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The Bakhtiyari are one of the most important nomadic societies in the Middle East but although this tribe has many powerful romantic associations it has also been the subject of much misunderstanding, even today. This penetrating examination of the Bakhtiyari in Iran explores their powerful political and economic role in Iranian society in the nineteenth and twentieth centuries and provides a key to understanding how political power is created, maintained and lost in a tribal society. Based on an extraordinary archive of documents now lost as a result of the upheavals of the Iranian Revolution, "Khans and Shahs" offers a complete picture of the tribe, placing it in the context of its full history from the 14th century to the present day. Among much else Gene Garthwaite examines the role of the Bakhtiyari in the exploration and development of Iranian oil, which was first discovered on their tribal lands by the British entrepreneur William Knox D'Arcy. This ground-breaking study explores the Bakhtiyari's interaction with the State and the effects of the wider world on their social and political structure and offers unique insights into a complex but important aspect of Iran's history.
The monetary history of a country provides important insights into its economic development, as well as its political and social history. This book is the first detailed study of Iran's monetary history from the advent of the Safavid dynasty in 1501 to the end of Qajar rule in 1925. Using an array of previously unpublished sources in ten languages, the authors consider the specific monetary conditions in Iran's modern history, covering the use of ready money and its circulation, the changing conditions of the country's mints and the role of the state in managing money. Throughout the book, the authors also consider the larger regional and global economic context within which the Iranian economy operated. As the first study of Iran's monetary history, this book will be essential reading for researchers of Iranian and economic history.
Iran is a country with a deep and complex history. Over several thousand years, Iran has been the source of numerous creative contributions to the spiritual and literary world, and the site of many remarkable manifestations of material culture. The special place that Iran has come to hold in contemporary historical events, most recently as a center stage actor in the unfolding and interconnected drama of worldwide nuclear arms proliferation and terrorism, is all the more reason to explore the characters and personality of Iran and Iranians. The A to Z of Iran is designed to give the reader a quick and understandable overview of specific events, movements, people, political and social groups, places, and trends. Through its extensive chronology, introduction, bibliography, appendixes, and more than double the number of cross-referenced dictionary entries as in the previous edition, the work allows for considerable exploration of a number of historical and contemporary topics and issues. In particular, the modern period, defined as 1800-present, is covered extensively.
Iran from 1722-1979: political, social, economic and religious aspects of Iran.
The Safavid dynasty, which reigned from the late fifteenth to the eighteenth century, links medieval with modern Iran. The Safavids witnessed wide-ranging developments in politics, warfare, science, philosophy, religion, art and architecture. But how did this dynasty manage to produce the longest lasting and most glorious of Iran's Islamic-period eras?Andrew Newman offers a complete re-evaluation of the Safavid place in history as they presided over these extraordinary developments and the wondrous flowering of Iranian culture. In the process, he dissects the Safavid story, from before the 1501 capture of Tabriz by Shah Ismail (1488-1524), the point at which Shiism became the realm's established faith; on to the sixteenth and early seventeenth century dominated by Shah Abbas (1587-1629), whose patronage of art and architecture from his capital of Isfahan embodied the Safavid spirit; and culminating with the reign of Sultan Husayn (reg. 1694-1722).Based on meticulous scholarship, Newman offers a valuable new interpretation of the rise of the Safavids and their eventual demise in the eighteenth century. "Safavid Iran," with its fresh insights and new research, is the definitive single volume work on the subject.
This collection of essays provides a timely reassessment of nineteenth-century Islamic art and architecture. The essays demonstrate that the arts of that era were vibrant and diverse, making ingenious use of native traditions and materials or adopting imported conventions and new technologies. However, traditionalists, revivalists and modernists all referred in one way or another to an Islamic heritage, whether to reinvent, revive or reject it. Beginning with an historical introduction and an assessment of changing attitudes towards the visual arts the following essays provide case studies of architecture and art in Ottoman Turkey, Egypt, Morocco, sub-Saharan Africa, Iran, Central Asia, India and the Caribbean. They examine such issues as patronage, sources of artistic inspiration and responses to European art. The essays have a relevance and importance for our understanding of the societies and attitudes of that time, and have a direct bearing on the more general debate concerning cultural identity and the integration of modern ideas in the Muslim world. The book is richly illustrated with very many illustrations in black-and-white and in full colour.
The period treated in this volume is highlighted by the slow retreat of nomadism and the progressive increase of sedentary polities owing to a fundamental change in military technology: Furthermore, this period certainly saw a growing contrast in the pace of economic and cultural progress between Central Asia and Europe. The internal growth of the European economies and the influx of silver from the New World gave Atlantic Europe an increasingly important position in world trade and caused a major shift in inland Asian trade. Thus, 1850 marks the end of the total sway of pre-modern culture as the extension of colonial dominance was accompanied by the influx of modern ideas.