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While concerns about climate change have focused negative attention on the coal industry in recent years, as descendants of the industrial revolution we have all benefitted from the mining of the black seam. Coal has significantly influenced the course of human history and our social and natural environments. This book takes readers on a journey through the extraordinary artistic responses to coal, from its role in the works of writers such as Émile Zola, D. H. Lawrence, and George Orwell; to the way it inspired the work of painters, including J. M. W. Turner, Claude Monet, and Vincent van Gogh; to the place of coal in film, song, and folklore; as well as the surprising allure of coal tourism. Strikingly illustrated, Coal provides engaging and informative insight into the myriad ways coal has affected our lives.
A critical appreciation of the opera house in the coal-mining region of Appalachia from the mid 1860s to the early 1930s, Coal and Culture demonstrates that these were multipurpose facilities that were used for traveling theater, concerts, religious events, lectures, commencements, boxing matches, benefits, union meetings, and - if the auditorium had a flat floor - skating and basketball.
Using oral histories, company records, and census data, Crandall A. Shifflett paints a vivid portrait of miners and their families in southern Appalachian coal towns from the late nineteenth into the mid-twentieth century. He finds that, compared to their earlier lives on subsistence farms, coal-town life was not all bad. Shifflett examines how this view, quite common among the oral histories of these working families, has been obscured by the middle-class biases of government studies and the Edenic myth of preindustrial Appalachia propagated by some historians. From their own point of view, mining families left behind a life of hard labor and drafty weatherboard homes. With little time for such celebrated arts as tale-telling and quilting, preindustrial mountain people strung more beans than dulcimers. In addition, the rural population was growing, and farmland was becoming scarce. What the families recall about the coal towns contradicts the popular image of mining life. Most miners did not owe their souls to the company store, and most mining companies were not unusually harsh taskmasters. Former miners and their families remember such company benefits as indoor plumbing, regular income, and leisure activities. They also recall the United Mine Workers of America as bringing not only pay raises and health benefits but work stoppages and violent confrontations. Far from being mere victims of historical forces, miners and their families shaped their own destiny by forging a new working-class culture out of the adaptation of their rural values to the demands of industrial life. This new culture had many continuities with the older one. Out of the closely knit social ties they brought from farming communities, mining families created their own safety net for times of economic downturn. Shifflett recognizes the dangers and hardships of coal-town life but also shows the resilience of Appalachian people in adapting their culture to a new environment. Crandall A. Shifflett is an associate professor of history at Virginia Polytechnic Institute and State University.
The knowledge that they traded their lives for a job generated an overarching fear of losing their income."--BOOK JACKET.
Coal is the commodity that powered the technologies that made the modern world. It also brought about unique communities marked by a high degree of social solidarity and self-help. Mining was central to working class life, drawing rural populations into industrial labour, but it often took place in picturesque landscapes, so that its black spoil heaps became a central symbol of the degradation of pastoral life by the demands of an extractive industry. Throughout Europe and the USA photographers have pictured the characteristic landscapes of the industry, and continue to do so as strip mining devastates huge areas of land. Not only landscape photography but also documentary, portraiture, photojournalism and art photography have been used in order to portray mines and miners. This book presents three interlinked strands of investigation. The first is the way in which the production of coal created paradigmatic communities grounded in particular landscapes. The second concerns the role of photography in exploring, delineating and critiquing mining communities. This in turn involves an examination of the aesthetic and social characteristics of a number of genres of photography. Lastly, it considers the growth and decline of these sites, the geographic shift of the industry to other places, and the re-presentation of traditional localities through the lens of the heritage industry and industrial tourism.
“Brilliantly underscores how the manifestations of modern alienation and social inequality must be at the center of any truly anthropological analysis in the twenty-first century. This fantastic volume makes us comprehend the immense complexities of violent modernity and will compel us to critically interrogate our past, our present, and our future.”—Daniel O. Sayers, author of A Desolate Place for a Defiant People: The Archaeology of Maroons, Indigenous Americans, and Enslaved Laborers in the Great Dismal Swamp Drawing on material evidence from daily life in a coal-mining town, this book offers an up-close view of the political economy of the United States over the course of the twentieth century. This community’s story illustrates the great ironies of this era, showing how modernist progress and plenty were inseparable from the destructive cycles of capitalism. At the heart of this book is one of the bloodiest yet least-known acts of labor violence in American history, the 1897 Lattimer Massacre, in which 19 striking immigrant mineworkers were killed and 40 more were injured. Michael Roller looks beneath this moment of outright violence at the everyday material and spatial conditions that supported it, pointing to the growth of shanty enclaves on the periphery of the town that reveal the reliance of coal companies on immigrant surplus labor. Roller then documents the changing landscape of the region after the event as the anthracite coal industry declined, as well as community redevelopment efforts in the late twentieth century. This rare sustained geographical focus and long historical view illuminates the rise of soft forms of power and violence over workers, citizens, and consumers between the late 1800s and the present day. Roller expertly blends archaeology, labor history, ethnography, and critical social theory to demonstrate how the archaeology of the recent past can uncover the deep foundations of today’s social troubles. Michael P. Roller is a research affiliate of the Anthropology Department of the University of Maryland. Currently, he is employed as an archaeologist for the National Park Service. A volume in the series Cultural Heritage Studies, edited by Paul A. Shackel
Social science research is emerging on a range of issues around large and small-scale mining, connecting them to broader social, cultural, political, historical and economic factors rather than purely measuring the environmental impacts of mining. Within this broader context of global scholarly attention on extractive industries, this book explores two specific contexts: the cultural politics of coal and coal mining, within the context of one particular country, India, which is the third largest coal producer in the world. Both contexts are special; with its separate Ministry, coal occupies pride of place in contemporary India, shaping the energy future and influencing the economic and political milieu of the country. The supremacy attributed to coal mining in contemporary India represents how ‘coal nationalism’ has replaced ‘coal colonialism’ in the country, turning this commodity into an icon, a national symbol. In recent years the extraction of coal in forest-covered resource peripheries has dispossessed and pauperised many tribal and rural communities who have used these resource-rich lands for their livelihoods for generations. The combustion of coal to produce electricity constitutes the compelling need, and the factor that prevents the Indian state from fully engaging with the impending realities of a climate-changed future. All these reasons make the timing of this book of crucial importance. In particular, The Coal Nation explores the complex history of coal in India; from its colonial legacies to contemporary cultural and social impacts of mining; land ownership and moral resource rights; protective legislation for coal as well as for the indigenous and local communities; the question of legality, illegitimacy and illicit mining and of social justice. Presenting cutting-edge multidisciplinary social science research on coal and mining in India, The Coal Nation initiates a productive dialogue amongst academics and between them and activists.
The purpose of this ethnographic study was to understand and describe the culture and history of the Appalachian coal mining community and how the culture is impacting their future if they face a mine closure. The theory guiding this study is the Cultural Identity Theory by Mary Jane Collier as it explains that the miners’ culture is influenced by those around them and can change based on their surroundings. There is also influence from mining history, which was explored in detail. Surveys, interviews, and observations were utilized to collect data as well as historic artifacts.