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After World War II the United States faced two preeminent challenges: how to administer its responsibilities abroad as the world's strongest power, and how to manage the rising movement at home for racial justice and civil rights. The effort to contain the growing influence of the Soviet Union resulted in the Cold War, a conflict that emphasized the American commitment to freedom. The absence of that freedom for nonwhite American citizens confronted the nation's leaders with an embarrassing contradiction. Racial discrimination after 1945 was a foreign as well as a domestic problem. World War II opened the door to both the U.S. civil rights movement and the struggle of Asians and Africans abroad for independence from colonial rule. America's closest allies against the Soviet Union, however, were colonial powers whose interests had to be balanced against those of the emerging independent Third World in a multiracial, anticommunist alliance. At the same time, U.S. racial reform was essential to preserve the domestic consensus needed to sustain the Cold War struggle. The Cold War and the Color Line is the first comprehensive examination of how the Cold War intersected with the final destruction of global white supremacy. Thomas Borstelmann pays close attention to the two Souths--Southern Africa and the American South--as the primary sites of white authority's last stand. He reveals America's efforts to contain the racial polarization that threatened to unravel the anticommunist western alliance. In so doing, he recasts the history of American race relations in its true international context, one that is meaningful and relevant for our own era of globalization. Table of Contents: Preface Prologue 1. Race and Foreign Relations before 1945 2. Jim Crow's Coming Out 3. The Last Hurrah of the Old Color Line 4. Revolutions in the American South and Southern Africa 5. The Perilous Path to Equality 6. The End of the Cold War and White Supremacy Epilogue Notes Archives and Manuscript Collections Index Reviews of this book: In rich, informing detail enlivened with telling anecdote, Cornell historian Borstelmann unites under one umbrella two commonly separated strains of the U.S. post-WWII experience: our domestic political and cultural history, where the Civil Rights movement holds center stage, and our foreign policy, where the Cold War looms largest...No history could be more timely or more cogent. This densely detailed book, wide ranging in its sources, contains lessons that could play a vital role in reshaping American foreign and domestic policy. --Publishers Weekly Reviews of this book: [Borstelmann traces] the constellation of racial challenges each administration faced (focusing particularly on African affairs abroad and African American civil rights at home), rather than highlighting the crises that made headlines...By avoiding the crutch of "turning points" for storytelling convenience, he makes a convincing case that no single event can be untied from a constantly thickening web of connections among civil rights, American foreign policy, and world affairs. --Jesse Berrett, Village Voice Reviews of this book: Borstelmann...analyzes the history of white supremacy in relation to the history of the Cold War, with particular emphasis on both African Americans and Africa. In a book that makes a good supplement to Mary Dudziak's Cold War Civil Rights, he dissects the history of U.S. domestic race relations and foreign relations over the past half-century...This book provides new insights into the dynamics of American foreign policy and international affairs and will undoubtedly be a useful and welcome addition to the literature on U.S. foreign policy and race relations. Recommended. --Edward G. McCormack, Library Journal
Color and Learn books are a new method of learning. The reader will be presented with the topic/story on the left page and on the right page there will be a matching illustration for the reader to color. By using this method, the student will be more interested in the subject which boosts retention of the knowledge.
In keeping with the tenets of socialist internationalism, the political culture of the German Democratic Republic strongly emphasized solidarity with the non-white world: children sent telegrams to Angela Davis in prison, workers made contributions from their wages to relief efforts in Vietnam and Angola, and the deaths of Patrice Lumumba, Ho Chi Minh, and Martin Luther King, Jr. inspired public memorials. Despite their prominence, however, scholars have rarely examined such displays in detail. Through a series of illuminating historical investigations, this volume deploys archival research, ethnography, and a variety of other interdisciplinary tools to explore the rhetoric and reality of East German internationalism.
In this fascinating history of Cold War cartography, Timothy Barney considers maps as central to the articulation of ideological tensions between American national interests and international aspirations. Barney argues that the borders, scales, projections, and other conventions of maps prescribed and constrained the means by which foreign policy elites, popular audiences, and social activists navigated conflicts between North and South, East and West. Maps also influenced how identities were formed in a world both shrunk by advancing technologies and marked by expanding and shifting geopolitical alliances and fissures. Pointing to the necessity of how politics and values were "spatialized" in recent U.S. history, Barney argues that Cold War–era maps themselves had rhetorical lives that began with their conception and production and played out in their circulation within foreign policy circles and popular media. Reflecting on the ramifications of spatial power during the period, Mapping the Cold War ultimately demonstrates that even in the twenty-first century, American visions of the world--and the maps that account for them--are inescapably rooted in the anxieties of that earlier era.
Cold War Camera explores the visual mediation of the Cold War and illuminates photography’s role in shaping the ways it was prosecuted and experienced. The contributors show how the camera stretched the parameters of the Cold War beyond dominant East-West and US-USSR binaries and highlight the significance of photography from across the global South. Among other topics, the contributors examine the production and circulation of the iconic figure of the “revolutionary Vietnamese woman” in the 1960s and 1970s; photographs connected with the coming of independence and decolonization in West Africa; family photograph archives in China and travel snapshots by Soviet citizens; photographs of apartheid in South Africa; and the circulation of photographs of Inuit Canadians who were relocated to the extreme Arctic in the 1950s. Highlighting the camera’s capacity to envision possible decolonialized futures, establish visual affinities and solidarities, and advance calls for justice to redress violent proxy conflicts, this volume demonstrates that photography was not only crucial to conducting the Cold War, it is central to understanding it. Contributors. Ariella Azoulay, Jennifer Bajorek, Erina Duganne, Evyn Lê Espiritu Gandhi, Eric Gottesman, Tong Lam, Karintha Lowe, Ángeles Donoso Macaya, Darren Newbury, Andrea Noble, Sarah Parsons, Gil Pasternak, Thy Phu, Oksana Sarkisova, Olga Shevchenko, Laura Wexler, Guigui Yao, Donya Ziaee, Marta Ziętkiewicz
The history of film students from the Global South who studied in Poland during the Cold War. As Poland’s second-largest city, Łódź was a hub for international students who studied in Poland from the mid-1960s to 1989. The Łódź Film School, a member of CILECT since 1955, was a favored destination, with students from Africa, Latin America, and the Middle East accounting for one-third of its international student body. Despite the school’s international reputation, the experience of its filmmakers from the Global South is little known beyond Poland. Hope Is of a Different Color addresses the history of student exchanges between the Global South and the Polish People’s Republic during the Cold War. It sheds light on the experiences and careers of a generation of young filmmakers at Łódź, many of whom went on to achieve success as artists in their home countries, and provides insight into emerging areas of research and race relations in Central and Eastern Europe. The essays reflect on these issues from multiple perspectives, considering sociology, political science, art, and film history. The book also features previously unpublished photographs and film stills from private archives along with visual and written material collected at the Łódź Film School.
From the Pulitzer Prize–winning coauthor of American Prometheus—this biography of the Bundy Brothers inspired the Academy Award–winning film Oppenheimer. In this definitive biography of McGeorge Bundy and William Bundy, two of "the best and the brightest" who advised presidents about peace and war during the most dangerous years of the Cold War, Kai Bird pens a portrait of the fiercely patriotic, brilliant, and brazenly self-confident men who directed a steady escalation of a war they did not believe could be won. Drawing on seven years of research, nearly one hundred interviews, and scores of still-classified top secret documents in a masterful reevaluation of America's actions throughout the Cold War and Vietnam, The Color of Truth tells the tale of the anti-communist liberals who, despite their grave doubts about sending Americans to fight in Southeast Asia, became key architects of America's war in Vietnam. Like the bestselling The Wise Men, this dual biography is both an inside account of the making of US foreign policy in an era of nuclear weapons and a stunning group portrait of the heirs of the Wise Men—including Robert McNamara, George Ball, and Robert Kennedy—and the presidents they served.
This year 2014 marks the 100 years centenary of the First World War, one of the most destructive and world changing conflicts in the history of mankind. Learn the fascinating facts about the First World War and discover this epic moment in history. With the fun illustrations and the unique style of the 'Simple History' series, let this book absorb you into a period of history which truly changed the world. Jump into the muddy trenches of World War I and on the way meet the soldiers and leaders of the conflict and explore the exciting weapons, tanks, planes & technology of battle. Illustrated in the popular minimalist style of today, young reader's imaginations will come to life. Simple history gives you the facts in a simple uncomplicated and eye catching way. Simple history is part of an ongoing series, what will be the next episode? Designed for children aged 9 -12 Visit the website information: www.simplehistory.co.uk Build your collection today!
Susan Wise Bauer’s narrative history series has sold over 1.5 million copies and is a staple of homes and schools worldwide. Coloring the Story of the World gives children a new way to experience the thrilling drama of human history. Featuring historical figures from the Celtic warrior queen Boadicea to the brave firefighters of Chernobyl, and dramatic settings from the Roman Colosseum to the jungles of Haiti to the surface of the moon, this coloring book combines 30 brand-new coloring pages with 30 classic ones from the bestselling Story of the World Activity Books. Engaging descriptions of each coloring page give the historical context for Jeff West’s beautiful artwork. With the exciting moments and accurate detail that made The Story of the World so popular, Coloring the Story of the World is the perfect combination of fun and exploration for young readers & artists.
How did a coloring book spend 14 weeks on the New York Times Non-Fiction Best Sellers list The year was 1962. America was in love with the young family in the White House, speaking of them with awe and reverence. Then the JFK Coloring Book was released, and punctured all that. Conceived by publisher Alexander A. Roman, with drawings by Mad Magazine's master caricaturist Mort Drucker and text by his Mad cohort Paul Laikin and Ratfink Room comedian Jackie Kannon, the book used the form of a coloring book supposedly crafted by four year old Caroline Kennedy to poke fun at the whole Kennedy clan, their friends and their fellow players on the political scene, including every one from Frank Sinatra to Jimmy Hoffa. The publication of this unique volume lead off a whole Kennedy comedy stampede, with things like Vaughn Meader's First Family albums coming in its wake. Comedy was replaced by tragedy with JFK's assassination, and the Coloring Book which had once had print runs in the hundreds of thousands disappeared from bookstore shelves, not to return for over half a century. Now the time has come to remember Kennedy and his family not just as tragic figures, but as the way they were and the way we saw them then. As an added bonus, this edition also includes Political Wind-ups, another book full of Drucker caricatures, with text by Roman and Rochelle Davis, taking a look at the political figures of the day (Kennedy, Martin Luther King, Jr., Richard Nixon, and many more) and asking a vital question: if this person were a wind-up toy, what would it do when you wound it up? Annotations have been included for both of the books, to educate those who are too young to have lived through the times and to remind those who may no longer remember the details.