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An acerbically brilliant satire that explores the fault line between race and property. In 1959, Russ and Bev are selling their desirable two-bed for a knock-down price, enabling the first black family to move into the neighbourhood and alarming the cosy white urbanites of Clybourne Park, Chicago. In 2009 the same property is being bought by Lindsey and Steve, a young white couple, whose plan to raze the house and start again is met with a similar response. As the arguments rage and tensions rise, ghosts and racial resentments are once more uncovered... Bruce Norris's play Clybourne Park was first performed at Playwrights Horizons, New York City, in February 2010. The play received its European premiere at the Royal Court Theatre, London, in September 2010, transferring to Wyndham's Theatre in the West End in February 2011. The play received numerous awards, including the London Evening Standard Award for Best Play, the Critics Circle Award for Best New Play, the Olivier Award for Best New Play, the Tony Award for Best Play and the Pulitzer Prize for Drama.
"Never before, in the entire history of the American theater, has so much of the truth of Black people's lives been seen on the stage," observed James Baldwin shortly before A Raisin in the Sun opened on Broadway in 1959. This edition presents the fully restored, uncut version of Hansberry's landmark work with an introduction by Robert Nemiroff. Lorraine Hansberry's award-winning drama about the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of Black America—and changed American theater forever. The play's title comes from a line in Langston Hughes's poem "Harlem," which warns that a dream deferred might "dry up/like a raisin in the sun." "The events of every passing year add resonance to A Raisin in the Sun," said The New York Times. "It is as if history is conspiring to make the play a classic."
"Clybourne Park" spans two generations fifty years apart. In 1959, Russ and Bev are selling their desirable two-bedroom at a bargain price, unknowingly bringing the first black family into the neighborhood (borrowing a plot line from Lorraine Hansberrys "A Raisin in the Sun") and creating ripples of discontent among the cozy white residents of Clybourne Park. In 2009, the same property is being bought by a young white couple, whose plan to raze the house and start again is met with equal disapproval by the black residents of the soon-to-be-gentrified area. Are the issues festering beneath the floorboards actually the same, fifty years on? Bruce Norriss excruciatingly funny and squirm-inducing satire explores the fault line between race and property. "Clybourne Park" is the winner of the 2011 Pulitzer Prize for Drama, and the winner of the 2012 Tony Award for Best Play.
"A Raisin in the Sun" reflects Lorraine Hansberry's childhood experiences in segregated Chicago. This electrifying masterpiece has enthralled audiences and has been heaped with critical accolades. "The play that changed American theatre forever" - The New York Times. Edition Description
The affluent, African-American LeVay family is gathering at their Martha’s Vineyard home for the weekend, and brothers Kent and Flip have each brought their respective ladies home to meet the parents for the first time. Kent’s fiancée, Taylor, an academic whose absent father was a prominent author, struggles to fit into the LeVay’s upper-crust lifestyle. Kimber, on the other hand, is a self-described WASP who works with inner-city school children, fits in more easily with the family. Joining these two couples are the demanding LeVay patriarch, Joe, and Cheryl, the daughter of the family’s longtime housekeeper. As the two newcomers butt heads over issues of race and privilege, long-standing family tensions bubble under the surface and reach a boiling point when secrets are revealed.
This book is a collection of four contemporary plays that reflect the themes of racial and cultural difference of Lorraine Hansberry's 1959 play A Raisin in the Sun.
Abandoned as an infant, Jim Trewitt finds little affection for anyone or anything, except his own self-advancement. After a chance encounter with Adam Smith, Jim decides to put his faith in the free market, becoming America’s first laissez-faire capitalist. Soon his path to riches becomes entangled with that of an educated slave, who knows from experience that one person’s profit is another’s loss. From Tony- and Pulitzer Prize-winning playwright Bruce Norris comes an epic parable about the cost of inequality.
This anthology explores how theatre and performance use home as the prism through which we reconcile shifts in national, cultural, and personal identity. Whether examining parlor dramas and kitchen sink realism, site-specific theatre, travelling tent shows, domestic labor, border performances, fences, or front yards, these essays demonstrate how dreams of home are enmeshed with notions of neighborhood, community, politics, and memory. Recognizing the family home as a symbolic space that extends far beyond its walls, the nine contributors to this collection study diverse English-language performances from the US, Ireland, and Canada. These scholars of theatre history, dramaturgy, performance, cultural studies, feminist and gender studies, and critical race studies also consider the value of home at a time increasingly defined by crises of homelessness — a moment when major cities face affordable housing shortages, when debates about homeland and citizenship have dominated international elections, and when conflicts and natural disasters have displaced millions. Global struggles over immigration, sanctuary, refugee status and migrant labor make the stakes of home and homelessness ever more urgent and visible, as this timely collection reveals.
The hothouse atmosphere of all-male boarding schools has inspired a whole body of literature and drama exploring themes of friendship, romance, honor and betrayal...Roberto Aguirre-Sacasa's GOOD BOYS AND TRUE is a solid addition to the canon. It's a suspen No one in New York writes dialogue quite like Grimm...[He] effervesces so violently that he achieves liftoff, fizzing out of the Land of the Pleasantly Dirty Farce and landing on Planet Experimental Theater...A magical mystery tour of Grimm's brain...a comedia
In your quest for respectability I think we can say you have been talking out of both corners of your mouth. One corner talks to your rich backers, the other to your street-fighters. 1931. Hans Litten is one of the most celebrated lawyers in Berlin, famed for his brilliant mind and the rhetorical flair with which he defends those fighting back against the rapidly growing Nazi movement. So, when he calls Herr Hitler as star witness in the trial of a band of murderous SA men, the politician feels the full force of Litten's intellect, wit and courage. It arouses in Hitler a feeling he can't abide or forget. Two years later, on the night of the Reichstag fire, Litten is arrested. He is held without trial, beaten, tortured, and threatened as 'an enemy of human society'. As Litten disappears into the Nazi system, his indomitable mother, Irmgard, confronts his captors and, at enormous personal risk, fights to secure his release. This riveting drama by the writer of The Man Who Crossed Hitler explores Irmgard's struggle, her son's resistance, and the heroic battle of the weak against the powerful, truth against lies and mothers against murderers. Taken At Midnight received its world premiere on 26 September 2014 at the Minerva Theatre, Chichester. This edition features an introduction by the author.