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The book provides the first broad survey of church textiles of Spanish America and demonstrates that, while overlooked, textiles were a vital part of visual culture in the Catholic Church. When Catholic churches were built in the New World in the sixteenth century, they were furnished with rich textiles known in Spanish as “church clothing.” These textile ornaments covered churches’ altars, stairs, floors, and walls. Vestments clothed priests and church attendants, and garments clothed statues of saints. The value attached to these textiles, their constant use, and their stunning visual qualities suggest that they played a much greater role in the creation of the Latin American Church than has been previously recognized. In Clothing the New World Church, Maya Stanfield-Mazzi provides the first comprehensive survey of church adornment with textiles, addressing how these works helped establish Christianity in Spanish America and expand it over four centuries. Including more than 180 photos, this book examines both imported and indigenous textiles used in the church, compiling works that are now scattered around the world and reconstructing their original contexts. Stanfield-Mazzi delves into the hybrid or mestizo qualities of these cloths and argues that when local weavers or embroiderers in the Americas created church textiles they did so consciously, with the understanding that they were creating a new church through their work. The chapters are divided by textile type, including embroidery, featherwork, tapestry, painted cotton, and cotton lace. In the first chapter, on woven silk, we see how a “silk standard” was established on the basis of priestly preferences for this imported cloth. The second chapter explains how Spanish-style embroidery was introduced in the New World and mastered by local artisans. The following chapters show that, in select times and places, spectacular local textile types were adapted for the church, reflecting ancestral aesthetic and ideological patterns. Clothing the New World Church makes a significant contribution to the fields of textile studies, art history, Church history, and Latin American studies, and to interdisciplinary scholarship on material culture and indigenous agency in the New World.
Clothing the New World Church makes a significant contribution to the fields of textile studies, art history, Church history, and Latin American studies, and to interdisciplinary scholarship on material culture and indigenous agency in the New World.
HOLINESS ISN'T JUST WHAT YOU SEE ON SUNDAYS. “I see you over there worshiping but, you know, you’re going to have to get that piercing out of your eyebrow.” —CHURCHGOER The Bible says God looks at the heart (1 Sam. 16:7) and we are called to do the same. But there are still Christians who look at the piercings, clothes, and tattoos of people before even looking at their hearts. Not only do their relationships suffer, but their churches do too, as attendance declines and a culture of appearance-based morality creeps in. Apostle Matthew L. Stevenson III exposes the traditions that root us in religiosity and prevent us from spreading the good news. Learn how to: Avoid judging others based on their appearances Extend the grace God has so richly extended to us Recognize the difference between judgment and discernment Demonstrate the Gospel in a way that draws others to Jesus Known for reaching people from all walks of life, Stevenson dives into the Word of God and unpacks what it really means to be holy.
A lively investigation of the Catholic Church and its controversial social mission in the developing world
"Based on thorough archival research combined with stunning visual analysis, Maya Stanfield-Mazzi demonstrates that Andeans were active agents in Catholic image-making and created a particularly Andean version of Catholicism. Object and Apparition describes the unique features of Andean Catholicism while illustrating its connections to both Spanish and Andean cultural traditions"--Provided by publisher.
Never has a Pope, in a book-length interview, dealt so directly with such wide-ranging and controversial issues as Pope Benedict XVI does in Light of the World. Taken from a recent week-long series of interviews with veteran journalist Peter Seewald, this book tackles head-on some of the greatest issues facing the world of our time. Seewald poses such forthright questions to Pope Benedict as: What caused the clergy sexual abuse in the Catholic Church? Was there a "cover up"? Have you considered resigning? Does affirming the goodness of the human body mean a plea for "better sex"? Can there be a genuine dialogue with Islam? Should the Church rethink Catholic teaching on priestly celibacy, women priests, contraception, and same-sex relationships? Holy Communion for divorced-and-remarried Catholics? Is there a schism in the Catholic Church? Should there be a Third Vatican Council? Is there any hope for Christian unity? Is Christianity the only truth? Can the Pope really speak for Jesus Christ? How can the Pope claim to be "infallible"? Is there a "dictatorship of relativism" today? Twice before these two men held wide-ranging discussions, which became the best-selling books Salt of the Earth and God and the World. Then, Seewald's discussion partner was Joseph Ratzinger, head of the Vatican's chief doctrinal office. Now, Joseph Ratzinger is Pope Benedict XVI, the spiritual leader of the world's over one billion Catholics. Though Seewald now interviews the Pope himself, the journalist "pulls no punches", posing some of the thorniest questions any Pope has had to address. Believers and unbelievers will be fascinated to hear Benedict's thoughtful, straightforward and thought-provoking replies. This is no stern preachment or ponderous theological tract, but a lively, fast-paced, challenging, even entertaining exchange.
A New York Times columnist and one of America’s leading conservative thinkers considers Pope Francis’s efforts to change the church he governs in a book that is “must reading for every Christian who cares about the fate of the West and the future of global Christianity” (Rod Dreher, author of The Benedict Option). Born Jorge Mario Bergoglio in 1936, today Pope Francis is the 266th pope of the Roman Catholic Church. Pope Francis’s stewardship of the Church, while perceived as a revelation by many, has provoked division throughout the world. “If a conclave were to be held today,” one Roman source told The New Yorker, “Francis would be lucky to get ten votes.” In his “concise, rhetorically agile…adroit, perceptive, gripping account (The New York Times Book Review), Ross Douthat explains why the particular debate Francis has opened—over communion for the divorced and the remarried—is so dangerous: How it cuts to the heart of the larger argument over how Christianity should respond to the sexual revolution and modernity itself, how it promises or threatens to separate the church from its own deep past, and how it divides Catholicism along geographical and cultural lines. Douthat argues that the Francis era is a crucial experiment for all of Western civilization, which is facing resurgent external enemies (from ISIS to Putin) even as it struggles with its own internal divisions, its decadence, and self-doubt. Whether Francis or his critics are right won’t just determine whether he ends up as a hero or a tragic figure for Catholics. It will determine whether he’s a hero, or a gambler who’s betraying both his church and his civilization into the hands of its enemies. “A balanced look at the struggle for the future of Catholicism…To Change the Church is a fascinating look at the church under Pope Francis” (Kirkus Reviews). Engaging and provocative, this is “a pot-boiler of a history that examines a growing ecclesial crisis” (Washington Independent Review of Books).
Maureen C. Miller traces the ways in which clerical garb changed over the Middle Ages. Miller goes into detail about craft, artistry, and textiles and contributes to our understanding of the religious, social, and political meanings of clothing, past and present.
When Catholic churches were built in the New World in the sixteenth century, they were furnished with rich textiles known in Spanish as "church clothing." These textile ornaments covered churches' altars, stairs, floors, and walls. Vestments clothed priests and church attendants, and garments clothed statues of saints. The value attached to these textiles, their constant use, and their stunning visual qualities suggest that they played a much greater role in the creation of the Latin American Church than has been previously recognized. In Clothing the New World Church, Maya Stanfield-Mazzi provides the first comprehensive survey of church adornment with textiles, addressing how these works helped establish Christianity in Spanish America and expand it over four centuries. Including 177 photos, this book examines both imported and indigenous textiles used in the church, compiling works that are now scattered around the world, and reconstructing their original contexts. Stanfield-Mazzi delves into the hybrid or mestizo qualities of these cloths and argues that when local weavers or embroiderers in the Americas created church textiles they did so consciously, with the understanding that they were creating a new church through their work. The chapters are divided by textile type, including embroidery, featherwork, tapestry, painted cotton, and cotton lace. In the first chapter, on woven silk, we see how a "silk standard" was established on the basis of priestly preferences for this imported cloth. The second chapter explains how Spanish-style embroidery was introduced in the New World and mastered by local artisans. The following chapters show that, in select times and places, spectacular local textile types were adapted for the church, reflecting ancestral aesthetic and ideological patterns. Clothing the New World Church makes a significant contribution to the fields of textile studies, art history, Church history, Latin American studies, and to interdisciplinary scholarship on material culture and indigenous agency in the New World.
Female habit carries with it a twofold idea--dress and ornament. By "dress" we mean what they call "womanly gracing;" by "ornament," what it is suitable should be called "womanly disgracing." The former is accounted (to consist) in gold, and silver, and gems, and garments; the latter in care of the hair, and of the skin, and of those parts of the body which attract the eye. Against the one we lay the charge of ambition, against the other of prostitution; so that even from this early stage (of our discussion) you may look forward and see what, out of (all) these, is suitable, handmaid of God, to your discipline, inasmuch as you are assessed on different principles (from other women), --those, namely, of humility and chastity.