Download Free Codex And Context Book in PDF and EPUB Free Download. You can read online Codex And Context and write the review.

The innovation of the codex in late antiquity -- The wooden tablet codex -- The single gathering codex -- The multigathering codex : an introduction -- Sewing the gatherings -- Boards and their attachment -- Spine linings -- Endbands -- Covers and their decoration -- Fastenings -- Bookmarks and board corner straps
The Codex Amiatinus is perhaps the most famous copy of the Bible surviving in Western Europe. A fascinating and elusive manuscript, with a suite of decorated folios, it was made in Anglo-Saxon England around the turn of the eighth century at the twin monastic foundation of Wearmouth and Jarrow as one of three such 'pandects'. Created at the monastic foundation celebrated in the work of the Venerable Bede, this vast and luxe manuscript was sent by the Northumbrian monks as a gift to the Pope in 716 and, after a sojourn of some 900 years at Monte Amiato (Tuscany), it was donated to the Biblioteca Medicea Laurenziana in Florence in the eighteenth century. As a result of an international conference held to commemorate the 1300th anniversary of the departure of the manuscript from Northumberland and coinciding with the production and presentation of a facsimile of the Codex to the Museum at Jarrow, this volume - the first devoted to the Codex Amiatinus - brings together twelve essays that offer a new appraisal of this remarkable book, and of the contexts that surrounded its production. Encompassing its text, its images, its social, political and ecclesiastical contexts and its later medieval legacy, the contributions to this volume highlight several previously unrecognised aspects and details of the manuscript that further our understanding of the Codex as a book, and as inheritor and progenitor of manuscript traditions in its own right.
Enables the less well-known aspects of the Codex Buranus to receive greater scrutiny, and bring new perspectives to bear on the more thoroughly explored parts of the manuscript. Making accessible existing discourse and encouraging fresh debates on the codex, the essays advocate fresh modes of engagement with its contents, contexts, and composition.
Most of the essays collected in this volume had their origins in a conference entitled Nouveaux regards sur le manuscript 564 de Chantilly/New Perspectives on the Chantilly Codex held on 13-15 September 2001 in Tours, under the auspices of the Centre d'Etudes Superieures de la Renaissance (Universite Francois Rabelais/Centre Nationale de la Recherche Scientifique). The conference was the last in a series of meetings held that week marking the tenth anniversary of the musical research branch, Programme Ricercar. The idea to hold the conference had emerged in 1999 as we ourselves embarked on a collaborative project on this most fascinating of music sources from the late Middle Ages. Our own extended scrutiny of the codex and its contents, which has culminated in the publication of a detailed study and the first colour reproduction of the manuscript made us keenly aware of the significance of this source and its repertory to our understanding of the history of music before 1600. The Chantilly codex is beyond doubt one of the most important sources for late medieval secular polyphony.
The author demonstrates that the Book of Mormon is a native Mesoamerican book (or codex) that exhibits what one would expect of a historical document produced in the context of ancient Mesoamerican civilization. He also shows that scholars' discoveries about Mesoamerica and the contents of the Nephite record are clearly related, listing more than 400 points where the Book of Mormon text corresponds to characteristic Mesoamerican situations, statements, allusions, and history.