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The frightening yet comic clown is one of the best and most enduring characters in literature, theater, television, and film. Across the centuries, from Shakespeare's Porter in Macbeth to Edgar Allan Poe's "Hop-Frog," or Stephen King's Pennywise, horror and comedy have blended to create the perfect recipe for entertainment. This volume gives an in-depth analysis of the clown horror genre, including essays by revered horror scholars such as Kevin Wetmore, Dale Bailey, Kim Hester Williams, Jennifer K. Cox, and Joanna Parypinski. Their essays cover topics such as nostalgia, race, class, and new portrayals of the scary clown as zombies or phantoms. It also offers interviews with actors and directors working in the clown horror genre: Eoghan McQuinn (Stitches), Kevin Kangas (Fear of Clowns), and Jaysen Buterin (Kill Giggles). Some of fiction's most terrifying creations--like the Killer Klowns, Captain Spaulding, Art the Clown, Krusty, Frowny, the Joker, and Twisty--jig through these pages of analysis and deconstruction, asking what these many iterations of scary clowns have to say about our society and its fears.
Bram Stoker Award Winner for Superior Achievement in a Young Adult Novel In Adam Cesare’s terrifying young adult debut, Quinn Maybrook finds herself caught in a battle between old and new, tradition and progress—that just may cost her life. Quinn Maybrook and her father have moved to tiny, boring Kettle Springs, to find a fresh start. But what they don’t know is that ever since the Baypen Corn Syrup Factory shut down, Kettle Springs has cracked in half. On one side are the adults, who are desperate to make Kettle Springs great again, and on the other are the kids, who want to have fun, make prank videos, and get out of Kettle Springs as quick as they can. Kettle Springs is caught in a battle between old and new, tradition and progress. It’s a fight that looks like it will destroy the town. Until Frendo, the Baypen mascot, a creepy clown in a pork-pie hat, goes homicidal and decides that the only way for Kettle Springs to grow back is to cull the rotten crop of kids who live there now. YALSA’s Best Fiction for Young Adults Nominee
"So view, and get over it." And so begins the lighthearted attempt of Scary Clowns to relieve coulrophobes of their fear of "grotesquely made-up men wearing overly large trousers, huge shoes, and a red nose." This fear may seem as amusing as the characters that inspire it, but numerous support groups and hundreds of Web sites are dedicated to coulrophobia. Horror movies featuring killer clowns, as well as notorious clown/serial killer John Wayne Gacy, have only fed the fear. Over 80 full-color photographs-from the surreal to the grotesque-populate Scary Clowns, bringing readers face to face with their worst nightmares. A pop-up clown in the middle of the book forces the reader to confront his darkest fear in 3-D. It is all done in the name of good, clean fun, of course. Why are seemingly innocuous clowns so horrifying to so many people? The introduction in Scary Clowns attempts to demystify the strange phobia. By nature silent, a clown makes no noise or complaint as he falls over, throws things, plays with knives, walks on high wires, tumbles, turns, and collapses. Maybe it's the silence that makes him so scary.
The evil clown is a subversion of the traditional comic clown character, in which the playful trope is instead rendered as disturbing through the use of horror elements and dark humor. The modern archetype of the evil clown was popularized by DC Comics character the Joker starting in 1940 and again by Pennywise in Stephen King's 1986 novel It. The character can be seen as playing off the sense of unease felt by sufferers of coulrophobia, the fear of clowns This book is the assembly of various texts that are freely available on the web, especially from Wikipedia. The next obvious question is: why buy this book? The answer: because it means you avoid having to carry out long and tedious internet searches. The topics are all linked to each other organically, and as a function of the subject and, in most cases, contain additional unpublished topics, not found on the web. Moreover, the inclusion of images completes the work so as to make it unique and unrepeatable. Contents of the book: The evil clown: Origins, Interpretations, Urban legends and incidents, Clown sightings, Response to evil clowns in media, Depictions. Evil Clowns Horror Movies: Clown Kill, The Clown Murders, Clownhouse, Fear of Clowns, The House on Sorority Row. Horror films about clowns. The poster of each film, scenes from the film, plot, criticism and other curiosities.
The frightening yet comic clown is one of the best and most enduring characters in literature, theater, television, and film. Across the centuries, from Shakespeare's Porter in Macbeth to Edgar Allan Poe's "Hop-Frog," or Stephen King's Pennywise, horror and comedy have blended to create the perfect recipe for entertainment. This volume gives an in-depth analysis of the clown horror genre, including essays by revered horror scholars such as Kevin Wetmore, Dale Bailey, Kim Hester Williams, Jennifer K. Cox, and Joanna Parypinski. Their essays cover topics such as nostalgia, race, class, and new portrayals of the scary clown as zombies or phantoms. It also offers interviews with actors and directors working in the clown horror genre: Eoghan McQuinn (Stitches), Kevin Kangas (Fear of Clowns), and Jaysen Buterin (Kill Giggles). Some of fiction's most terrifying creations--like the Killer Klowns, Captain Spaulding, Art the Clown, Krusty, Frowny, the Joker, and Twisty--jig through these pages of analysis and deconstruction, asking what these many iterations of scary clowns have to say about our society and its fears.
Creepy clowns are everywhere, sighted all over the world. They are watching YOUR children. Why?Put your best face on... The circus is coming to town!A creepy clown stares at a young boy from the woods next to his grade school. The boy tells his father. The father wants to get to the bottom of it. Who are they? What do they want? Questions he never should have asked... The answers are here. This is the terrifying story of a desperate father, a simple medicated "beauty lotion," a secret clinical study at a big Pharmaceutical company north of Chicago, and how SERIOUS COMPLICATIONS changed MY life forever. Nothing will be the same again, for me OR for you. Creepy Clowns: Who are they? What do they want? The answer is as clear as the big red nose on your face.
Help children face irrational fears with this uniquely creative, full-color children's book addressing fears of clowns and nightmares. This book helps children challenge their fears of clowns and nightmares, and can be applied more generally to any irrational fear that children may have. The book shows children that clowns are not scary, and that what we see in nightmares is not real. The book is in bright, brilliant full-color. Each of the pages of text are full-color as well. Children will love the story, the pictures, and the message it sends, which helps kids realize that what may first be thought of as scary, can be viewed in a different way.
A gorgeously rendered graphic novel of Daniel Alarcón’s story City of Clowns. From the author of The King Is Always Above the People, which was longlisted for the 2017 National Book Award for Fiction. Oscar “Chino” Uribe is a young Peruvian journalist for a local tabloid paper. After the recent death of his philandering father, he must confront the idea of his father’s other family, and how much of his own identity has been shaped by his father’s murky morals. At the same time, he begins to chronicle the life of street clowns, sad characters who populate the violent and corrupt city streets of Lima, and is drawn into their haunting, fantastical world. This remarkably affecting story by Daniel Alarcón was included in his acclaimed first book, War by Candlelight, and now, in collaboration with artist Sheila Alvarado, it takes on a new, thrilling form. This graphic novel, with its short punches of action and images, its stark contrasts between light and dark, truth and fiction, perfectly corresponds to the tone of Chino’s story. With the city of Lima as a character, and the bold visual language from the story, City of Clowns is moving, menacing, and brilliantly vivid.
RIPPED FROM THE HEADLINES As the world frets over a rash of clown sightings, Elle Bourdain laughs. After being hired by a movie studio to promote the upcoming horror film, CLOWN, Elle starts an advanced advertising campaign. Her agency hires actors in dozens of metropolitan areas to dress like clowns and frighten people. The campaign goes viral as schools shutdown, children refuse to play outside, and adult paranoia skyrockets. Elle basks in the glory of her professional victory… until she encounters a horrifying clown of her own. And then the laughter stops.
Bad clowns—those malicious misfits of the midway who terrorize, haunt, and threaten us—have long been a cultural icon. This book describes the history of bad clowns, why clowns go bad, and why many people fear them. Going beyond familiar clowns such as the Joker, Krusty, John Wayne Gacy, and Stephen King’s Pennywise, it also features bizarre, lesser-known stories of weird clown antics including Bozo obscenity, Ronald McDonald haters, killer clowns, phantom-clown abductors, evil-clown panics, sex clowns, carnival clowns, troll clowns, and much more. Bad Clowns blends humor, investigation, and scholarship to reveal what is behind the clown’s dark smile.