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Representing a new development in the study of Qur'anic text, this book tackles the issue of Qur'anic text structure by fusing the fields of linguistics and Qur'anic studies. The Qur'an contains many long suras covering diverse topics but with no apparent common context within which such variety can be explained. This book proposes a new explanation of Qur'anic text structure, arguing that the long suras have structure that are explicable within a framework for the mechanisms of human verbal communication. Through a systematic step-by-step analysis of the cognitive process involved in verbal communication and comprehension of text, this work provides interesting and useful insights into methods of analysis, mechanisms and dynamics of the Qur'anic text structure. The unique application of a sophisticated linguistic theory to the Qur'an introduces an entirely new way of reading the Qur'an and with detailed analysis of two Qur'anic passages the book presents a solid working out of the theory that will be accessible to both linguists and scholars of the Qur'an.
Lofty goals can only be achieved through struggle and sacrifice. How then can we expect any less when striving for the loftiest goal of all: the pleasure of Allah? This reality was embodied by our Beloved, Muhammad the Messenger of Allah ¿, who led a life brimming with the spirit of struggle and sacrifice. This collection of heart-softening accounts present many of the trials and tribulations endured by the Messenger of Allah ¿. By appreciating the struggles borne by Allah's Beloved ¿, readers will be able to draw the strength to deal with the struggles found in their own lives.
A bold new conceptualization of Islam that reflects its contradictions and rich diversity What is Islam? How do we grasp a human and historical phenomenon characterized by such variety and contradiction? What is "Islamic" about Islamic philosophy or Islamic art? Should we speak of Islam or of islams? Should we distinguish the Islamic (the religious) from the Islamicate (the cultural)? Or should we abandon "Islamic" altogether as an analytical term? In What Is Islam?, Shahab Ahmed presents a bold new conceptualization of Islam that challenges dominant understandings grounded in the categories of "religion" and "culture" or those that privilege law and scripture. He argues that these modes of thinking obstruct us from understanding Islam, distorting it, diminishing it, and rendering it incoherent. What Is Islam? formulates a new conceptual language for analyzing Islam. It presents a new paradigm of how Muslims have historically understood divine revelation—one that enables us to understand how and why Muslims through history have embraced values such as exploration, ambiguity, aestheticization, polyvalence, and relativism, as well as practices such as figural art, music, and even wine drinking as Islamic. It also puts forward a new understanding of the historical constitution of Islamic law and its relationship to philosophical ethics and political theory. A book that is certain to provoke debate and significantly alter our understanding of Islam, What Is Islam? reveals how Muslims have historically conceived of and lived with Islam as norms and truths that are at once contradictory yet coherent.
An introduction to the Qur'an (Koran), a text that has guided the lives of millions.
This book is concerned with the rationality and plausibility of the Muslim faith and the Qur'an, and in particular how they can be interrogated and understood through Western analytical philosophy. It also explores how Islam can successfully engage with the challenges posed by secular thinking. The Quran and the Secular Mind will be of interest to students and scholars of Islamic philosophy, philosophy of religion, Middle East studies, and political Islam.
Abundance from the Desert provides a comprehensive introduction to classical Arabic poetry, one of the richest of poetic traditions. Covering the period roughly of 500-1250 c.e., it features original translations and illuminating discussions of a number of major classical Arabic poems from a variety of genres. The poems are presented chronologically, each situated within a specific historical and literary context. Together, the selected poems suggest the range and depth of classical Arabic poetic expression; read in sequence, they suggest the gradual evolution of a tradition. Moving beyond a mere chronicle, Farrin outlines a new approach to appreciating classical Arabic poetry based on an awareness of concentric symmetry, in which the poem’s unity is viewed not as a linear progression but as an elaborate symmetrical plot. In doing so, the author presents these works in a broader, comparative light, revealing connections with other literatures. The reader is invited to examine these classical Arabic works not as isolated phenomena—notwithstanding their uniqueness and their association with a discrete tradition—but rather as part of a great multicultural heritage. This pioneering book marks an important step forward in the study of Arabic poetry. At the same time, it opens the door to this rich tradition for the general reader.
The latest edition of Discovering the Qur'an includes a new preface by the author. Used by students around the world as a reliable guide to reading a translation of the Qur'an, it shows how the Qur'an is experienced by Muslims, describing the rhythmic and rhyme scheme structures, the context in which is is heard, the part played by learning by heart, and the importance of calligraphy. It also about the Qur'an and its relationship to Muhammed, as well as helping to divine the ordering of the surahs or chapters. In an English-speaking world newly sensitized to Islam and its believers, Discovering the Qur'an will be an invaluable tool to greater understanding.