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Chosen an "Outstanding Book on the Subject of Human Rights in the United States" by the Gustavus Myers Center for the Study of Human Rights. In this volume of incisive essays, Ward Churchill looks at representations of American Indians in literature and film, delineating a history of cultural propaganda that has served to support the continued colonization of Native America. During each phase of the genocide of American Indians, the media has played a critical role in creating easily digestible stereotypes of Indians for popular consumption. Literature about Indians was first written and published in order to provoke and sanctify warfare against them. Later, the focus changed to enlisting public support for "civilizing the savages," stripping them of their culture and assimilating them into the dominant society. Now, in the final stages of cultural genocide, it is the appropriation and stereotyping of Native culture that establishes control over knowledge and truth. The primary means by which this is accomplished is through the powerful publishing and film industries. Whether they are the tragically doomed "noble savages" walking into the sunset of Dances With Wolves or Carlos Castaneda's Don Juan, the exotic mythical Indians constitute no threat to the established order. Literature and art crafted by the dominant culture are an insidious political force, disinforming people who might otherwise develop a clearer understanding of indigenous struggles for justice and freedom. This book is offered to counter that deception, and to move people to take action on issues confronting American Indians today.
Now in paperback: the runaway British bestseller that has cloudspotters everywhere looking up. Where do clouds come from? Why do they look the way they do? And why have they captured the imagination of timeless artists, Romantic poets, and every kid who's ever held a crayon? Veteran journalist and lifelong sky watcher Gavin Pretor-Pinney reveals everything there is to know about clouds, from history and science to art and pop culture. Cumulus, nimbostratus, and the dramatic and surfable Morning Glory cloud are just a few of the varieties explored in this smart, witty, and eclectic tour through the skies. Illustrated with striking photographs (including a new section in full-color) and line drawings featuring everything from classical paintings to lava lamps, The Cloudspotter's Guide will have enthusiasts, weather watchers, and the just plain curious floating on cloud nine.
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Set in the red canyons of the old Southwest, Grace of The Clouds is an epic tale wrapped in Mexican folklore and Navajo legend. It is the story of Grace, a child born of earth and heaven, who lives on a doomed ranch run by Matilda, a bitter Mexican born without a guardian angel, who believes Grace is a witch. Not far is Finger's Edge, an ominous butte the Navajos call home to the "Great One," the locals believe is cursed by witches, and where Grace was born. Grace talks to the earth and sky and magically transforms the ranch into an oasis for enormous vegetables and hearty cattle. As Grace grows, her beauty and mysterious powers draw awe and fear. She finds a lover in a cloud named "OV" who introduces her to a mystical new world. The Navajos believe Grace is the Great One until a man manifests from the clouds. There is conflict, scandal, and murder as clouds come alive in this enchanting romance about superstition and the power of love.
This book describes clouds of many shapes and sizes that drift and dance across the sky.
Guide to the sport of piloting gliders including history, the kinds of sailplanes, how to obtain a pilot's license, and much more.
One hundred members of NatChat, an electronic mail discussion group concerned with Native American issues, responded to the recent Disney release Pocahontas by calling on parents to boycott the movie, citing its historical inaccuracies and saying that "Disney has let us down in a cruel, irresponsible manner." Their anger was rooted in the fact that, although Disney had claimed that the film's portrayal of American Indians would be "authentic," the Pocahontas story the movie told was really white cultural myth. The actual histories of the characters were replaced by mythic narratives depicting the crucial moments when aid was given to the white settlers. As reconstructed, the story serves to reassert for whites their right to be here, easing any lingering guilt about the displacement of the native inhabitants. To understand current imagery, it is essential to understand the history of its making, and these essays mesh to create a powerful, interconnected account of image creation over the past 150 years. The contributors, who represent a range of disciplines and specialties, reveal the distortions and fabrications white culture has imposed on significant historical and current events, as represented by treasured artifacts such as photographic images taken of Sitting Bull following his surrender, the national monument at the battlefield of Little Bighorn, nineteenth-century advertising, the television phenomenon Northern Exposure, and the film Dances with Wolves. Well illustrated, this volume demonstrates the complacency of white culture in its representation of its troubled relationship with American Indians.
Descriptions of the dances, costumes, body decorations, and musical accompaniment supplement information on the cultural background of Indian dancing
Set in the fictitious town of Lake Luffit, two middle-aged women, one Jewish and one African American, find a little white horse. The mysterious horse had been forgotten and left alone to starve. As Hanna and Rochelle spend hours together in a dilapidated barn together, they learn about and face social issues-and issues of their own. The Blue Bead is about so much more than a horse. It is about life, communication, and the lack of communication. It is about relationships, friendship, and healing. The Blue Bead is a passionate and empowering story, poignant, provocative, and beautifully written. The characters are approachable, the messages, brilliant.