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Clodia Metelli: The Tribune's Sister is the first full-length biography of a Roman aristocrat whose colorful life, as described by her contemporaries, has inspired numerous modern works of popular fiction, art, and poetry. Clodia, widow of the consul Metellus Celer, was one of several prominent females who made a mark on history during the last decades of the Roman Republic. As the eldest sister of the populist demagogue P. Clodius Pulcher, she used her wealth and position to advance her brother's political goals. For that she was brutally reviled by Clodius' enemy, the orator M. Tullius Cicero, in a speech painting her as a scheming, debauched whore. Clodia may also have been the alluring mistress celebrated in the love poetry of Catullus, whom he calls "Lesbia" in homage to Sappho and depicts as beautiful, witty, but also false and corrupt. From Cicero's letters, finally, we receive glimpses of a very different woman, a great lady at her leisure. This study examines Clodia in the contexts of her family background, the societal expectations for a woman of her rank, and the turbulent political climate in which she operated. It weighs the value of the several kinds of testimony about her and attempts to extract a picture as faithful to historical truth as possible. The manner in which Clodia was represented in writings of the period, and the motives of their authors in portraying her as they did, together shed considerable light on the role played by female figures in Roman fiction and historiography.
Volume 33 in the Oklahoma Series in Classical Culture, this title provides primary sources on Clodia Metelli, the Roman woman who influenced Cicero, Catullus, and countless others. Hejduk (classics, Baylor U.) provides accessible translations in entirety of the majority of the primary sources, including all classical texts that mention Clodia. The book is presented in three sections; the first gives the context of the woman and the time in which she lived; the second presents sources from Cicero, Catullus, Sallust, Quintilian, and Plutarch; the final offers the legacy of Clodia through Propertius, Tibullus, Ovid, and Martial. This publication contains a helpful glossary of persons and places from the classical world though does not include the original Latin of the primary sources. It is intended for advanced high school or undergraduate students.
A striking portrait of one of the most fascinating women in Roman history Noble and notorious, the flamboyant Clodia Metelli was the object of passion in poetry and prose in ancient Rome and appears in more written sources than any other woman of her day. Cicero, in a famous oration, branded her a whore yet in private correspondence mentions seeking her help. Her stormy affair with the poet Catullus—the Western world’s first recorded romance with a real and richly characterized woman—had a profound influence on erotic literature. Bringing together works by Cicero, Catullus, and others in which Clodia plays a part, Julia Dyson Hejduk has produced a striking portrait of one of the most fascinating women in Roman history. Her accurate and accessible English translations include not only all the classical texts that mention Clodia, but also a substantial selection of Roman erotic poetry by Propertius, Tibullus, and Ovid. While many sourcebooks offer only small illustrative excerpts, Clodia provides most sources in their entirety, such as the Pro Caelio of Cicero, nineteen complete letters, all of Catullus’s poems on “Lesbia” (his pseudonym for Clodia), and many subsequent love elegies. Hejduk’s translations please the ear while remaining faithful to the original meaning. Her introduction reviews topics in classical culture and themes in Roman love poetry, placing the texts in their literary, social, and historical context and making them accessible to high school students and undergraduates. Notes, glossary, and bibliography make the book a well-rounded teaching tool.
A companion volume to the highly successful and widely used Ancient Greece, this Sourcebook is a valuable resource for students at all levels studying ancient Rome. Lynda Garland and Matthew Dillon present an extensive range of material, from the early Republic to the assassination of Julius Caesar. Providing a comprehensive coverage of all important documents pertaining to the Roman Republic, Ancient Rome includes: source material on political developments in the Roman Republic (509–44 BC) detailed chapters on social phenomena, such as Roman religion, slavery and freedmen, women and the family, and the public face of Rome clear, precise translations of documents taken not only from historical sources, but also from inscriptions, laws and decrees, epitaphs, graffiti, public speeches, poetry, private letters and drama concise up-to-date bibliographies and commentaries for each document and chapter a definitive collection of source material on the Roman Republic. All students of ancient Rome and classical studies will find this textbook invaluable at all levels of study.
"Peter Green is an outstanding translator. The reader’s excited anticipation of pleasure and instruction on receiving a new translation of a Latin poet by Green is not disappointed. This is a labor of love which makes Catullus accessible to the Latinless reader and more familiar to those who can read Latin."—Susan Treggiari, Stanford University "For almost half a century Peter Green has been one of the finest of all modern translators of classical verse. His Catullus is well up to his usual form—recapturing for a contemporary audience the wit, malice, erudition and erotic charm of the Latin original."—Mary Beard, author of The Parthenon
Publius Clodius Pulcher was a prominent political figure during the last years of the Roman Republic. Born into an illustrious patrician family, his early career was sullied by military failures and especially by the scandal that resulted from his allegedly disguising himself as a woman in order to sneak into a forbidden religious ceremony in the hope of seducing Caesar's wife. Clodius survived this disgrace, however, and emerged as a major political force. He renounced his patrician status and was elected tribune of the people. As tribune, he pursued an ambitious legislative agenda, winning the loyalties of the common people of Rome to such a degree that he was soon able to summon forceful, even violent, demonstrations on his own behalf. The first modern, comprehensive biography of Clodius, The Patrician Tribune traces his career from its earliest stages until its end in 52 B.C., when he was murdered by a political rival. Jeffrey Tatum explores Clodius's political successes, as well as the limitations of his popular strategies, within the broader context of Roman political practices. In the process, Tatum illuminates the relationship between the political contests of Rome's elite and the daily struggles of Rome's urban poor.
Catullus’ life was akin to pulp fiction. In Julius Caesar’s Rome, he engages in a stormy affair with a consul’s wife. He writes her passionate poems of love, hate, and jealousy. The consul, a vehement opponent of Caesar, dies under suspicious circumstances. The merry widow romances numerous young men. Catullus is drawn into politics and becomes a cocky critic of Caesar, writing poems that dub Julius a low-life pig and a pervert. Not surprisingly, soon after, no more is heard of Catullus. David Mulroy brings to life the witty, poignant, and brutally direct voice of a flesh-and-blood man, a young provincial in the Eternal City, reacting to real people and events in a Rome full of violent conflict among individuals marked by genius and megalomaniacal passions. Mulroy’s lively, rhythmic translations of the poems are enhanced by an introduction and commentary that provide biographical and bibliographical information about Catullus, a history of his times, a discussion of the translations, and definitions and notes that ease the way for anyone who is not a Latin scholar.
"I, Clodia" is the story of Clodia Metelli—poet and lover—and her relations with her far-away paramour Catullus, her husband Metellus Celer, her brother Publius Clodius, and her accuser Cicero. By giving Clodia—the "Lesbia" of Catullus's famous love poetry—her own first-person narration, Anna Jackson upends and reinvigorates the beloved classical sequence with biting wit and tender attention. Who was Clodia and what did she think about the affair, the gossip, the scandal, the poems? Jackson honors and subverts her source material in lines that are a marvel of ventriloquism. The book's second section, "The Photographer's Secret," furthers this superb exploration of voice and portrayal. The photographer in this sequence reads, writes, gives presents, and considers the art of portraiture. But who is examining, and who is being examined? Above all else, Anna Jackson takes us within and without a range of characters in her characteristically witty style—sometimes mock breathless, sometimes dryly pointed, and always clever, stylish, and emotionally engaging.
‘I, Clodia’ is the story of Clodia Metelli – poet and lover – and her relations with her far-away paramour Catullus, with her husband Metellus Celer, her brother Publius Clodius and her accuser Cicero. By giving Clodia – the ‘Lesbia’ of Catullus’s famous love poetry – her own first-person narration, Anna Jackson upends and reinvigorates the beloved classical sequence with biting wit and tender attention. Who was Clodia and what did she think about the affair, the gossip, the scandal, the poems? Jackson honours and subverts her source material in lines that are a marvel of ventriloquism. The book’s second section, ‘The photographer’s secret’, furthers this superb exploration of voice and portrayal. The photographer in this sequence reads, writes, gives presents and considers the art of portraiture. But who is examining, and who is being examined? Above all else, Anna Jackson takes us within and without a range of characters in her characteristically witty style – sometimes mock breathless, sometimes dryly pointed, and always clever, stylish and emotionally engaging. If a photograph is a ‘secret about a secret’, as Diane Arbus put it, these poems are also secrets – about lives; about portraiture; about those who have the power to record and betray.
Rome as you’ve never seen it before – brazenly unconventional, badly behaved and ever so feminine. ‘Hugely entertaining and illuminating’ —Elodie Harper, author of The Wolf Den A WATERSTONES BEST HISTORY BOOK OF 2023 Here’s how the history of the Roman Empire usually goes… We kick off with Romulus murdering his brother, go on to Brutus overthrowing Tarquin, bounce through an appallingly tedious list of battles and generals and consuls, before emerging into the political stab-fest of the late Republic. After ‘Et tu, Brute?’, it runs through all the emperors, occasionally nodding to a wife or mother to show how bad things get when women won’t do as they’re told, until Constantine invents Christianity only for Attila the Hun to come and ruin everything. Let’s tear up this script. The history of Rome and its empire is so much more than these ‘Important Things’. In this alternative history, Emma Southon tells another story about the Romans, one that lives through Vestal Virgins and sex workers, business owners and poets, empresses and saints. Discover how entrepreneurial sex worker Hispala Faecenia uncovered a conspiracy of treason, human sacrifice and Bacchic orgies so wild they would make Donna Tartt blush, becoming one of Rome’s unlikeliest heroes. Book yourself a table the House of Julia Felix and get to know Pompeii’s savviest businesswoman and restauranteur. Indulge in an array of locally sourced delicacies as you take in the wonderful view of Mount Vesuvius… what could possibly go wrong? Join the inimitable Septimia Zenobia, who – after watching a series of incompetent, psychopathic and incompetently psychopathic emperors almost destroy the Empire – did what any of us would do. She declared herself Empress, took over half the Roman Empire and ran it herself.