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v.48: Biondo, Flavio. Scritti inediti e rari di Biondo Flavio... 1927.
The 5th century AD Roman Vergil is one of the most precious manuscripts in the Vatican Library. Wright presents a wide-ranging discussion of the influence of the manuscript on the history and development of medieval manuscript art and of book design.
An overview of all excavations that have been conducted at Troy, from the nineteenth century through the latest discoveries between 1988 and the present.
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
Prudentius and the Landscapes of Late Antiquity offers a thematic analysis of the poetry of the late Latin poet Prudentius, focusing in particular on his descriptions of the geographical and cultural landscapes of late antiquity. Cillian O'Hogan sets Prudentius in the context of other late antique authors, including Lactantius, Jerome, Augustine, and Endelechius, and argues that the poet makes use of allusion to Augustan and early imperial Latin authors to present the late Roman landscape as one markedly altered by the arrival of Christianity, though retaining the grandeur of the pagan past. This volume examines his conception of the world as a text, his use of intertextuality to describe literary journeys, his view of the civic function of Christian martyrdom, his conception of heaven, and his attitude towards art and architecture, combining philological and intertextual criticism with approaches drawn from the fields of book history, cultural geography, and theology to paint a fuller and richer picture of the greatest of the Christian Latin poets.
Modern interpretation of the Manichaean religious tradition requires a firm foundation in the sober and meticulous reconstruction of highly fragmentary sources. The studies collected in this volume contribute to such a foundation by bringing new primary texts to the public for the first time, extracting new data from previously known sources, and defining and delimiting important but previously neglected sets of material. The studies are authored by an international group of leading scholars in the fields of ancient Mediterranean and Near Eastern studies, comparative religion, early Christianity, patristics, art history, Turkic studies and Coptology. The textual and art historical materials examined possess distinctive histories, character and significance representing the broad geographical range of Manichaeism from Algeria to China. By elucidating these essential remains of the Manichaean religion, the comprehensive treatments contained in Emerging from Darkness provide a provocative picture of Manichaeism as a diverse and productive tradition in a variety of settings and media. The volume will be foundational for future scholarly studies on the sources presented and for studies in Manichaeism and late antique religions in general.
This volume examines the development and evolution of the war galley known as the Dromon, and its relative, the Chelandion, from first appearance in the sixth century until its supercession in the twelfth century by the Galea developed in the Latin West. Beginning as a small, fully-decked, monoreme galley, by the tenth century the Dromon had become a bireme, the pre-eminent war galley of the Mediterranean. The salient features of these ships were their two-banked oarage system, the spurs at their bows which replaced the ram of classical antiquity, their lateen sails, and their primary weapon: Greek Fire. The book contextualizes the technical characteristics of the ships within the operational history of Byzantine fleets, logistical problems of medieval naval warfare, and strategic objectives. Surviving Byzantine sources, especially tactical manuals, are subjected to close literary and philological analysis.
Mediaeval Manichaean Book Art focuses on a corpus of 89 fragments of exquisitely illuminated manuscripts that were produced under the patronage of the Turkic-speaking Uygurs in the Turfan region of East Central Asia between the 8th and 11th centuries C.E., and used in service of the local Manichaean church. By applying a codicological approach to the analysis of these sources, this study casts light onto a lost episode of Central Asian art history and religious book culture. Mediaeval Manichaean Book Art represents a pioneer study in its subject, research methodology, and illustrations. It extracts codicological and art historical data from torn remains of lavishly decorated Middle-Persian, Sogdian, and Uygur language manuscripts in codex, scroll, and 'palm-leaf' formats. Through detailed analyses and carefully argued interpretations aided by precise computer drawings, the author introduces an important group of primary sources for future comparative research in Central Asian art, mediaeval book illumination, and Manichaean studies.