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CLOSE ENCOUNTERS OF THE THIRD KIND - ULTIMATE TRIVIA BOOK: TRIVIA, CURIOUS FACTS AND BEHIND THE SCENES SECRETS OF THE FILM DIRECTED BY STEVEN SPIELBERGCREATED BY: FILMIC UNIVERSE-Do you think you know everything about CLOSE ENCOUNTERS OF THE THIRD KIND?Do you want to know more than 100 curious facts and secrets of Steven Spielberg's film?This eBook is full of information about one of the best movies of 1977. You will find and REALLY LOVE abundant behind the scenes secrets. You can test your knowledge about this movie here.-HERE SOME EXAMPLES:- Director Steven Spielberg stated that nothing in his life had been more difficult than editing the final 35 minutes of this film.- The words that the crowd in India chants are "Aaya Re! Aaya," which means "He has come" in Hindi.- For the scene in which Barry says "toys!" as he looks out the window and spots the UFOs, Steven Spielberg actually pulled out a toy car behind the camera to cause Barry's reaction.- This film is shown every night at the Devil's Tower KOA Campground, thereby making it one of the most screened movies ever.- Became one of the first films to have a "Special Edition" director's cut made when Steven Spielberg wanted to improve his original vision.- Ray Bradbury declared this the greatest science fiction film ever made.- No one was more surprised than Steven Spielberg when his first choice to play the Frenchman - François Truffaut - said yes to appearing in his first American film.AND MUCH MORE!-So, if you want to relive the memories of this great movie or just want to be entertained and learn more about it, do not hesitate to READ this Book!
INTERSTELLAR - ULTIMATE TRIVIA BOOK: TRIVIA, CURIOUS FACTS AND BEHIND THE SCENES SECRETS OF THE FILM DIRECTED BY CHRISTOPHER NOLAN CREATED BY: FILMIC UNIVERSE - Do you think you know everything about INTERSTELLAR? Do you want to know more than 100 curious facts and secrets of Christopher Nolan's film? This eBook is full of information about one of the best movies of 2014. You will find and REALLY LOVE abundant behind the scenes secrets. You can test your knowledge about this movie here. - HERE SOME EXAMPLES: - The giant dust clouds were created on-location, using large fans to blow cellulose-based synthetic dust through the air. - Anne Hathaway suffered from hypothermia while filming in Iceland, due to the fact that her astronaut suit was open while filming scenes in the icy water. - The wormhole explanation using paper and pen is exactly the same as it appears in Event Horizon (1997). - Until post-production was complete, Matthew McConaughey did not even reveal the plot of this movie to his wife Camila Alves McConaughey. - Theoretical physicist Dr. Kip Thorne, whose works inspired this movie, was approached to play himself in a cameo role. - Some space sequences were shot with an IMAX camera installed in the nose cone of a Learjet. - The dismantled robot on the ice planet has the designation KIPP, which is a reference to Executive Producer Dr. Kip Thorne. AND MUCH MORE! - So, if you want to relive the memories of this great movie or just want to be entertained and learn more about it, do not hesitate to READ this Book!
CLOSE ENCOUNTERS OF THE THIRD KIND - ULTIMATE TRIVIA BOOK: TRIVIA, CURIOUS FACTS AND BEHIND THE SCENES SECRETS OF THE FILM DIRECTED BY STEVEN SPIELBERG CREATED BY: FILMIC UNIVERSE - Do you think you know everything about CLOSE ENCOUNTERS OF THE THIRD KIND? Do you want to know more than 100 curious facts and secrets of Steven Spielberg's film? This eBook is full of information about one of the best movies of 1977. You will find and REALLY LOVE abundant behind the scenes secrets. You can test your knowledge about this movie here. - HERE SOME EXAMPLES: - Director Steven Spielberg stated that nothing in his life had been more difficult than editing the final 35 minutes of this film. - The words that the crowd in India chants are "Aaya Re! Aaya," which means "He has come" in Hindi. - For the scene in which Barry says "toys!" as he looks out the window and spots the UFOs, Steven Spielberg actually pulled out a toy car behind the camera to cause Barry's reaction. - This film is shown every night at the Devil's Tower KOA Campground, thereby making it one of the most screened movies ever. - Became one of the first films to have a "Special Edition" director's cut made when Steven Spielberg wanted to improve his original vision. - Ray Bradbury declared this the greatest science fiction film ever made. - No one was more surprised than Steven Spielberg when his first choice to play the Frenchman - François Truffaut - said yes to appearing in his first American film. AND MUCH MORE! - So, if you want to relive the memories of this great movie or just want to be entertained and learn more about it, do not hesitate to READ this Book!
JAWS - ULTIMATE TRIVIA BOOK: TRIVIA, CURIOUS FACTS AND BEHIND THE SCENES SECRETS OF THE FILM DIRECTED BY STEVEN SPIELBERG CREATED BY: FILMIC UNIVERSE - Do you think you know everything about JAWS? Do you want to know more than 100 curious facts and secrets of Steven Spielberg's film? This eBook is full of information about one of the best movies of 1975. You will find and REALLY LOVE abundant behind the scenes secrets. You can test your knowledge about this movie here. - HERE SOME EXAMPLES: - Robert Shaw and Richard Dreyfuss could not stand each other and the two argued all the time, which resulted in some good tension between Hooper and Quint. - According to The Making of 'Jaws' (1995) documentary, the shooting star that appears during the night scene where Brody loads his revolver was real, not an optical effect. - Over 67 million people in the U.S. went to see this film when it was initially released in 1975, making it the first summer "blockbuster." - According to writer Carl Gottlieb, the line "You're gonna need a bigger boat" was not scripted, but was ad-libbed by Roy Scheider. - Director Steven Spielberg named the shark "Bruce" after his lawyer. - Most of the film was shot handheld to best countermand the ocean's swell. - Director Steven Spielberg said that when he first read the novel, he found himself rooting for the shark because the human characters were so unlikeable. AND MUCH MORE! - So, if you want to relive the memories of this great movie or just want to be entertained and learn more about it, do not hesitate to READ this Book!
In the early days of the rebellion, a tight-knit group of rebels from various backgrounds banded together against all odds to do their part in the larger mission of defeating the Galactic Empire, sparking hope across the galaxy. The award-winning team from Lucasfilm Animation brought the beloved occupants of the Ghost into our homes five years ago, now, take a step behind-the-scenes to witness the journey from paper to screen with The Art of Star Wars Rebels. Featuring never-before-seen concept art and process pieces along with exclusive commentary from the creative team behind the show.
A film-centric portrait of the extraordinarily gifted movie director whose decades-long influence on American popular culture is unprecedented Everything about me is in my films, Steven Spielberg has said. Taking this as a key to understanding the hugely successful moviemaker, Molly Haskell explores the full range of Spielberg s works for the light they shine upon the man himself. Through such powerhouse hits as Close Encounters of the Third Kind, E.T., Jurassic Park, and Indiana Jones, to lesser-known masterworks like A.I. and Empire of the Sun, to the haunting Schindler s List, Haskell shows how Spielberg s uniquely evocative filmmaking and story-telling reveal the many ways in which his life, work, and times are entwined. Organizing chapters around specific films, the distinguished critic discusses how Spielberg s childhood in non-Jewish suburbs, his parents traumatic divorce, his return to Judaism upon his son s birth, and other events echo in his work. She offers a brilliant portrait of the extraordinary director a fearful boy living through his imagination who grew into a man whose openness, generosity of spirit, and creativity have enchanted audiences for more than 40 years.
More than four decades after the premiere of his first film, Steven Spielberg (b. 1946) continues to be a household name whose influence on popular culture extends far beyond the movie screen. Now in his seventies, Spielberg shows no intention of retiring from directing or even slowing down. Since the publication of Steven Spielberg: Interviews in 2000, the filmmaker has crafted some of the most complex movies of his extensive career. His new movies consistently reinvigorate entrenched genres, adding density and depth. Many of the defining characters, motifs, tropes, and themes that emerge in Spielberg’s earliest movies shape these later works as well, but often in new configurations that probe deeper into more complicated subjects—dangerous technology rather than man-eating sharks, homicidal rather than cuddly aliens, lethal terrorism instead of rampaging dinosaurs. Spielberg's movies continue to display a remarkably sophisticated level of artistry that matches, and sometimes exceeds, the memorable visual hallmarks of his prior work. His latest series of films continue to demonstrate an ongoing intellectual restlessness and a willingness to challenge himself as a creative artist. With this new collection of interviews, which includes eleven original interviews from the 2000 edition and nine new interviews, readers will recognize the themes that motivate Spielberg, the cinematic techniques he employs to create his feature films, and the emotional connection he has to his movies. The result is a nuanced and engaging portrait of the most popular director in American cinema history.
This publication considers how cinema, as a major modern art form, has covered topics relating to the Holocaust in documentaries and fiction, historical reconstructions and more symbolic films, focusing on the question of realism in ethical and artistic terms. It explores a range of issues, including whether cinema is an appropriate method for informing people about the Holocaust compared to other media such as CD-ROMs, video or archive collections; whether it is possible to inform and appeal to the emotions without being explicit; and how the medium can nurture greater sensitivity among increasingly younger audiences which have been inured by the many images of violence conveyed in the media. Films discussed include Schindler's List, Life is Beautiful, The Pianist, Sophie's Choice, Shoah, Au revoir les enfants, The Great Dictator and To Be or Not to Be.