canon, the ontological identity of any specific work in the canon, the editorial treatment of Coleridge's works, and the ways in which multiple versions complicate interpretation of the poems as a unified (or, as the case may be, disunified) body of work.
Modern Western biography has become one of the most popular and most controversial forms of literature. Critics have attacked its tendency to rely on a strong narrative drive, its focus on a single person's life and its tendency to delve ever more deeply into that person's inner, private experience, though these tendencies seem to have only increased biography's popularity. To date, however, biography has been a rarely studied literary form. Little serious attention has been given to the light biographies can shed on philosophical problems, such as the intertwining of knowledge and power, or the ways in which we can understand lives, or terms like 'the self'. Should selves be seen as relational or as autonomous? What of the 'lies and silences' of biographies, the ways in which embodiment can be ignored? A study of these problems allows engagement with a range of philosophers and literary theorists, including Roland Barthes, Lorraine Code, Michel Foucault, Emmanuel Levinas, Alasdair MacIntyre, Ray Monk, Friedrich Nietzsche, Paul Ricoeur, Richard Rorty and Charles Taylor. Biography can be a dangerous art, claiming to know 'just how you feel'. This book explores the double-edged nature of biography, looking at what it reveals about both narratives and selves.
The present volume of the Handbook of the History of Logic is designed to establish 19th century Britain as a substantial force in logic, developing new ideas, some of which would be overtaken by, and other that would anticipate, the century's later capitulation to the mathematization of logic. British Logic in the Nineteenth Century is indispensable reading and a definitive research resource for anyone with an interest in the history of logic.- Detailed and comprehensive chapters covering the entire range of modal logic - Contains the latest scholarly discoveries and interpretative insights that answer many questions in the field of logic
This edited collection of letters by William Empson (1906-1984), one of the foremost writers and literary critics of the twentieth century, ranges across the entirety of his career. Parts of the correspondence record the development of ideas that were to come to fruition in seminal texts including Seven Types of Ambiguity, The Structure of Complex Words, and Milton's God. The topics of other letters range from Shakespeare's Dark Lady to Marvell's marriage and Byron's bisexuality. Empson relished correspondence that was combative, if not downright aggressive. As a result, parts of this edition take the form of a serial disputation with other critics of the period, including Frank Kermode, Helen Gardner, Philip Hobsbaum, and I. A. Richards. Other notable correspondents include A. Alvarez, Bonamy Dobrée, Leslie Fiedler, Graham Hough, C. K. Ogden, George Orwell, Kathleen Raine, John Crowe Ransom, Christopher Ricks, Laura Riding, A. L. Rowse, Stephen Spender, E. M. W. Tillyard, Rosemond Tuve, John Wain, and G. Wilson Knight. All readers of literary history and criticism will stand to benefit from this edition. Empson is universally credited as the man who 'invented' modern literary criticism, so that all of his writings make a signal addition to the canon of his works. This selection provides a context for the evaluation of Empson's total literary output; and in many letters Empson seeks to defend his ideas against both published and personal attacks. This volume not only fills in all the missing links, it adds up to a completely new volume of critical writings by Empson.
Reproduces in their entirety the text of the extant notebooks of the English poet, Samuel Taylor Coleridge, from the years 1794-1804.