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Get ready to see what people are wearing all over the world. How are their clothes like yours? How are they different?
Get ready to see what people are wearing all over the world. How are their clothes like yours? How are they different?
It’s time to get dressed! In this increasingly connected world, numerous peoples around the world share modern fashions. However, many cultures reserve distinctive outfits for special occasions. This intriguing volume, a valuable addition to any social studies collection, showcases clothing from West Africa, Mexico, India, South Korea, Scotland, and other places. Traditional apparel, some of which is now seen in western countries, is displayed in vivid photographs.
Simple text and photographs present families from many cultures.
Step inside homes all over the world. What makes them the same as yours? What makes them different?
What do our clothes say about who we are or who we think we are? How does the way we dress communicate messages about our identity? Is the desire to be "in fashion" universal, or is it unique to Western culture? How do fashions change? These are just a few of the intriguing questions Fred Davis sets out to answer in this provocative look at what we do with our clothes—and what they can do to us. Much of what we assume to be individual preference, Davis shows, really reflects deeper social and cultural forces. Ours is an ambivalent social world, characterized by tensions over gender roles, social status, and the expression of sexuality. Predicting what people will wear becomes a risky gamble when the link between private self and public persona can be so unstable.
This book provides a concise and much-needed introduction to the sociology of fashion. Most studies of fashion do not make a clear distinction between clothing and fashion. Kawamura argues that clothing is a tangible material product whereas fashion is a symbolic cultural product. She debunks the myth of the genius designer and explains, provocatively, that fashion is not about clothes but is a belief. There is an institutional structure, ignored by many fashion theorists, that has shaped and produced the fashion phenomenon. Kawamura further shows how the structural nature of the fashion system works to legitimize designers creativity and can make them successful. Newer fashion cities, such as Milan and New York, are the product of the fashion system that originated in Paris. Without that systemic structure, fashion culture would not exist. Fashion-ology provides a big picture approach that focuses on the social process behind fashion and its perpetuation.
From homes and clothes to school and family, life is different all around the world. Culture makes us who we are. Grass-roofed huts, blue jeans, and ceremonial clothing are all a part of culture. Each striking photograph is accompanied by a world map that shows where it was taken.
A celebration of clothing in bright, beautiful photographs of exuberant and diverse children from around the world, WHAT WE WEAR: DRESSING UP AROUND THE WORLD inspires young readers to explore the way clothing makes them feel and how it tells the world who they are. What we wear can identify who we are: what team we play for or what team we root for, where we go to school, how we worship, or how we represent our heritage. What we wear expresses our individuality, and clothes can make us happy, confident, and proud. Whether it’s a piper in a tartan plaid, a cowpoke in a cowboy hat, or a novice in ceremonial face paint, children everywhere wear different clothes and accessories for different reasons. But, one thing they all have in common is that they are all unique and beautiful. Backmatter encourages young readers to explore the way people dress in other countries and other cultures at folk festivals, at museums, and at home by asking about their own family heritage.
A contemporary look at both traditional clothing and street styles from 38 countries around the world and the influence these two very different kinds of dress are having on fashion and designers today. Traditional dress from around the globe inspired the early designs of people like Coco Chanel and Christian Dior. Culture to Catwalk looks back at the roots of the industry, the backlash against brash consumerism, globalisation and 'fast-fashion' and that what people are wearing locally on the streets is once again influencing what stalks the catwalk (just as at the turn of the century). It features interviews and quotes from designers and brands including Hussein Chalayan, Rei Kawakubo, Sophia Kokosalaki and many more.