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On a sweltering September night, Long Beach Homicide Detective Danny Beckett is called to a grisly crime scene at the mouth of the Los Angeles River. A defenseless homeless man has been burned to death by three teenagers with gang ties. The suspects are already in custody, and the evidence is overwhelming--but when one suspect's brother is targeted for murder, Danny starts to think there may be more to this seemingly clear-cut case. Obsessed with discovering the true identity of the victim, a gentle vagrant who may have been hiding a tortured past, Danny and his team start to uncover a high-reaching conspiracy that puts them all at risk--and threatens to open new wounds that could cut even deeper than Danny's old ones.
Gemma vows revenge against Hallie, but things immediately get complicated when Ford, Josh, and Teddy return to the Hamptons but Gemma is scooping ice cream all day at her father's insistence, and just as the revenge cycle reaches its peak a life-changing bombshell is dropped.
A look not only at the inner man but also at the environments that shaped Leonard Cohen, from the rock scene of New York in the 1960s to the remote Zen monastery where Cohen spent years later in life.
When all signs point to heartbreak, can love still be a rule of the road? A “touching father-daughter story” (Kirkus Reviews) from the author of Bittersweet and Twenty Boy Summer. Jude has learned a lot from her older sisters, but the most important thing is this: The Vargas brothers are notorious heartbreakers. She’s seen the tears and disasters that dating a Vargas boy can cause, and she swore an oath—with candles and a contract and everything—to never have anything to do with one. Now Jude is the only sister still living at home, and she’s spending the summer helping her ailing father restore his vintage motorcycle—which means hiring a mechanic to help out. Is it Jude’s fault he happens to be cute? And surprisingly sweet? And a Vargas? Jude tells herself it’s strictly bike business with Emilio. Her sisters will never find out, and Jude can spot those flirty little Vargas tricks a mile away—no way would she fall for them. But Jude’s defenses are crumbling, and if history is destined to repeat itself, she’s speeding toward some serious heartbreak…unless her sisters were wrong? Jude may have taken an oath, but she’s beginning to think that when it comes to love, some promises might be worth breaking.
In Broken Hearts, Fences and Other Things to Mend by Katie Finn, Gemma had her summer all planned out, but it takes sharp turn when she gets dumped and finds herself back in the Hamptons after a five-year absence. Being there puts her at risk of bumping into Hallie, her former best friend (that is, before Gemma ruined her life). But people don't hold grudges forever. Do they? Gemma intends on making amends, but a small case of mistaken identity causes the people she knew years ago—including Hallie and her dreamy brother Josh—to believe she's someone else. As though the summer wasn't complicated enough already. Can Gemma keep up the charade? Or will she be found out by the very people she's been hiding from?
The year was 2000. The alternative music scene had all but died, and pre-packaged pop stars had filled the vacuum. But in a basement apartment in the heart of downtown Toronto, two musicians were forming a creative partnership that would revive the mass appeal of indie music and forever change how we think of a band. In this biography of the ever-evolving indie-rock collective, Broken Social Scene, music columnist Stuart Berman tracks the group's inception by Kevin Drew and Brendan Canning; groundbreaking performances at Ted's Wrecking Yard that raised the band's local status to mythical proportions; Broken Social Scene's meteoric rise upon the release of breakout album You Forgot It In People; the creation of Arts & Crafts records with music-biz maverick Jeffrey Remedios; and life on the road with revolving bandmates, including members of Stars, Metric, The Dears, and international pop sensation Feist. Stuart Berman has drawn from hours of interviews with members and affiliates of Broken Social Scene, and exclusive, never-before-seen photographs, gig posters, and artwork to create a spectacular oral and visual history of this ever-evolving indie-rock collective.
In 1991, Snezana Zabic lost her homeland and most of her family's book and record collection during the Yugoslav Wars that had been sparked by Slobodan Milosevic's relentless pursuit of power. She became a teenage refugee, forced to flee Croatia and the atrocities of war that had leveled her hometown of Vukovar. She and her family remained refugees in Serbia until NATO bombed Belgrade in 1999. After witnessing the first nights of NATO's bombing, Zabic took flight again. She moved from country to country, city to city, finally settling in Chicago. She realized - reluctantly, because she didn't want to relive the past - that she had to write about what had happened, what she had left behind, and what she had lost. Broken Records is the story of this loss, told with unflinching honesty, free of sentimentality or sensationalism. For the very first time, we learn how it felt to be first a regular teenager during the breakup of Yugoslavia and the ensuing wars, and then a 30-something adult, perennially troubled by one's uprooted existence. Broken Records is not a neat narrative but a bit of everything - part bildungsroman, part memoir, part political poetry, part personal pop culture compendium. And while Zabic represents a Yugoslav diasporan subject, her book also belongs to an international generation whose formative years straddle the Cold War and the global reconfiguration of wealth and power, whose lives were spent shifting from the vinyl/analog era to the cyber/digital era. This generation knows that when they were told about history ending, they were told a lie.
#1 NEW YORK TIMES BESTSELLER! ONCE UPON A BROKEN HEART marks the launch of a new series from Stephanie Garber about love, curses, and the lengths that people will go to for happily ever after For as long as she can remember, Evangeline Fox has believed in true love and happy endings . . . until she learns that the love of her life will marry another. Desperate to stop the wedding and to heal her wounded heart, Evangeline strikes a deal with the charismatic, but wicked, Prince of Hearts. In exchange for his help, he asks for three kisses, to be given at the time and place of his choosing. But after Evangeline’s first promised kiss, she learns that bargaining with an immortal is a dangerous game — and that the Prince of Hearts wants far more from her than she’d pledged. He has plans for Evangeline, plans that will either end in the greatest happily ever after, or the most exquisite tragedy.
Communist and capitalist states alike were scarred by the economic shocks of the 1970s. Why did only communist governments fall in their wake? Fritz Bartel argues that Western democracies were insulated by neoliberalism. While austerity was fatal to the legitimacy of communism, democratic politicians could win votes by pushing market discipline.