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This detailed study of the works of Stephen Bleecker Luce provides an excellent portrait of the man and a timely comment on the intellectual heritage of the U.S. Navy. Here is a look at the individual most important in bridging the gap between the age of sailing ships and that of steam driven, armored battleships. Luce had the greatest influence on his fellow officers. Luce and his associates were faced with a changing strategic environment in which the challenge was to build a Navy capable of exercising the international potential of the U.S. They faced the technological challenge of an industrial revolution and a world steeped in sociological and political change. Luce's experience will provide a useful perspective for the contemporary naval officer. Illus.
"What men will fight for seems to be worth looking into," H. L. Mencken noted shortly after the close of the First World War. Prior to that war, although many military commanders and theorists had throughout history shown an aptitude for devising maxims concerning esprit de corps, fighting spirit, morale, and the like, military organizations had rarely sought either to understand or to promote combat motivation. For example, an officer who graduated from the Royal Military College (Sandhurst) at the end of the nineteenth century later commented that the art of leadership was utterly neglected (Charlton 1931, p. 48), while General Wavell recalled that during his course at the British Staff College at Camberley (1909-1 0) insufficient stress was laid "on the factor of morale, or how to induce it and maintain it'' (quoted in Connell1964, p. 63). The First World War forced commanders and staffs to take account of psychological factors and to anticipate wideJy varied responses to the combat environment because, unlike most previous wars, it was not fought by relatively small and homogeneous armies of regulars and trained reservists. The mobilization by the belligerents of about 65 million men (many of whom were enrolled under duress), the evidence of fairly widespread psychiatric breakdown, and the postwar disillusion (- xiii xiv PREFACE emplified in books like C. E. Montague's Disenchantment, published in 1922) all tended to dispel assumptions and to provoke questions about mo tivation and morale.
This groundbreaking study explores the later lives and late-life writings of more than two dozen British women authors active during the long eighteenth century. Drawing on biographical materials, literary texts, and reception histories, Devoney Looser finds that far from fading into moribund old age, female literary greats such as Anna Letitia Barbauld, Frances Burney, Maria Edgeworth, Catharine Macaulay, Hester Lynch Piozzi, and Jane Porter toiled for decades after they achieved acclaim -- despite seemingly concerted attempts by literary gatekeepers to marginalize their later contributions. Though these remarkable women wrote and published well into old age, Looser sees in their late careers the necessity of choosing among several different paths. These included receding into the background as authors of "classics," adapting to grandmotherly standards of behavior, attempting to reshape masculinized conceptions of aged wisdom, or trying to create entirely new categories for older women writers. In assessing how these writers affected and were affected by the culture in which they lived, and in examining their varied reactions to the prospect of aging, Looser constructs careful portraits of each of her Subjects and explains why many turned toward retrospection in their later works. In illuminating the powerful and often poorly recognized legacy of the British women writers who spurred a marketplace revolution in their earlier years only to find unanticipated barriers to acceptance in later life, Looser opens up new scholarly territory in the burgeoning field of feminist age studies.
This volume narrates the major battles and campaigns of the conflict, conveying the full military experience during the Civil War. The military encounters between Union and Confederate soldiers and between both armies and irregular combatants and true non-combatants structured the four years of war. These encounters were not solely defined by violence, but military encounters gave the war its central architecture. Chapters explore well-known battles, such as Antietam and Gettysburg, as well as military conflict in more abstract places, defined by political qualities (like the border or the West) or physical ones (such as rivers or seas). Chapters also explore the nature of civil-military relations as Union armies occupied parts of the South and garrison troops took up residence in southern cities and towns, showing that the Civil War was not solely a series of battles but a sustained process that drew people together in more ambiguous settings and outcomes.