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Travel narratives abound in French cinema since the 1980s. This study delineates recurrent travel tropes in films such as departures and returns, the chase, the escape, nomadic wandering, interior voyages, the unlikely travel, rituals, pilgrimages, migrants' narratives and emergencies, women's travel, and healing narratives.
Paperback reprint. Originally published: 2020.
Si Touba, capitale de la confrérie des mourides, était une symphonie, le magal en serait la gamme majeure. Ce jour commémore le départ en exil pour le Gabon de Cheick Ahmadou Bamba, fondateur de la confrérie. Ce matin, Touba la sainte est devenue ville cosmopolite envahie de chaleur humaine, oasis écrasée d'un soleil de plomb, coin de terre irrigué de sacralité, cité vibrante de foi, qui attend de pied ferme les visiteurs. De tous les coins du monde, ils sont venus, touristes ou voyageurs, mais surtout fervents disciples mourides, ces héros aspirés par l'aventure, la fortune et l'Outre-mer.Un jour, taraudés par le désir d'immigrer et la fuite de l'espace national, les mourides se sont arrachés du confort, ont émigré, travaillé dur, avant de revenir s'abreuver à la source. Touba, foyer ardent, malgré le déferlement de deux millions de personnes, ne succombera point sous le poids du nombre. Il y a là du bruit et des senteurs fortes. Il y a des couleurs vives. Il y a un goût de sable fin et de poussière.Il y a le pépiement des oiseaux. Il y a des idiomes étrangers et des dialectes locaux mêlés aux appels réguliers du muezzin. Il y a des rues propres et des venelles encombrées, des voitures rutilantes et des vieux camions qui hoquètent le long des routes, des coups de klaxon, des sirènes et la musique, l'enivrante musique des chants religieux. Il y a, enfin, des hommes, des femmes, des enfants, tous croyants mais tous différents, visiteurs venus de tous les horizons. Touba, ce jour, est un réservoir de clichés contrastés, la cité de tous les superlatifs, la Mecque et la Sorbonne de tous les mourides du monde. Evènement religieux unique en Afrique, le magal, en langue wolof, signifie commémoration. Il désigne le déferlement de deux millions de personnes à Touba, cité religieuse près de Dakar. Une fois par an, les mourides arrivent du monde entier pour célébrer le magal, qui commémore le départ en exil du cheikh Ahmadou Bamba, résistant à la colonisation, inspirateur de la Confrérie des mourides en 1887.
The beloved, #1 global bestseller by John Green, author of The Anthropocene Reviewed and Turtles All the Way Down “John Green is one of the best writers alive.” –E. Lockhart, #1 bestselling author of We Were Liars “The greatest romance story of this decade.″ –Entertainment Weekly #1 New York Times Bestseller • #1 Wall Street Journal Bestseller • #1 USA Today Bestseller • #1 International Bestseller Despite the tumor-shrinking medical miracle that has bought her a few years, Hazel has never been anything but terminal, her final chapter inscribed upon diagnosis. But when a gorgeous plot twist named Augustus Waters suddenly appears at Cancer Kid Support Group, Hazel’s story is about to be completely rewritten. From John Green, #1 bestselling author of The Anthropocene Reviewed and Turtles All the Way Down, The Fault in Our Stars is insightful, bold, irreverent, and raw. It brilliantly explores the funny, thrilling, and tragic business of being alive and in love.
The Truth about the Desert explores the living conditions under which Tuareg refugees from northern Mali rebuild their lives in the Nigerien diaspora and how these conditions affect their self-understandings and cultural practices, established status hierarchies, and religious identity formation. The book counterbalances an earlier scholarly preoccupation with Tuareg nobility by zoning in on two inferior social status groups, the Bellah-Iklan and free-born vassals, which have been neglected in conventional accounts of Tuareg society. By offering a multi-layered analysis of social status and identity formation in the diaspora, it pleads for a more dynamic understanding of Tuareg socio-political hierarchies. Analyzing in detail how both status groups rely on moralizing labels and racial stereotyping to reformulate their own social and ethnic identity, the study highlights refugees' aspirations and capacities to remake their imaginary and material worlds in the face of adverse and often deeply humiliating living conditions. The book provides vital insights for refugee studies and for scholarly debates on ethnicity, social identity formation, and memory politics. Souleymane Diallo earned his PhD in socio-cultural anthropology from the University of Cologne. His research interests include forceful migrations and memory politics; Islam, spiritual authority, and power in the Sahara; and the theory and practice of anthropological filmmaking.
Innovate Bristol highlights and celebrates those companies and individuals that are actively working at building a better tomorrow for all. Innovation Ecosystems thrive through the involvement and support of companies and individuals from all industries, which is why the Innovate series not only focuses on the innovators but also those people whom the Innovation Ecosystem, would not be able to thrive without.
'Ancient Greek and Semitic languages resorted to a large range of words to name the divine. Gods and goddesses were called by a variety of names and combinations of onomastic attributes. This broad lexicon of names is characterised by plurality and a tendency to build on different sequences of names; therefore, the Mapping Ancient Polytheisms project focuses on the process of naming the divine in order to better understand the ancient divine in terms of a plurality in the making. A fundamental rule for reading ancient divine names is to grasp them in their context - time and place, a ritual, the form of the discourse, a cultural milieu...: a deity is usually named according to a specific situation. From Artemis Eulochia to al-Lat, al-'Uzza and Manat, from Melqart to "my rock" in the biblical book of Psalms, this volume journeys between the sanctuary on Mount Gerizim and late antique magical practices, revisiting rituals, hymnic poetry, oaths of orators and philosophical prayers. While targeting different names in different contexts, the contributors draft theoretical propositions towards a dynamic approach of naming the divine in antiquity.'
Excerpt from The Mirror of Art: Critical Studies But this, of course, is not all. To find the simplest and most revealing exposition of Baudelaire's critical attitude, it is best to turn to a long article which he wrote some fifteen years later in defence of Wagner. 'all great poets naturally and fatally become critics', he wrote there. 'i pity. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.