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Heart Of The Suurise, I've Seen All Good People, Yours Is No Disgrace, Siberian Khatru... these were the classic anthems from the glory days of Yes--the greatest of all the Seventies progressive supergroups.
Yes have now been on the rock circuit for an incredible 34 years. Jon Anderson, Steve Howe, Rick Wakeman, Chris Squire and Bill Bruford are just some of the star players who helped to make the band one of the greatest-ever names in classic rock. Their turbulent story spans the early days of pub and club gigs, international supergroup status in the heyday of rock, and various line-ups since.Chris Welch's definitive biography of Yes is once again updated to include the historic return of Rick Wakeman to the classic Yes line up during 2002 and their subsequent highly successful tour of America.
The first half of the 1970s was an especially fertile period for British progressive rock, laying claim to classics such as Tarkus, Selling England by the Pound, Larks' Tongues in Aspic, The Dark Side of the Moon, and Thick as a Brick. Collectively these and other works represent the best British progressive rock had to offer. Yet, it's Yes's 1972 three-track masterpiece, Close to the Edge, that presents a snapshot of an adventurous rock band at the peak of its powers, daring to push itself musically, both as individuals and as a unit. In this absorbing chronicle, which draws upon dozens of original and archived interviews and features rare photographs and an extensive discography, acclaimed music journalist Will Romano examines why Close to the Edge is the ultimate prog rock album. Yes had previously penned epic tracks for The Yes Album and Fragile, but nothing on the magnitude of the musical gems appearing on Close to the Edge. It's something of a small miracle – perhaps even magic – that the virtuoso quintet crafted such a cohesive and compelling album during an often-hectic recording process that very nearly relegated this monumental work to the dustbin of history. So potent was the power of Close to the Edge that even before its release it had forever shifted the personal dynamics of the group and the course of progressive rock. Rarely had Yes, or any rock outfit for that matter, been simultaneously so expansive and concise, spiritual and savage, profound and nebulous.
The Routledge Companion to Popular Music Analysis: Expanding Approaches widens the scope of analytical approaches for popular music by incorporating methods developed for analyzing contemporary art music. This study endeavors to create a new analytical paradigm for examining popular music from the perspective of developments in contemporary art music. "Expanded approaches" for popular music analysis is broadly defined as as exploring the pitch-class structures, form, timbre, rhythm, or aesthetics of various forms of popular music in a conceptual space not limited to the domain of common practice tonality but broadened to include any applicable compositional, analytical, or theoretical concept that illuminates the music. The essays in this collection investigate a variety of analytical, theoretical, historical, and aesthetic commonalities popular music shares with 20th and 21st century art music. From rock and pop to hip hop and rap, dance and electronica, from the 1930s to present day, this companion explores these connections in five parts: Establishing and Expanding Analytical Frameworks Technology and Timbre Rhythm, Pitch, and Harmony Form and Structure Critical Frameworks: Analytical, Formal, Structural, and Political With contributions by established scholars and promising emerging scholars in music theory and historical musicology from North America, Europe, and Australia, The Routledge Companion to Popular Music Analysis: Expanding Approaches offers nuanced and detailed perspectives that address the relationships between concert and popular music.
Progressive Rock, Religion, and Theology examines progressive rock music’s engagement with theology and religion, which spans an array of artists and songs from its early days to the present. Co-written by a musician and a professor of religious studies, this book looks closely not only at lyrics but at the music itself and how the two together serve to foster the exploration of religious and spiritual themes from a wide array of angles. Each chapter covers a key song by ELP, Yes, Genesis, Jethro Tull, Kansas, Rush, and Neal Morse as well as tracing the themes from those songs into other works by the same artist and the music of others. Readers will get to know music that is familiar to them through an academic lens, and will discover that its engagement with theological ideas, if not typically informed by study of academic theologians, is nonetheless at times both intellectually rigorous and profoundly insightful.
The Story Of Yes – (Largely) In Their Own Words For his landmark 50th book, top rock writer Martin Popoff abandons his metal musings to celebrate the long and legendary life of Yes, a band he has loved since the 1970s. Using a timeline format, Popoff disentangles the convoluted tale of the band’s hirings and firings, their inspired creations, live triumphs and studio victories (as well as the occasional controversial failure.) With original interviews from Anderson, Bruford, Howe, Wakeman, the late Chris Squire and many others, the tale unfolds via an exhaustive chronology designed to satisfy the most knowledgeable of Yes fans. You just might learn what “Close To The Edge” actually means, or why Alan White and Jon Anderson might be seen prowling the junkyard for car parts! Not content with charting the band’s history, Popoff covers the major projects outside the Yes umbrella, such as Asia, GTR and Rick Wakeman’s extravaganzas, to paint a full picture. If you’ve been moved by classic albums like Fragile, Close To The Edge, Relayer, Going For The One, or more recent offerings like Fly From Here and Heaven And Earth, you’ll love this book, which perfectly captures the spirit of progressive rock’s first, biggest, and best band who have made it their mission to widen our perceptions of what music can be.
Unlike most books on rock music, Music of Yes does not focus on personalities, but instead on musical structures, lyrical vision, and cultural and historical context. Bill Martin situates one of the most creative groups from the progressive rock period, Yes, within the utopian ideals of the sixties and the experimental trend in rock music initiated by the Beatles and taken up by groups such as King Crimson, Jethro Tull, Pink Floyd, and others. Working against the seemingly entrenched cynicism and "blues orthodoxy" among rock music critics, Martin demonstrates the power of Yes's romantic, utopian, "Blakean," ecological, multicultural, and feminist perspective, showing how this vision is developed through extended musical works. "I think this book will stand out as the most definitive study of Yes, and anyway, how could I not like a book that compares my ability to that of John Coltrane and Jimi Hendrix?" —Chris Squire Co-founder of Yes "Yes fans will flock to this paean to the world of 1960s 'art rock'. . . Martin's points about the artistic aspirations of '60s and '70s 'progressive' music are thought-provoking." —Booklist
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This is a new edition, bringing the Yes story up to date for 2020 and specifically including a brand new section on the 2019 album ‘From A Page’. In Yes On Track, Stephen Lambe provides a thorough assessment of the career and output of one of the most important Progressive bands of all time. Lambe authoritatively examines each of the band’s twenty-one studio albums, chronicling the many high points and the rarer missteps, as well as dissecting the changes in band dynamics, which led to some eclectic - but always interesting - music over fifty years of recording. Lambe also discusses the band’s many live recordings and provides a brief guide to the band’s performances on DVD and video. Featuring coverage of the 50th anniversary celebrations, this is a comprehensive guide to the band’s music and should be essential reading for the band’s many devoted fans. Stephen Lambe is an author, publisher and record label owner. He is an acknowledged expert on progressive rock, having written the best-selling Citizens of Hope and Glory - the history of Progressive Rock in 2011 - and has discussed the subject on BBC Radio. Lambe has co-hosted the Summer's End Progressive Rock Festival since 2005, and is a former Chairman of the Classic Rock Society. His first live concert - of many hundreds - was Yes at Wembley Arena in 1978.