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This book extensively investigates Samuel Taylor Coleridge’s profound ties with the Oriental Tales he read throughout his life, from a philosophical, poetical and metaphysical point of view. It is the only comprehensive and dedicated study on how Hindu works, in particular Charles Wilkins’s first translation of the Bhagavadgītā into English (1785), influenced Coleridge’s poetic imagination, affecting all his writings, his poetry above all. In analysing Coleridge’s quest for what he calls the “One life”, the author’s wish is that readers may find some “joyance” in reading this book, and feel inspired to go deeper into the anāhata nāda, the unstruck sound of the heart, fully enjoying the subtle inner resonances of Coleridge’s poetic word.
This book extensively investigates Samuel Taylor Coleridge's profound ties with the Oriental Tales he read throughout his life, from a philosophical, poetical and metaphysical point of view. It is the only comprehensive and dedicated study on how Hindu works, in particular Charles Wilkins's first translation of the Bhagavadgītā into English (1785), influenced Coleridge's poetic imagination, affecting all his writings, his poetry above all. In analysing Coleridge's quest for what he calls the "One life", the author's wish is that readers may find some "joyance" in reading this book, and feel inspired to go deeper into the anāhata nāda, the unstruck sound of the heart, fully enjoying the subtle inner resonances of Coleridge's poetic word.
"For the first time, a monographic study of Coleridge's work extensively uncovers the connections of his poetry with the Hindu view of life. This study investigates Coleridge's philosophical and spiritual itinerary; it originally contributes in showing the strong impact the first translations of some texts of Hinduism had on the author's psyche, philosophical approach and poetical inspiration. In addition, Coleridge's unpublished manuscript notes found in one of the Abb J. A. Dubois' seminal studies of India are here presented as proof of the poet's long standing interest in and frequentation of Hinduism. Inclined to investigate the complexities of the human condition, both poetically and philosophically, Coleridge has tried to resolve the extremes of human existence through a synthesis of both Western and Oriental visions through which the universe ultimately emerges as an organic cosmos rhythmically unfolding through an intricate web of influxes, echoes and correspondences. Antonella Riem Natale's scholarly work invites readers to participate in the open-ended adventure of Coleridge's quest toward the Divine One and its multi-faceted layers of existence by originally combining textual analysis with all recent literary criticism and inter-disciplinary investigations, encompassing mythological, anthropological, philosophical, scientific and historical fields of study. Weaving personal facets of Coleridge's artistic sensibility with the Hindu world-view, the underlying metaphysical concerns that were integral to his vision of art and existence are thus unravelled in a coherent and poignant reinterpretation of an extraordinary poet and his times."
While postcolonial studies of Romantic-period literature have flourished in recent years, scholars have long neglected the extent of Samuel Taylor Coleridge's engagement with the Orient in both his literary and philsophical writings. Bringing together leading international writers, Coleridge, Romanticism and the Orient is the first substantial exploration of Coleridge's literary and scholarly representations of the east and the ways in which these were influenced by and went on to influence his own work and the orientalism of the Romanticists more broadly. Bringing together postcolonial, philsophical, historicist and literary-critical perspectives, this groundbreaking book develops a new understanding of 'Orientalism' that recognises the importance of colonial ideologies in Romantic representations of the East as well as appreciating the unique forms of meaning and value which authors such as Coleridge asscoiated with the Orient.
Like Coleridge, Shelley synthesises Neoplatonic and Hindu influences to create his own divine symbolism, and both poets were greatly inspired by their engagement with these ancient traditions.
Few figures who were active in the English Romantic Movement are as fascinating as Samuel Taylor Coleridge (1772-1834). Aside from his own visionary verse, Coleridge is famous for his colourful friendships with fellow-poets Wordsworth and Southey, and above all for his well documented drug-taking and creative use of opium. But it is less widely appreciated that he was also a key figure in Anglican thought, whose writings are continually referred to by modern Anglican theologians. Coleridge's journey from the Unitarianism of his father towards a later commitment to Anglican Trinitarianism of a type he had rejected in his youth involved a rigorous philosophical process of imaginative liberal thinking. Over the last 200 years, that thinking has provided Anglicanism with many valedictory tools as well as a measure of robust self-belief. Offering a major contribution both to religious history and the history of ideas, Graham Neville here charts the particular liberal tradition in British religious thought which stems directly from Coleridge. He shows why Coleridge's thought remains so significant, and traces the ways in which his subject's theological ideas profoundly influenced later British writers and scholars like F.D. Maurice, F.J.A. Hort, F.W. Robertson, B.F. Westcott, John Oman and Thomas Erskine (once called the 'Scottish Coleridge'). Dr Neville further relates the pioneering ideas of Coleridge to current developments in theology and scientific method.
This new collection enables students and general readers to appreciate Coleridge's renewed relevance 250 years after his birth. An indispensable guide to his writing for twenty-first-century readers, it contains new perspectives that reframe his work in relation to slavery, race, war, post-traumatic stress disorder and ecological crisis. Through detailed engagement with Coleridge's pioneering poetry, the reader is invited to explore fundamental questions on themes ranging from nature and trauma to gender and sexuality. Essays by leading Coleridge scholars analyse and render accessible his extraordinarily innovative thinking about dreams, psychoanalysis, genius and symbolism. Coleridge is often a direct and gripping writer, yet he is also elusive and diverse. This Companion's great achievement is to offer a one-volume entry point into his incomparably rich and varied world.
The first survey of the connections between literature, religion, and intellectual life in the British Romantic period.